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A Checklist and Atlas
Vascular Plants of Minnesota was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A definitive reference to the 2,010 vascular plant species (ferns, conifers, and flowering plants) currently found in Minnesota. The maps of he Atlas section show the geographic distribution of each plant, allowing the reader to visualize—for the first time—exactly where a species occurs in the state. Historical plant collections as well as records from detailed surveys conducted in the 1970s and 1980s by the Minnesota DNR, The Nature Conservancy, and individual researchers are included in this volume.
The flora of Minnesota is of special interest because it represents the western limits of the vast eastern deciduous forest flora, the northern and eastern boundaries of the flora of the prairies and great plains, and the southwestern limits of the northern coniferous forest. These three contrasting continental floras meet more sharply in Minnesota than in other regions.
The Checklist section provides both an authoritative summary of the nomenclature of Minnesota plants and extensive references to taxonomic literature. As such, it is the most complete list ever prepared for the entire state. Arranged alphabetically, group within group, the Checklist provides both Latin and common names for all species, subspecies, and varieties.
Gerald B. Ownbey is an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. As the curator of the University Herbarium for more than thirty years, he developed its collection of almost 750,000 specimens to make it the largest in the Midwest. Professor Ownbey is the author of Common Wild Flowers of Minnesota (University of Minnesota Press, 1971).
Thomas Morley is also an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. In addition to introducing hundreds of students to Minnesota flora in his popular course "Minnesota Plant Life," he is widely recognized for his pioneering efforts to protect remnants of Minnesota's native habitats. Professor Morley is the author of Spring Flora in Minnesota (University of Minnesota Press, 1966).
Henrietta Mondry’s monograph is the first interdisciplinary and cross-cultural study of the most original and controversial turn-of-the-century Russian writer and thinker, Vasily Rozanov. Once described as the Russian Freud, Rozanov developed a unique methodology for his writing, a methodology based on the interpretation of cultural history through the lens of sexuality. As such, he can be viewed as a Russian Foucault who wrote his own original history of sexuality in application to the main Russian classical writers of the nineteenth century. The book focuses on the constructs of race, ethnicity, gender, and sexuality which Rozanov used to explicate the political, social, and artistic narratives of the “great five” of Russian literature: Alexander Pushkin, Nikolai Gogol, Ivan Turgenev, Fedor Dostoevsky, and Leo Tolstoy. Further, it explores how Rozanov applied the concept of “impure” blood in order to demonize writers and important cultural personalities from the democratic camp, thus setting a trend in Russian culture to fight an ideological enemy by exposing his or her often invented “racial” alterity. Forbidden for publication in the Soviet Union because of his political views, Rozanov enjoys an immense popularity in contemporary Russia, where his paradoxical and controversial statements have been incorporated into the propaganda employed by Russian nationalists of various denominations. In a rigorous and yet engaging manner, Mondry offers the most thought-provoking interpretation of this influential Russian thinker’s views and exposes the manipulation of his antisemitic and right-wing opinions by members of contemporary Russian political and cultural elites.
Expériences canadiennes – Canadian experiences
Le deuxième concile du Vatican (1961-1965) fut l’un des événements religieux les plus importants du vingtième siècle. Au Canada, il coïncida avec une période de changements culturels et sociétaux sans précédent, entraînant chez les évêques catholiques canadiens un réexamen de la place et de la mission de l’Église dans le monde. Pendant quatre ans, les évêques catholiques canadiens se réunirent avec leurs collègues de partout dans le monde pour réfléchir aux questions urgentes qui se posaient à l’Église et en débattre. Ce livre bilingue étudie l’interprétation et la réception de Vatican II au Canada, analysant diverses questions, dont le rôle des médias, les réactions des autres chrétiens, les contributions des participants canadiens, l’impact du Concile sur la pratique religieuse et sa contribution à la progression du dialogue interreligieux.
The Second Vatican Council (1961-1965) was one of the most significant religious events of the twentieth-century. In Canada, it was part of a moment of unprecedented cultural and societal change, causing Canadian Catholics to reexamine the church’s place and mission in the world. For four years, Canadian Catholic bishops met with their peers from around the globe to reflect on and debate the pressing issues facing the church. This bilingual volume explores the interpretation and reception of Vatican II in Canada, looking at many issues including the role of the media, the reactions of other Christians, the contributions of Canadian participants, the council’s impact on religious practice and its contribution to the growth of inter-religious dialogue.
