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Julie Hanson’s award-winning collection, Unbeknownst, gives us plainspoken poems of unstoppable candor. They are astonished and sobered by the incoming data; they are funny; they are psychologically accurate and beautifully made. Hanson’s is a mind interested in human responsibility—to ourselves and to each other—and unhappy about the disappointments that are bound to transpire (“We’ve been like gods, our powers wasted”). These poems are lonely with spiritual longing and wise with remorse for all that cannot last.
“The Kindergartners” begins, “All their lives they’ve waited for / the yellow bus to come for them,” then moves directly to the present reality: “Now it’s February and the mat / is wet.” Settings and events are local and familiar, never more exotic than a yoga session at the Y, one of several instances where the body is central to the report and to the net result (“I slip in and fold / behind the wheel into the driver’s seat like a thin young thing: / My organs are surely glistening. This car was made for me.“). These poems are intimate revelations, thinking as they go, including the reader in the progress of their thoughts.
The Hemingway-Pfeiffer Marriage
t was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway’s writing, Pauline became the source of “unbelievable happiness” for Hemingway and, by 1927, his second wife. Pauline was her husband’s best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway’s most productive, and the couple had two children. But the “unbelievable happiness” met with “final sorrow,” as Hemingway wrote, and Pauline would be the second of Hemingway’s four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway’s becoming one of our greatest literary figures
Letters of Flora Belle Jan
This volume collects the letters written over a thirty-year period by a second generation Chinese American woman, Flora Belle Jan (1906-50). Born in California to immigrant parents and educated at Berkeley and the University of Chicago, Jan raised three children with her husband Charles Wang and worked as a journalist in both the United States and China. Written during the years 1918-48, these letters offer unique insight into the social and political situation of educated, middle-class, professional Chinese American women in the early twentieth century. Literate, candid, and charming, they convey the intellectual curiosity and perspicacity of a vivacious and ambitious woman while tracing her engagement with two different worlds.
Frontier Crossings in Liao China
Unbounded Loyalty investigates how frontiers worked before the modern nation-state was invented. The perspective is that of the people in the borderlands who shifted their allegiance from the post-Tang regimes in North China to the new Liao empire (907–1125). Naomi Standen offers new ways of thinking about borders, loyalty, and identity in premodern China. She takes as her starting point the recognition that, at the time, "China" did not exist as a coherent entity, neither politically nor geographically, neither ethnically nor ideologically. Political borders were not the fixed geographical divisions of the modern world, but a function of relationships between leaders and followers. When local leaders changed allegiance, the borderline moved with them. Cultural identity did not determine people’s actions: Ethnicity did not exist. In this context, she argues, collaboration, resistance, and accommodation were not meaningful concepts, and tenth-century understandings of loyalty were broad and various. Unbounded Loyalty sheds fresh light on the Tang-Song transition by focusing on the much-neglected tenth century and by treating the Liao as the preeminent Tang successor state. It fills several important gaps in scholarship on premodern China as well as uncovering new questions regarding the early modern period. It will be regarded as critically important to all scholars of the Tang, Liao, Five Dynasties, and Song periods and will be read widely by those working on Chinese history from the Han to the Qing.
Aging in Contemporary Narrative
In the United States anti-aging is a multibillion-dollar industry, and efforts to combat signs of aging have never been stronger, or more lucrative. Although there are many sociological studies of aging and culture, there are few studies that examine the ways cultural texts construct multiple narratives of aging that intersect and sometimes conflict with existing social theories of aging. In Uncanny Subjects: Aging in Contemporary Narrative, Amelia DeFalco contributes to the ongoing discourse of aging studies by incorporating methodologies and theories derived from the humanities in her investigation into contemporary representations of aging. The movement of aging is the movement of our lives, and this dynamism aligns aging with narrative: both are a function of time, of change, of one event happening after another. Subjects understand their lives through narrative trajectories—through stories—not necessarily as they are living moment to moment, but in reflection, reflection that becomes, many argue, more and more prevalent as one ages. As a result, narrative fiction provides compelling representations of the strange—indeed uncanny—familiarity of the aging self. In Uncanny Subjects, DeFalco explores a thematic similitude in a range of contemporary fiction and film by authors and directors such as John Banville, John Cassavetes, and Alice Munro. As their texts suggest, proceeding into old age involves a growing awareness of the otherness within, an awareness that reveals identity as multiple, shifting, and contradictory—in short, uncanny. Drawing together theories of the uncanny with research on aging and temporality, DeFalco argues that aging is a category of difference integral to a contemporary understanding of identity and alterity.
Jacques de Therines and the Freedom of the Church in the Age of the Last Capetians
This absorbing book explores the tensions within the Roman Catholic church and between the church and royal authority in France in the crucial period 1290-1321. During this time the crown tried to force churchmen to accept policies many considered inconsistent with ecclesiastical freedom and traditions--such as paying war taxes and expelling the Jews from the kingdom. William Jordan considers these issues through the eyes of one of the most important and courageous actors, the Cistercian monk, professor, abbot, and polemical writer Jacques de Thérines. The result is a fresh perspective on what Jordan terms "the story of France in a politically terrifying period of its existence, one of unceasing strife and unending fear."
Jacques de Thérines was involved in nearly every controversy of the period: the expulsion of the Jews from France, the relocation of the papacy to Avignon, the affair of the Templars, the suppression of the "heresies" of Marguerite Porete and of the Spiritual Franciscans, and the defense of the "exempt" monastic orders' freedom from all but papal control. The stands he took were often remarkable in themselves: hostility to the expulsion of Jews and spirited defense of the Templars, for example. The book also traces the emergence of King Philip the Fair's (1285-1314) almost paranoid style of rule and its impact on church-state relations, which makes the expression of Jacques de Thérines's views all the more courageous.
Samizdat Novels and the Quest for Autonomy in Soviet Dissidence
Vasilii Aksenov, Andrei Bitov, and Venedikt Erofeev were among the most acclaimed authors of samizdat, the literature that was self-published in the former Soviet Union in order to evade censorship and prosecution. In Uncensored, Ann Komaromi uses their work to argue for a far more sophisticated understanding of the phenomenon of samizdat, showing how the material circumstances of its creation and dissemination exercised a profound influence on the very idea of dissidence, reconfiguring the relationship between author and reader. Using archival research to fully illustrate samizdat’s social and historical context, Komaromi arrives at a more nuanced theoretical position that breaks down the opposition between the autonomous work of art and direct political engagement. The similarities between samizdat and digital culture have particular relevance for contemporary discourses of dissident subjectivity.
The Case for Pushkin's Original Comedy
Includes the original Russian text and, for the first time, an English translation of that version.
“Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice