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"Her great virtue as an advocate is that she is not a reductionist. Her awareness of the complex connections among economy and nature and culture preserves her from oversimplification. So does her understanding of the importance of diversity." -- Wendell Berry, from the foreword
Motivated by agricultural devastation in her home country of India, Vandana Shiva became one of the world's most influential and highly acclaimed environmental and antiglobalization activists. Her groundbreaking research has exposed the destructive effects of monocultures and commercial agriculture and revealed the links between ecology, gender, and poverty.
In The Vandana Shiva Reader, Shiva assembles her most influential writings, combining trenchant critiques of the corporate monopolization of agriculture with a powerful defense of biodiversity and food democracy. Containing up-to-date data and a foreword by Wendell Berry, this essential collection demonstrates the full range of Shiva's research and activism, from her condemnation of commercial seed technology, genetically modified organisms (GMOs), and the international agriculture industry's dependence on fossil fuels, to her tireless documentation of the extensive human costs of ecological deterioration.
This important volume illuminates Shiva's profound understanding of both the perils and potential of our interconnected world and calls on citizens of all nations to renew their commitment to love and care for soil, seeds, and people.
Vanguard Performance Beyond Left and Right challenges assumptions regarding "radical" and "experimental" performance that have long dominated thinking about the avant-garde. The essays bring to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes they sought to oppose. The volume explores a central paradox, examining how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by top international contributors pose engaging new questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas, the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.
Finding Nature in Philadelphia
In one section of the book, White tours the gardens of colonial botanist John Bartram; his wife, Ann; and their son, writer and naturalist William. Other chapters focus on Deborah Logan, who kept a record of her life on a large farm in the late eighteenth century, and Mary Gibson Henry, twentieth-century botanist, plant collector, and namesake of the lily Hymenocallis henryae. Throughout White weaves passages from diaries, letters, and memoirs from significant Philadephia gardeners into her own striking prose, transforming each place she examines into a palimpsest of the underlying earth and the human landscapes layered over it.
White gives a surprising portrait of the resilience and richness of the natural world in Philadelphia and of the ways that gardening can connect nature to urban space. She shows that although gardens may vanish forever, the meaning and solace inherent in the act of gardening are always waiting to be discovered anew.
Islands—as well as entire continents—are reputed to have disappeared in many parts of the world. Yet there is little information on this subject concerning its largest ocean, the Pacific. Over the years, geologists have amassed data that point to the undeniable fact of islands having disappeared in the Pacific, a phenomenon that the oral traditions of many groups of Pacific Islanders also highlight. There are even a few instances where fragments of Pacific continents have disappeared, becoming hidden from view rather than being submerged. In this scientifically rigorous yet readily comprehensible account of the fascinating subject of vanished islands and hidden continents in the Pacific, the author ranges far and wide, from explanations of the region’s ancient history to the meanings of island myths. Using both original and up-to-date information, he shows that there is real value in bringing together myths and the geological understanding of land movements. A description of the Pacific Basin and the "ups and downs" of the land within its vast ocean is followed by chapters explaining how—long before humans arrived in this part of the world—islands and continents that no longer exist were once present. A succinct account is given of human settlement of the region and the establishment of cultural contexts for the observation of occasional catastrophic earth-surface changes and their encryption in folklore. The author also addresses the persistent myths of a "sunken continent" in the Pacific, which became widespread after European arrival and were subsequently incorporated into new age and pseudoscience explanations of our planet and its inhabitants. Finally, he presents original data and research on island disappearances witnessed by humans, recorded in oral and written traditions, and judged by geoscience to be authentic. Examples are drawn from throughout the Pacific, showing that not only have islands collapsed, and even vanished, within the past few hundred years, but that they are also liable to do so in the future.
Class and American Literature
Vanishing Moments analyzes how various American authors have reified class through their writing, from the first influx of industrialism in the 1850s to the end of the Great Depression in the early 1940s. Eric Schocket uses this history to document America’s long engagement with the problem of class stratification and demonstrates how deeply America’s desire to deny the presence of class has marked even its most labor-conscious cultural texts. Schocket offers careful readings of works by Herman Melville, Rebecca Harding Davis, William Dean Howells, Jack London, T. S. Eliot, Gertrude Stein, Muriel Rukeyser, and Langston Hughes, among others, and explores how these authors worked to try to heal the rift between the classes. He considers the challenges writers faced before the Civil War in developing a language of class amidst the predominant concerns about race and slavery; how early literary realists dealt with the threat of class insurrection; how writers at the turn of the century attempted to span the divide between the classes by going undercover as workers; how early modernists used working-class characters and idioms to shape their aesthetic experiments; and how leftists in the 1930s struggled to develop an adequate model to connect class and literature. Vanishing Moments’ unique combination of a broad historical scope and in-depth readings makes it an essential book for scholars and students of American literature and culture, as well as for political scientists, economists, and humanists. Eric Schocket is Associate Professor of American Literature at Hampshire College. “An important book containing many brilliant arguments—hard-hitting and original. Schocket demonstrates a sophisticated acquaintance with issues within the working-class studies movement.” --Barbara Foley, Rutgers University
Saving Journalism in the Information Age
From Equality to Hierarchy in Post-Classical Economics
The "Vanity of the Philosopher" continues the themes introduced in Levy's acclaimed book How the Dismal Science Got Its Name. Here, Peart and Levy tackle the issues of racism, eugenics, hierarchy, and egalitarianism in classical economics and take a broad view of classical economics' doctrine of human equality. Responding to perennial accusations from the left and the right that the market economy has created either inequality or too much equality, the authors trace the role of the eugenics movement in pulling economics away from the classical economist's respect for the individual toward a more racist view at the turn of the century. The "Vanity of the Philosopher" reveals the consequences of hierarchy in social science. It shows how the "vanity of the philosopher" has led to recommendations that range from the more benign but still objectionable "looking after" paternalism, to overriding preferences, and, in the extreme, to eliminating purportedly bad preferences. The authors suggest that an approach that abstracts from difference and presumes equal competence is morally compelling. "People in the know on intellectual history and economics await the next book from Peart and Levy with much the same enthusiasm that greets a new Harry Potter book in the wider world. This book delivers the anticipated delights big time!" -William Easterly, Professor of Economics and Africana Studies, NYU, and non-resident Senior Fellow, Center for Global Development "In their customary idiosyncratic manner, Sandra Peart and David Levy reexamine the way in which the views of classical economists on equality and hierarchy were shifted by contact with scholars in other disciplines, and the impact this had on attitudes towards race, immigration, and eugenics. This is an imaginative and solid work of scholarship, with an important historical message and useful lessons for scholars today." -Stanley Engerman, John Munro Professor of Economics and Professor of History, University of Rochester Sandra J. Peart, Professor of Economics at Baldwin-Wallace College, has published articles on utilitarianism, the methodology of J. S. Mill, and the transition to neoclassicism. This is her fourth book. David M. Levy is Professor of Economics at George Mason University and Director of the Center for Study of Public Choice. This is his third book.
Winner of the 1996 Drue Heinz Literature Prize. To author Edith Pearlman, "The stories in Vaquita aim at an intimacy between writer and reader. That imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they’ll at least Do Their Own Right Thing Right."