Paul Stronski tells the fascinating story of Tashkent, an ethnically diverse, primarily Muslim city that became the prototype for the Soviet-era reimagining of urban centers in Central Asia. Based on extensive research in Russian and Uzbek archives, Stronski shows us how Soviet officials, planners, and architects strived to integrate local ethnic traditions and socialist ideology into a newly constructed urban space and propaganda showcase. The Soviets planned to transform Tashkent from a “feudal city” of the tsarist era into a “flourishing garden,” replete with fountains, a lakeside resort, modern roadways, schools, hospitals, apartment buildings, and of course, factories. The city was intended to be a shining example to the world of the successful assimilation of a distinctly non-Russian city and its citizens through the catalyst of socialism. As Stronski reveals, the physical building of this Soviet city was not an end in itself, but rather a means to change the people and their society. Stronski analyzes how the local population of Tashkent reacted to, resisted, and eventually acquiesced to the city’s socialist transformation. He records their experiences of the Great Terror, World War II, Stalin’s death, and the developments of the Krushchev and Brezhnev eras up until the earthquake of 1966, which leveled large parts of the city. Stronski finds that the Soviets established a legitimacy that transformed Tashkent and its people into one of the more stalwart supporters of the regime through years of political and cultural changes and finally during the upheavals of glasnost.

Frank Tashlin (1913-1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture--first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director's films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin's distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin's large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can't Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.

In this study, Teresa L. Ebert makes a spirited, pioneering case for a new cultural critique committed to the struggles for human freedom and global equality. Demonstrating the implosion of the linguistic turn that isolates culture from historical processes, The Task of Cultural Critique maps the contours of an emerging materialist critique that contributes toward a critical social and cultural consciousness._x000B__x000B_Through groundbreaking analyses of cultural texts, Ebert questions the contemporary Derridian dogma that asserts "the future belongs to ghosts." Events-to-come are not spectral, she contends, but the material outcome of global class struggles. Not "hauntology" but history produces cultural practices and their conflictive representations--from sexuality, war, and consumption to democracy, torture, globalization, and absolute otherness. With close readings of texts from Proust and Balzac to "Chick Lit," from Lukacs, de Man, Deleuze, and Marx to Derrida, Žižek, Butler, Kollontai, and Agamben, the book opens up new directions for cultural critique today.

Today's critic must be something of a philosopher as well as a poet. Yet her workremains above all that of the close reader, and the emergence of the valuesembodied by the close reader to stand alongside those of the philosopher andthe poet may be one of the most significant intellectual developments to emergein the post-World War II years.This book analyzes the language poets, Deleuze and Guattari, and above allBenjamin and Derrida, to trace the various dimensions of the task of the critic.It concludes with a major chapter on the significance of Derrida's recent workfor the conceptualization of religion, and with an Afterword examining therole of the Romantic discourse of the fragment in the archeology of all thesediscursive strands.The task of the critic, now invited to pass through the discourses ofphilosophy, poetry, and religion beyond that of close reading, has neverbeen harder-nor have we ever been more in need of it.

This book brings together six seminal essays by Professor Bernard Nsokika Fonlon, essays first published mostly in the 1960s in ABBIA (Cameroon Cultural Review) and in the pages of leading newspapers in Cameroon. Preoccupied with the cultural dignity, humanity and freedom of Africa and Africans, Fonlon never contented himself with stating the problem. In a very Socratic and scientifically systematic approach, he proposed solutions as well. Patiently pedagogical, philosophical and steeped in the classics he convinced his readers through the force of argument. In ìThe Task of Today;î Fonlon invites Cameroonians and Africans to face the challenge of nation-building and development in a world where imperialism is far from dead and buried. ìRandom Leaves from My Diaryî shares his aspirations and challenging experiences as a young seminarian learning to be relevant to God and the Catholic Church. In ìWill We Make or Marî Fonlon is worried, and indeed frustrated, by the temptations of material pursuits and the love of money threatening to derail modern elites charged with the postcolonial destiny of African nations. As a member of the Cameroon National Union, in ìUnder the Sign of the Rising Sun,î Fonlon preaches patriotism and compromise. In ìIdea of Literature,î Fonlon expresses his passion for art as the pursuit of beauty and the sublime, stressing, as he was wont to do, that no race or culture has a monopoly of this aspiration. ìA Case for Early Bilingualismî invites Cameroonians to take advantage of their English and French linguistic colonial heritage, by embracing bilingualism in early childhood and playing a major role in an interconnected world where interpretation and translation is eternally needed.

Enter the fascinating world of the Condomble regions of Brazil, where interaction between spirits and human is considered an everyday occurrence. Jim Wafer uncovers the social life, rituals, folklore, and engaging personalities of the villagers of Jacari, among whom trances, sorcery, and spirit possession demonstrate the coexistence of different kinds of reality.

This ethnography is intriguing not only because of the originality of its approach to the more enigmatic aspects of another culture but also because it uses insights gained from participation in that culture to reflect on the paradoxes inherent in the writer's own culture, and in the human condition in general.

Anthropologists who have lost their senses write ethnographies that are often disconnected from the worlds they seek to portray. For most anthropologists, Stoller contends, tasteless theories are more important than the savory sauces of ethnographic life. That they have lost the smells, sounds, and tastes of the places they study is unfortunate for them, for their subjects, and for the discipline itself.

The Taste of Ethnographic Things describes how, through long-term participation in the lives of the Songhay of Niger, Stoller eventually came to his senses. Taken together, the separate chapters speak to two important and integrated issues. The first is methodological—all the chapters demonstrate the rewards of long-term study of a culture. The second issue is how he became truer to the Songhay through increased sensual awareness.

Five million visitors a year travel to California's Napa Valley to experience the good life: to taste fine wines, eat fine food, and immerse themselves in other sophisticated pleasures while surrounded by bucolic beauty. Tourism is the world's largest employer, and tourists today want to experience the world through all five senses. Tasting the Good Life tells the story of Napa tourism through the words of the tourists who visit and the men and women who provide the products and services they rely on. The stories of 17 people -- from winemaker to vineyard manager, from celebrity chef to wait staff, from hot air balloonist to masseuse -- provide extraordinary insight into this new form of tourism and its impact on an iconic American place.

Qu'en est-il historiquement du rapport entre l'État et la diversité culturelle et religieuse au Canada? Quelles stratégies normatives a-t-on développées au cours des derniers siècles pour intégrer cette pluralité foncière de la société canadienne? Ces stratégies relevaient-elles d'une visée cohérente ou d'un pragmatisme circonstanciel? Avaient-elles une prétention assimilatrice ou constituaient-elles un embryon de multiculturalisme?

Cet ouvrage explique comment dresser l'état des flux de trésorerie selon les nouvelles recommandations du chapitre 1540 du manuel de l'Institut canadien des comptables agréés (ICCA). Douze problèmes résolus permettent au lecteur possédant des connaissances de base en comptabilité de mieux saisir l'exposé.