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Volume 5, Part 4 [Paradise Lost, Book 4]
This variorum edition of the poem, the first part to appear on Paradise Lost, presents a comprehensive and detailed narrative survey of the critical responses to Paradise Lost, book 4, from 1695 through 1970. From notes on individual words or phrases to lengthy essays on the characters, setting, action, and themes of book 4, the variorum reveals the ever-changing and enduring topics of scholarly concern to readers of this book of Paradise Lost for nearly 300 years.
This indispensable reference tool efficiently, conveniently, and succinctly presents the most important commentary of Milton’s earliest editors and critics. It demonstrates the historical development of Milton scholarship as Fresch’s narrative overview relates that recovered critical material to the twentieth century criticism on Paradise Lost, book 4. It traces the rise and fall, and sometimes the endurance, of a variety of approaches to Milton’s text—from source studies to reader-response criticism. Gathering, organizing, and clarifying the criticism from 1695 through 1970, this volume establishes a point of departure, a stepping-off place for future critical inquiries. This critical variorum insists that while much is known, much still remains to be known about the fourth book of Paradise Lost.
Volume 5, Part 8 (<i>Paradise Lost,</i> Books 11–12)
This volume surveys all important and influential line-by-line commentary published between 1667 and 1970 on the impressive conclusion to Paradise Lost in books 11–12. In these last two books, Milton has taken the account of biblical history known to all his contemporaries and rendered it fresh by having the archangel Michael relate it to Adam in ways only partly suggested by the original text. In a series of visions in book 11, Michael shows Adam the results of his disobedience, and by a narration in book 12 the promise and revelation of “the greater Man” promised at the epic’s beginning (1.5). Adam and Eve move from repentant sorrow to invigorated hope, with the world before them and guided by Providence. The biblical influences on these last two books would have been instantly recognizable to Milton’s original audience, but the helpful notes in this volume identify biblical references and other theological matters for modern audiences. Similarly, Milton’s classical references to Homer, Virgil, Horace, Ovid, Seneca, and others are located and explained, along with Milton’s use of patristic, medieval, and early modern authors as well as later authors’ use of Milton. This volume will challenge the longstanding idea that the last two books of Paradise Lost are in any way inferior to the rest of the epic or unrelated to it. Besides the helpful introduction that traces the arguments over the value of the last books, the commentary to books 11 and 12 also demonstrates how many important and influential arguments about the epic are tied into these books. Successfully synthesizing a huge mass of Milton scholarship, Lares presents complex ideas clearly and succinctly.
Volume 3 [Samson Agonistes]
Over a span of three centuries, scholarly work dedicated to Milton’s Samson Agonistes has gradually evolved, reflecting changing critical interpretations within historical contexts. This variorum edition of the poem, the first since 1809, gathers together all significant contributions to understanding Milton’s dramatic poem that were published between 1671 and 1970.
This Variorum Commentary is an indispensable reference tool and opens up fresh lines of inquiry. Simply the most comprehensive, detailed, and expansive exploration of Samson Agonistes' critical history, this book is an essential tool for anyone interested in Milton and one of his greatest poetic works.
The Holy Sonnets
Praise for previous volumes:
"This variorum edition will be the basis of all future Donne scholarship." -- Chronique
This is the 4th volume of The Variorum Edition of the Poetry of John Donne to appear. This volume presents a newly edited critical text of the Holy Sonnets and a comprehensive digest of the critical-scholarly commentary on them from Donne's time through 1995. The editors identify and print both an earlier and a revised authorial sequence of sonnets, as well as presenting the scribal collection -- which contains unique authorial versions of several of the sonnets -- inscribed by Donne's friend Rowland Woodward in the Westmoreland manuscript.
An Annotated Checklist and Natural History
Anyone who works with the vascular plants of Iowa—researchers, conservationists, teachers, agricultural specialists, horticulturists, gardeners, and so on—and those who are simply interested in knowing more about the state's plants have long felt a need for a comprehensive flora of Iowa. This meticulously researched volume is a giant first step toward such a flora.
This book consists of an extended essay on the natural history of the vascular plants of Iowa, a discussion of their origins, a description of the state's natural regions, and a painstakingly annotated checklist of Iowa vascular plants. The data, which apply to over 150 years, took more than 15 years to collect.
All known vascular plants that grow and persist in Iowa without cultivation are included in the checklist. These are native plants, primarily, but a large number of introduced species have become established throughout the state. Also included are Iowa's major crop plants and some of its common garden plants. The lengthy checklist provides an accurate and up-to-date listing of species names and common names, synonyms, distribution, habitat, abundance, and origin; county names are given for very rare species, and the most complete information has been provided for all rare plants and troublesome species.
The wealth of information is this well-organized, practical volume—which describes more than two thousand species from Adiantum pedatum, the northern maidenhair fern of moist woods and rocky slopes, to Zannichellia palustris, the horned pondweed of shallow marshes and coldwater streams—makes it possible to identify Iowa plants correctly. All midwesterners will want to own a copy of The Vascular Plants of Iowa.
A Checklist and Atlas
Vascular Plants of Minnesota was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A definitive reference to the 2,010 vascular plant species (ferns, conifers, and flowering plants) currently found in Minnesota. The maps of he Atlas section show the geographic distribution of each plant, allowing the reader to visualize—for the first time—exactly where a species occurs in the state. Historical plant collections as well as records from detailed surveys conducted in the 1970s and 1980s by the Minnesota DNR, The Nature Conservancy, and individual researchers are included in this volume.
