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The Aerial Adventures of Phoebe Omlie
Aviation pioneer Phoebe Fairgrave Omlie (1902-1975) was once one of the most famous women in America. In the 1930s, her words and photographs were splashed across the front pages of newspapers across the nation. The press labeled her "second only to Amelia Earhart among America's women pilots," and First Lady Eleanor Roosevelt named her among the "eleven women whose achievements make it safe to say that the world is progressing."
Omlie began her career in the early 1920s when aviation was unregulated and open to those daring enough to take it on, male or female. She earned the first commercial pilot's license issued to a woman and became a successful air racer. During the New Deal, she became the first woman to hold an executive position in federal aeronautics.
In Walking on Air, author Janann Sherman presents a thorough and entertaining biography of Omlie. In 1920, the Des Moines, Iowa, native bought herself a Curtiss JN-4D airplane and began learning how to fly and perform stunts with her future husband, pilot Vernon Omlie. She danced the Charleston on the top wing, hung by her teeth below the plane, and performed parachute jumps in the Phoebe Fairgrave Flying Circus.
Using interviews, contemporary newspaper articles, archived radio transcripts, and other archival materials, Sherman creates a complex portrait of a daring aviator struggling for recognition in the early days of flight and a detailed examination of how American flying changed over the twentieth century.
The Shaping Force of Emotion in Writing Drama
Reflections on a Dwelling Place
Using the seasonal roads (passable only from spring to fall) of Steuben County, New York to establish setting, the author, a literary naturalist, contemplates the meaning of "place" as she walks the back roads, bringing nature to life.
Attachment to the familiar and the challenge of leaving it for new horizons link the poems in this collection by Margaret Holley. The poems are full of feeling and wisdom in equal parts, and are enriched and informed by the poet’s landscape, whether it is Switzerland or Arizona. The landscape, in fact, becomes a kind of mirror we gaze into to see the future that at every turn is approaching and moving through us to illuminate the past.
How a U.S. and African Medical School Partnership Is Winning the Fight against HIV/AIDS
A remarkable partnership between the Indiana University School of Medicine and the Moi University School of Medicine in Kenya has built one of the most comprehensive and successful programs in the world to control HIV/AIDS. Calling upon the resources of the Americans, the ingenuity of the Kenyans, and their shared determination to care for patients who had been given up for dead, the program has been nominated for a Nobel Peace Prize and described as a miracle by the U.S. ambassador to Kenya. Doctors from Kenya and the United States -- employing methods once considered unfeasible, such as successfully administered antiretroviral regimes -- have created a model program for saving lives and empowering the sick and impoverished. Against formidable odds, these partners demonstrate how medicine and caring can overturn preconceived notions about Africa and help wipe out the world's most devastating pandemic.
Vol. 35 (2011) through current issue
Devoted to all aspects of the poetry and life of American modernist poet Wallace Stevens, The Wallace Stevens Journal has been publishing scholarly articles, poems, book reviews, news, and bibliographies since 1977. The Journal regularly features previously unpublished primary or archival material and photographs, as well as interpretive criticism of the writerâs poetry and essays, theoretical reflections, biographical and contextual studies, comparisons with other writers, and original art work. Increasingly international in orientation, this double-blind peer-reviewed journal welcomes a diversity of approaches and perspectives. Sponsored by The Wallace Stevens Society.
The Struggle for Ojibwe Spearfishing and Treaty Rights
Starting in the mid-1980s, protesters and supporters flocked to the boat landings of lakes being spearfished; Ojibwe spearfisher-men were threatened, stoned, and shot at. Peace and protest rallies, marches, and ceremonies galvanized and rocked the local communities and reservations, and individuals and organizations from across the country poured into northern Wisconsin to take sides in the spearfishing dispute.
From the front lines on lakes to tense, behind-the-scenes maneuvering on and off reservations, The Walleye War tells the riveting story of the spearfishing conflict, drawing on the experiences and perspectives of the members of the Lac du Flambeau reservation and an anthropologist who accompanied them on spearfishing expeditions. We learn of the historical roots and cultural significance of spearfishing and off-reservation treaty rights and we see why many modern Ojibwes and non-Natives view them in profoundly different ways. We also come to understand why the Flambeau tribal council and some tribal members disagreed with the spearfishermen and pursued a policy of negotiation with the state to lease the off-reservation treaty rights for fifty million dollars. Fought with rocks and metaphors, The Walleye War is the story of a Native people's struggle for dignity, identity, and self-preservation in the modern world.
Walls: Essays, 1985–1990, Kenneth McClane’s first book of autobiographical essays (originally published in 1991), is closely related to his second collection, Color, published by the University of Notre Dame Press in 2009. Walls is a powerful and deeply moving meditation on relationships. It begins with an essay on the death of McClane’s brother, Paul, which “changed everything. Time, my work, everything found a new calculus.” His brother’s life and death are present in some way in all the essays that follow “A Death in the Family,” as McClane tells us about giving a poetry reading in a maximum-security prison; his experience of being one of the first two African American students to attend America’s oldest private school; teaching creative writing; his sister, Adrienne; a divestment protest at Cornell; and his encounters with James Baldwin. McClane has written a new preface to this paperback edition of Walls, in which he reminds us that we are inevitably interconnected: we are each other’s witness.