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Selected Works of Avital Ronell
Avital Ronell has put together what must be one of the most remarkable critical oeuvres of our era. . . . Zeugmatically yoking the slang of pop culture with philosophical analysis, forcing the confrontation of high literature and technology or drug culture, Avital Ronell produces sentences that startle, irritate, illuminate. At once hilarious and refractory, her books are like no others.?--Jonathan Culler, Diacritics_x000B__x000B_For twenty years Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. She has tirelessly investigated the impact of technology on thinking and writing, with groundbreaking work on Heidegger, dependency and drug rhetoric, intelligence and artificial intelligence, and the obsession with testing. Admired for her insights and breadth of field, she has attracted a wide readership by writing with guts, candor, and wit. _x000B_Coyly alluding to Nietzsches gay science,? The ÃœberReader presents a solid introduction to Avital Ronells later oeuvre. It includes at least one selection from each of her books, two classic selections from a collection of her early essays (Finitudes Score), previously uncollected interviews and essays, and some of her most powerful published and unpublished talks. An introduction by Diane Davis surveys Ronells career and the critical response to it thus far. _x000B_With its combination of brevity and power, this Ronell primer? will be immensely useful to scholars, students, and teachers throughout the humanities, but particularly to graduate and undergraduate courses in contemporary theory. Avital Ronell has put together what must be one of the most remarkable critical oeuvres of our era. . . . Zeugmatically yoking the slang of pop culture with philosophical analysis, forcing the confrontation of high literature and technology or drug culture, Avital Ronell produces sentences that startle, irritate, illuminate. At once hilarious and refractory, her books are like no others."--Jonathan Culler, Diacritics
This collection seeks to define the emerging field of "ubiquitous learning," an educational paradigm made possible in part by the omnipresence of digital media, supporting new modes of knowledge creation, communication, and access. As new media empower practically anyone to produce and disseminate knowledge, learning can now occur at any time and any place. The essays in this volume present key concepts, contextual factors, and current practices in this new field._x000B__x000B_Contributors are Simon J. Appleford, Patrick Berry, Jack Brighton, Bertram C. Bruce, Amber Buck, Nicholas C. Burbules, Orville Vernon Burton, Timothy Cash, Bill Cope, Alan Craig, Elizabeth M. Delacruz, Lisa Bouillion Diaz, Steve Downey, Guy Garnett, Steven E. Gump, Gail E. Hawisher, Caroline Haythornthwaite, Cory Holding, Wenhao David Huang, Eric Jakobsson, Tristan E. Johnson, Mary Kalantzis, Samuel Kamin, Karrie G. Karahalios, Joycelyn Landrum-Brown, Hannah Lee, Faye L. Lesht, Maria Lovett, Cheryl McFadden, Robert E. McGrath, James D. Myers, Christa Olson, James Onderdonk, Michael A. Peters, Evangeline S. Pianfetti, Paul Prior, Fazal Rizvi, Mei-Li Shih, Janine Solberg, Joseph Squier, Kona Taylor, Sharon Tettegah, Michael Twidale, Edee Norman Wiziecki, and Hanna Zhong.
Disability in Public
In the late-nineteenth and early-twentieth centuries, municipallaws targeting "unsightly beggars" sprang up in cities across America. Seeming to criminalize disability and thus offering a visceral example of discrimination, these “ugly laws” have become a sort of shorthand for oppression in disability studies, law, and the arts.
In this watershed study of the ugly laws, Susan M. Schweik uncovers the murky history behind the laws, situating the varied legislation in its historical context and exploring in detail what the laws meant. Illustrating how the laws join the history of the disabled and the poor, Schweik not only gives the reader a deeper understanding of the ugly laws and the cities where they were generated, she locates the laws at a crucial intersection of evolving and unstable concepts of race, nation, sex, class, and gender. Moreover, she explores the history of resistance to the ordinances, using the often harrowing life stories of those most affected by their passage. Moving to the laws' more recent history, Schweik analyzes the shifting cultural memory of the ugly laws, examining how they have been used—and misused—by academics, activists, artists, lawyers, and legislators.
How CNN and Fox News Made the Invasion of Iraq High Concept
Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to "high concept" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War -- paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq -- Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events.
True Stories of Love and Marriage in Communist China
“The ugly wife is a treasure at home” is not just an idle expression in China. For centuries, Chinese marriage involved matchmakers, child brides, dowries, and concubines, until the People’s Republic of China was established by Mao Zedong and his Communist Party in 1949. Initially encouraging citizens to reject traditional arranged marriages and wed for love, the party soon spurned ”the sin of putting love first,” fearful that romantic love would distract good Communists from selflessly carrying out the State’s agenda. Under Mao, the party established the power to approve or reject proposed marriages, to dictate where couples would live, and to determine if they would live together. By the 1960s and 1970s, romantic love had become a counterrevolutionary act punishable by “struggle sessions” or even imprisonment. The importance of Chinese sons, however, did not wane during Mao’s thirty-year regime. As such, in a world where nobody spoke of love, 99 percent of young women still married. The Ugly Wife Is a Treasure at Home draws the reader into the world of love in Communist China through the personal memories of those who endured the Cultural Revolution and the generations that followed. This collection of intimate and remarkable stories gives readers a rare view of Chinese history, social customs, and Communism from the perspective of today’s ordinary citizens.
Poet of Exile
Contemporary with the Romantic generation, peer of Keats, Holderlin, and Goethe, and forerunner of Valcrv and Pound, Ugo Foscolo is nevertheless little known outside Italy. In an endeavor to discover" this exemplary European poet for English-speaking readers, and to "rediscover" him for Italian readers, Glauco Cambon examines both textually and contextually Foscolo's major works and their inextricable connection with his life, his philosophy, and his aesthetic principles.
Originally published in 1980.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Het debat over de sociale politiek in België, 1886-1914
Op het einde van de negentiende eeuw barstte de sociale kwestie in alle hevigheid los. De katholieke regeringen moesten nu wel wetgevende maatregelen nemen. Hoewel de technische inhoud van de wetten genoegzaam bekend is, geldt dat veel minder voor de onderliggende ideeën en argumentaties in de sociaal-politieke debatten. Dit boek behandelt daarom de politieke en wetenschappelijke theorievorming over de sociale wetgeving in België rond 1900. Het wil illustreren dat sociaal beleid veel meer betekende dan een droog technisch antwoord op louter praktische uitdagingen. Ook sociaal-politieke filosofie en politieke cultuur speelden een rol bij het tot stand komen van sociale wetten. De politieke cultuur van de volle negentiende eeuw had, op sociaal-economisch vlak, gedweept met het principe van de 'vrijheid van arbeid'. Voor de arbeiders op de werkvloer echter - zo luidde althans de kritiek - betekende die vrijheid van arbeid vaak een vergiftigd geschenk, ... geen echte vrijheid, maar veeleer een geketende gevangenschap. Dat kwam door de veeleer atomistische aspiratie van de politiek. Rond 1900 veranderde dat. Voortaan zou het politieke debat worden uitgedaagd door wat de auteur noemt een 'holistische bekoring'. Het is die verschuiving in de politieke cultuur die het boek nauwgezet bestudeert. Het biedt een schets van een even boeiende als kronkelende weg, de grillige weg die werd afgelegd van een individualistische 'vrijheid van arbeid' naar 'georganiseerde en gesubsidieerde vrijheid'.
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context.
Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.