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The Hemingway-Pfeiffer Marriage
t was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway’s writing, Pauline became the source of “unbelievable happiness” for Hemingway and, by 1927, his second wife. Pauline was her husband’s best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway’s most productive, and the couple had two children. But the “unbelievable happiness” met with “final sorrow,” as Hemingway wrote, and Pauline would be the second of Hemingway’s four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway’s becoming one of our greatest literary figures
Letters of Flora Belle Jan
This volume collects the letters written over a thirty-year period by a second generation Chinese American woman, Flora Belle Jan (1906-50). Born in California to immigrant parents and educated at Berkeley and the University of Chicago, Jan raised three children with her husband Charles Wang and worked as a journalist in both the United States and China. Written during the years 1918-48, these letters offer unique insight into the social and political situation of educated, middle-class, professional Chinese American women in the early twentieth century. Literate, candid, and charming, they convey the intellectual curiosity and perspicacity of a vivacious and ambitious woman while tracing her engagement with two different worlds.
Frontier Crossings in Liao China
Unbounded Loyalty investigates how frontiers worked before the modern nation-state was invented. The perspective is that of the people in the borderlands who shifted their allegiance from the post-Tang regimes in North China to the new Liao empire (907–1125). Naomi Standen offers new ways of thinking about borders, loyalty, and identity in premodern China. She takes as her starting point the recognition that, at the time, "China" did not exist as a coherent entity, neither politically nor geographically, neither ethnically nor ideologically. Political borders were not the fixed geographical divisions of the modern world, but a function of relationships between leaders and followers. When local leaders changed allegiance, the borderline moved with them. Cultural identity did not determine people’s actions: Ethnicity did not exist. In this context, she argues, collaboration, resistance, and accommodation were not meaningful concepts, and tenth-century understandings of loyalty were broad and various. Unbounded Loyalty sheds fresh light on the Tang-Song transition by focusing on the much-neglected tenth century and by treating the Liao as the preeminent Tang successor state. It fills several important gaps in scholarship on premodern China as well as uncovering new questions regarding the early modern period. It will be regarded as critically important to all scholars of the Tang, Liao, Five Dynasties, and Song periods and will be read widely by those working on Chinese history from the Han to the Qing.
Aging in Contemporary Narrative
In the United States anti-aging is a multibillion-dollar industry, and efforts to combat signs of aging have never been stronger, or more lucrative. Although there are many sociological studies of aging and culture, there are few studies that examine the ways cultural texts construct multiple narratives of aging that intersect and sometimes conflict with existing social theories of aging. In Uncanny Subjects: Aging in Contemporary Narrative, Amelia DeFalco contributes to the ongoing discourse of aging studies by incorporating methodologies and theories derived from the humanities in her investigation into contemporary representations of aging. The movement of aging is the movement of our lives, and this dynamism aligns aging with narrative: both are a function of time, of change, of one event happening after another. Subjects understand their lives through narrative trajectories—through stories—not necessarily as they are living moment to moment, but in reflection, reflection that becomes, many argue, more and more prevalent as one ages. As a result, narrative fiction provides compelling representations of the strange—indeed uncanny—familiarity of the aging self. In Uncanny Subjects, DeFalco explores a thematic similitude in a range of contemporary fiction and film by authors and directors such as John Banville, John Cassavetes, and Alice Munro. As their texts suggest, proceeding into old age involves a growing awareness of the otherness within, an awareness that reveals identity as multiple, shifting, and contradictory—in short, uncanny. Drawing together theories of the uncanny with research on aging and temporality, DeFalco argues that aging is a category of difference integral to a contemporary understanding of identity and alterity.
