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Illusions of Open Space in Hong Kong, Tokyo, and Shanghai
The book is concerned with the effects of globalization on living space (i.e. the space of everyday life), focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai.
The Life of George John Beto and the Rise of the Modern Texas Prison System
George John Beto (1916-1991) is best known for his contributions to criminal justice, but his fame is not limited to this field. Walking George , authored by two of his former students, David M. Horton and George R. Nielsen, examines the entire life of Beto and his many achievements in the fields of both education and criminal justice—and how he wedded the two whenever possible. Beto initially studied to become a Lutheran pastor but instead was called to teach at Concordia Lutheran College in Austin, Texas. During his twenty years at that institution he became its president, expanded it into a junior college, racially integrated it, made it co-educational, and expanded its facilities. His successes convinced the administrators of the church to present him with a challenge to revitalize a seminary in Springfield, Illinois. He accepted the challenge in 1959, but after three years of progress, he left the seminary to become the head of the Texas Department of Corrections. Although Beto had no real academic training in corrections and had never served in any administrative position in corrections, he had learned incidentally. During his last six years in Austin, he had served on the Texas Prison Board, a volunteer board that supervised the entire prison system. As a board member he established one of the earliest General Education Development testing programs for prisoners. Fortuitously, his years on the board came during the time when reform of the Texas prisons was the watchword. During his ten-year term as the director of the Texas Department of Corrections, Beto continued the reform program. Most notable were his efforts at rehabilitation of the inmates and his attempt at refining a method of managing prisoners, called the Texas Control Model. He persuaded the Texas state legislature to enact a law requiring state agencies to purchase manufactured goods from state prisons, which tremendously expanded industry and training for inmates. In 1969, at Beto’s urging, the Windham school district for educating inmates became a reality, the first of its kind at any prison in the United States. Beto’s predilection to show up on foot in front of a given Texas prison, at all hours of the day and night, ready for an inspection and tour, earned him the nickname “Walking George.” After retiring as head of the Texas prison system in 1972, he became a professor at Sam Houston State University's College of Criminal Justice until 1991. His leadership and participation propelled it to become the most esteemed program in the country. Beto’s personal force and unique accomplishments defined him as one of the premier American penologists of the twentieth century. This is the first in-depth biography of the man and his contributions.
Remembering Sacred Reason in Contemporary Environmental Literature
The book studies the baroque and the postmodern art and architecture of Macao, as an ex-Portuguese colony founded in the sixteenth century. Examining how the ‘Baroque’ has been used in critical and cultural theory, it uses this to help visitors to Macao understand its complex history, both colonial and Chinese.
Horace on the Theory of Satire
In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Reflections of American Writers from Walt Whitman to Teju Cole
It’s no wonder that New York has always been a magnet city for writers. Manhattan is one of the most walkable cities in the world. While many novelists, poets, and essayists have enjoyed long walks in New York, not all of them have had favorable impressions. Addressing an endlessly appealing subject, Walking New York is a study of twelve American writers and several British writers who walked the streets of New York and wrote about their impressions of the city in fiction, non-fiction, and poetry._x000B__x000B_Seen through the eyes of Walt Whitman, Herman Melville, William Dean Howells, Jacob Riis, Henry James, Stephen Crane, Theodore Dreiser, James Weldon Johnson, Alfred Kazin, Elizabeth Hardwick, Colson Whitehead, and Teju Cole, almost all the works in Walking New York are about Manhattan, with only Whitman and Kazin writing about Brooklyn. Though the writers were often irritated, disturbed, and occasionally shocked by what they saw on their walks, they were still fascinated by the city William Dean Howells called “splendidly and sordidly commercial” and Cynthia Ozick called “faithfully inconstant, magnetic, man-made, unnaturalthe synthetic sublime.”_x000B__x000B_In this idiosyncratic guidebook to New York, celebrated writers ruminate on questions that are still hotly debated to this day: the pros and cons of capitalism and the impact of immigration. Many imply that New York is a bewildering text that is hard to make sense of. Returning to New York after an absence of two decades, Henry James loathed many things about “bristling” New York while native New Yorker Walt Whitman both celebrated and criticized “Mannahatta” in his writings._x000B__x000B_Combining literary scholarship with urban studies, Walking New York reveals how this crowded, dirty, noisy, and sometimes ugly city gave these “restless analysts” plenty of fodder for their craft._x000B_
The Aerial Adventures of Phoebe Omlie
Aviation pioneer Phoebe Fairgrave Omlie (1902-1975) was once one of the most famous women in America. In the 1930s, her words and photographs were splashed across the front pages of newspapers across the nation. The press labeled her "second only to Amelia Earhart among America's women pilots," and First Lady Eleanor Roosevelt named her among the "eleven women whose achievements make it safe to say that the world is progressing."
Omlie began her career in the early 1920s when aviation was unregulated and open to those daring enough to take it on, male or female. She earned the first commercial pilot's license issued to a woman and became a successful air racer. During the New Deal, she became the first woman to hold an executive position in federal aeronautics.
In Walking on Air, author Janann Sherman presents a thorough and entertaining biography of Omlie. In 1920, the Des Moines, Iowa, native bought herself a Curtiss JN-4D airplane and began learning how to fly and perform stunts with her future husband, pilot Vernon Omlie. She danced the Charleston on the top wing, hung by her teeth below the plane, and performed parachute jumps in the Phoebe Fairgrave Flying Circus.
Using interviews, contemporary newspaper articles, archived radio transcripts, and other archival materials, Sherman creates a complex portrait of a daring aviator struggling for recognition in the early days of flight and a detailed examination of how American flying changed over the twentieth century.
The Shaping Force of Emotion in Writing Drama
Reflections on a Dwelling Place
Using the seasonal roads (passable only from spring to fall) of Steuben County, New York to establish setting, the author, a literary naturalist, contemplates the meaning of "place" as she walks the back roads, bringing nature to life.