The flora of Minnesota is of special interest because it represents the western limits of the vast eastern deciduous forest flora, the northern and eastern boundaries of the flora of the prairies and great plains, and the southwestern limits of the northern coniferous forest. These three contrasting continental floras meet more sharply in Minnesota than in other regions.
The Checklist section provides both an authoritative summary of the nomenclature of Minnesota plants and extensive references to taxonomic literature. As such, it is the most complete list ever prepared for the entire state. Arranged alphabetically, group within group, the Checklist provides both Latin and common names for all species, subspecies, and varieties.
Gerald B. Ownbey is an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. As the curator of the University Herbarium for more than thirty years, he developed its collection of almost 750,000 specimens to make it the largest in the Midwest. Professor Ownbey is the author of Common Wild Flowers of Minnesota (University of Minnesota Press, 1971).
Thomas Morley is also an emeritus professor in the Department of Plant Biology at the University of Minnesota, Twin Cities. In addition to introducing hundreds of students to Minnesota flora in his popular course "Minnesota Plant Life," he is widely recognized for his pioneering efforts to protect remnants of Minnesota's native habitats. Professor Morley is the author of Spring Flora in Minnesota (University of Minnesota Press, 1966).
Henrietta Mondry’s monograph is the first interdisciplinary and cross-cultural study of the most original and controversial turn-of-the-century Russian writer and thinker, Vasily Rozanov. Once described as the Russian Freud, Rozanov developed a unique methodology for his writing, a methodology based on the interpretation of cultural history through the lens of sexuality. As such, he can be viewed as a Russian Foucault who wrote his own original history of sexuality in application to the main Russian classical writers of the nineteenth century. The book focuses on the constructs of race, ethnicity, gender, and sexuality which Rozanov used to explicate the political, social, and artistic narratives of the “great five” of Russian literature: Alexander Pushkin, Nikolai Gogol, Ivan Turgenev, Fedor Dostoevsky, and Leo Tolstoy. Further, it explores how Rozanov applied the concept of “impure” blood in order to demonize writers and important cultural personalities from the democratic camp, thus setting a trend in Russian culture to fight an ideological enemy by exposing his or her often invented “racial” alterity. Forbidden for publication in the Soviet Union because of his political views, Rozanov enjoys an immense popularity in contemporary Russia, where his paradoxical and controversial statements have been incorporated into the propaganda employed by Russian nationalists of various denominations. In a rigorous and yet engaging manner, Mondry offers the most thought-provoking interpretation of this influential Russian thinker’s views and exposes the manipulation of his antisemitic and right-wing opinions by members of contemporary Russian political and cultural elites.
Expériences canadiennes – Canadian experiences
Le deuxième concile du Vatican (1961-1965) fut l’un des événements religieux les plus importants du vingtième siècle. Au Canada, il coïncida avec une période de changements culturels et sociétaux sans précédent, entraînant chez les évêques catholiques canadiens un réexamen de la place et de la mission de l’Église dans le monde. Pendant quatre ans, les évêques catholiques canadiens se réunirent avec leurs collègues de partout dans le monde pour réfléchir aux questions urgentes qui se posaient à l’Église et en débattre. Ce livre bilingue étudie l’interprétation et la réception de Vatican II au Canada, analysant diverses questions, dont le rôle des médias, les réactions des autres chrétiens, les contributions des participants canadiens, l’impact du Concile sur la pratique religieuse et sa contribution à la progression du dialogue interreligieux.
The Second Vatican Council (1961-1965) was one of the most significant religious events of the twentieth-century. In Canada, it was part of a moment of unprecedented cultural and societal change, causing Canadian Catholics to reexamine the church’s place and mission in the world. For four years, Canadian Catholic bishops met with their peers from around the globe to reflect on and debate the pressing issues facing the church. This bilingual volume explores the interpretation and reception of Vatican II in Canada, looking at many issues including the role of the media, the reactions of other Christians, the contributions of Canadian participants, the council’s impact on religious practice and its contribution to the growth of inter-religious dialogue.
The Vatican Mythographers offers the first complete English translation of three important sources of knowledge about the survival of classical mythology from the Carolingian era to the High Middle Ages and beyond. The Latin texts were discovered in manuscripts in the Vatican library and published together in the nineteenth century. The three so-called Vatican Mythographers compiled, analyzed, interpreted, and transmitted a vast collection of myths for use by students, poets, and artists. In terms consonant with Christian purposes, they elucidated the fabulous narratives and underlying themes in the works of Ovid, Virgil, Statius, and other poets of antiquity. In so doing, the Vatican Mythographers provided handbooks that included descriptions of ancient rites and customs, curious etymologies, and, above all, moral allegories. Thus we learn that Bacchus is a naked youth who rides a tiger because drunkenness is never mature, denudes us of possessions, and begets ferocity; or that Ulysses, husband of Penelope, passed by the monstrous Scylla unharmed because a wise man bound to chastity overcomes lust. The extensive collection of myths illustrates how this material was used for moral lessons. To date, the works of the Vatican Mythographers have remained inaccessible to scholars and students without a good working knowledge of Latin. The translation thus fulfills a scholarly void. It is prefaced by an introduction that discusses the purposes of the Vatican Mythographers, the influences on them, and their place in medieval and Renaissance mythography. Of course, it also entertains with a host of stories whose undying appeal captivates, charms, inspires, instructs, and sometimes horrifies us.The book should have wide appeal for a whole range of university courses involving myth.