Jacques de Therines and the Freedom of the Church in the Age of the Last Capetians
This absorbing book explores the tensions within the Roman Catholic church and between the church and royal authority in France in the crucial period 1290-1321. During this time the crown tried to force churchmen to accept policies many considered inconsistent with ecclesiastical freedom and traditions--such as paying war taxes and expelling the Jews from the kingdom. William Jordan considers these issues through the eyes of one of the most important and courageous actors, the Cistercian monk, professor, abbot, and polemical writer Jacques de Thérines. The result is a fresh perspective on what Jordan terms "the story of France in a politically terrifying period of its existence, one of unceasing strife and unending fear."
Jacques de Thérines was involved in nearly every controversy of the period: the expulsion of the Jews from France, the relocation of the papacy to Avignon, the affair of the Templars, the suppression of the "heresies" of Marguerite Porete and of the Spiritual Franciscans, and the defense of the "exempt" monastic orders' freedom from all but papal control. The stands he took were often remarkable in themselves: hostility to the expulsion of Jews and spirited defense of the Templars, for example. The book also traces the emergence of King Philip the Fair's (1285-1314) almost paranoid style of rule and its impact on church-state relations, which makes the expression of Jacques de Thérines's views all the more courageous.
The Case for Pushkin's Original Comedy
Includes the original Russian text and, for the first time, an English translation of that version.
“Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice
U.S. Foreign Policy and Georgia's Rose Revolution
In November of 2003, a stolen election in the former Soviet republic of Georgia led to protests and the eventual resignation of President Eduard Shevardnadze. Shevardnadze was replaced by a democratically elected government led by President Mikheil Saakashvili, who pledged to rebuild Georgia, orient it toward the West, and develop a European-style democracy. Known as the Rose Revolution, this early twenty-first-century democratic movement was only one of the so-called color revolutions (Orange in Ukraine, Tulip in Kyrgyzstan, and Cedar in Lebanon). What made democratic revolution in Georgia thrive when so many similar movements in the early part of the decade dissolved?
Lincoln A. Mitchell witnessed the Rose Revolution firsthand, even playing a role in its manifestation by working closely with key Georgian actors who brought about change. In Uncertain Democracy, Mitchell recounts the events that led to the overthrow of Shevardnadze and analyzes the factors that contributed to the staying power of the new regime. The book also explores the modest but indispensable role of the United States in contributing to the Rose Revolution and Georgia's failure to live up to its democratic promise.
Uncertain Democracy is the first scholarly examination of Georgia's recent political past. Drawing upon primary sources, secondary documents, and his own NGO experience, Mitchell presents a compelling case study of the effect of U.S. policy of promoting democracy abroad.
Western Overseas Empires in the Twentieth Century
Uncertain Dimensions was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
World War I battered the Western imperial systems and destroyed one, that of Germany, but it did not sound the death knell of an empire. The "scramble" for overseas territory ha reached a virtual conclusion shortly before the war; afterwards, the main business of empire was to ensure a pax colonia: the often contradictory goals of a stable government and economic development. It is with the years between world wars—the brief age of administrative empire — that Raymond Betts is chiefly concerned in this book. An unsettled time, when individuals coped with empire of uncertain dimensions, the interwar years nonetheless left a material legacy—railroads, motor roads, public buildings — and an ideological one—the voices of protest that led to independence after World War II.
Preeminently a cultural history of the era rather than a political narrative, Uncertain Dimensions centers upon the regions we now call the Third World—Subsaharan Africa and Southeast Asia—and the major colonial powers, Great Britain and France. Betts has structured this book as a group of closely linked interpretive essays, each devoted to a specific aspect of the late colonial experience: World War I and the postwar mandates, colonial administration, the European economic imperative and "technology transfer," urbanization, anti-imperial protest, and decolonization. Throughout, he draws upon the work of novelists, poets, and theoreticians—Aime Cesaire, Claude McKay, Leopold Sedar Senghor, Frantz Fanon, and many others—and recognizes the deep irony at the heart of modern imperialism: that contact between Western and Third worlds was mostly confined to two minorities, the alien European and the socially uprooted African or Asian.