The Vatican Mythographers offers the first complete English translation of three important sources of knowledge about the survival of classical mythology from the Carolingian era to the High Middle Ages and beyond. The Latin texts were discovered in manuscripts in the Vatican library and published together in the nineteenth century. The three so-called Vatican Mythographers compiled, analyzed, interpreted, and transmitted a vast collection of myths for use by students, poets, and artists. In terms consonant with Christian purposes, they elucidated the fabulous narratives and underlying themes in the works of Ovid, Virgil, Statius, and other poets of antiquity. In so doing, the Vatican Mythographers provided handbooks that included descriptions of ancient rites and customs, curious etymologies, and, above all, moral allegories. Thus we learn that Bacchus is a naked youth who rides a tiger because drunkenness is never mature, denudes us of possessions, and begets ferocity; or that Ulysses, husband of Penelope, passed by the monstrous Scylla unharmed because a wise man bound to chastity overcomes lust. The extensive collection of myths illustrates how this material was used for moral lessons. To date, the works of the Vatican Mythographers have remained inaccessible to scholars and students without a good working knowledge of Latin. The translation thus fulfills a scholarly void. It is prefaced by an introduction that discusses the purposes of the Vatican Mythographers, the influences on them, and their place in medieval and Renaissance mythography. Of course, it also entertains with a host of stories whose undying appeal captivates, charms, inspires, instructs, and sometimes horrifies us.The book should have wide appeal for a whole range of university courses involving myth.
This book introduces the important concepts of finite-dimensional vector spaces through the careful study of Euclidean geometry. In turn, methods of linear algebra are then used in the study of coordinate transformations through which a complete classification of conic sections and quadric surfaces is obtained.
Food, Animals, and Gender in the Age of Terror
This inescapably controversial study envisions, defines, and theorizes an area that Laura Wright calls vegan studies. We have an abundance of texts on vegans and veganism including works of advocacy, literary and popular fiction, film and television, and cookbooks, yet until now, there has been no study that examines the social and cultural discourses shaping our perceptions of veganism as an identity category and social practice.
Ranging widely across contemporary American society and culture, Wright unpacks the loaded category of vegan identity. She examines the mainstream discourse surrounding and connecting animal rights to (or omitting animal rights from) veganism. Her specific focus is on the construction and depiction of the vegan body—both male and female—as a contested site manifest in contemporary works of literature, popular cultural representations, advertising, and new media. At the same time, Wright looks at critical animal studies, human-animal studies, posthumanism, and ecofeminism as theoretical frameworks that inform vegan studies (even as they differ from it).
The vegan body, says Wright, threatens the status quo in terms of what we eat, wear, and purchase—and also in how vegans choose not to participate in many aspects of the mechanisms undergirding mainstream culture. These threats are acutely felt in light of post-9/11 anxieties over American strength and virility. A discourse has emerged that seeks, among other things, to bully veganism out of existence as it is poised to alter the dominant cultural mindset or, conversely, to constitute the vegan body as an idealized paragon of health, beauty, and strength. What better serves veganism is exemplified by Wright’s study: openness, debate, inquiry, and analysis.
Labor Conflict in a Leisure Economy, 1960–1985
The stories of the shadowy networks and wealthy people who bankrolled and sustained Las Vegas's continuous reinvention are well documented in works of scholarship, journalism, and popular culture. Yet no one has studied closely and over a long period of time the dynamics of the workforce—the casino and hotel workers and their relations with the companies they work for and occasionally strike against. James P. Kraft here explores the rise and changing fortunes of organized and unorganized labor as Las Vegas evolved from a small, somewhat seedy desert oasis into the glitzy tourist destination that it is today. Drawing on scores of interviews, personal and published accounts, and public records, Kraft brings to life the largely behind-the-scenes battles over control of Sin City workplaces between 1960 and 1985. He examines successful and failed organizing drives, struggles over pay and equal rights, and worker grievances and arbitration to show how the resort industry’s evolution affected hotel and casino workers. From changes in the political and economic climate to large-scale strikes, backroom negotiations, and individual worker-supervisor confrontations, Kraft explains how Vegas's overwhelmingly service-oriented economy works—and doesn't work—for the people and companies who cater to the city's pleasure-seeking visitors. American historians and anyone interested in the history of labor or Las Vegas will find this account highly original, insightful, and even-handed.