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White Masculinity, Masochism, and Contemporary American Culture
From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity.
Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women.
Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.
The Complete Guide to Appearing Before Parliamentary Committees
The standing committees of the House of Commons and Senate make it possible for practically any person or group to access the policy-making process and become a lobbyist. This handy and complete guide coaches prospective witnesses to do it right. Targeted primarily at those who have a stake in advancing a cause "on the hill," this guide reveals the lessons and advice of experienced parliamentarians and those who work behind the doors of Parliament. It is a "how-to" for lobbyists and advisors and "must-read" for students of political science and public administration. This refreshed edition has been updated to reflect key developments in procedure and committee practices in an ever-changing parliamentary environment.
Cynthia Genser's landscapes, like those of D.H. Lawrence, are analogues of human emotions; her men and women exist in their effects-prototypes one minute, passionate and distinctly visible individuals the next. Person and place invite the reader into an adventure that begins and ends everywhere.
The language employed throughout is voluptuous, sensuous, yet precise. The appeal is to all the senses as well as to reason and intelligence: the poems, seamed with a difficult, sweaty beauty, stimulate every pleasure center. But pure language play also leads to hard, intelligent sense.
Of her own work, Cynthia Genser has said, "Although I belong to no special school or group, I align my poetry with the work of others aiming their metaphors at the banality and reductionism of our world-at the terror or planned obsolescence, Vogue Magazine, the threat of nuclear warfare. I cannot agree more with the Marxist Henri Lefebvre that poetry is the enemy and eventual victor in the war against 'terrorism' and the terrorist society we now live in."
The News Media and Michael Newdow's Constitutional Challenge
Taking on the Pledge of Allegiance explores the landmark lawsuit filed by avowed atheist Michael Newdow against the Elk Grove Unified School District in California, in which he claimed the words “under God” in the Pledge of Allegiance amounted to an unconstitutional endorsement of religion. Newdow’s original suit was ignored by the public and the news media until June 26, 2002, when the Ninth Circuit Court of Appeals ruled that the Pledge of Allegiance was unconstitutional. This decision touched off a firestorm of negative reaction, both from politicians and from the public. The U.S. Supreme Court eventually overturned the ruling on Flag Day 2004. This book contains interviews with many of the parties involved, including Newdow and journalists who covered the case. Ronald Bishop examines how the news media marginalized Newdow after the Ninth Circuit’s ruling—acting as a “guard dog” for the government and for the ideas supposedly at the ideological heart of America—by framing the decision as an aberration, a radical act by a hopelessly liberal federal circuit court. Bishop concludes that journalists relegated Newdow to a rhetorical “protest zone”—he was heard, but from a safe distance.
Location and the Moving Image
Taking Place argues that the relation between geographical location and the moving image is fundamental and that place grounds our experience of film and media. Its original essays analyze film, television, video, and installation art from diverse national and transnational contexts to rethink both the study of moving images and the theorization of place. Through its unprecedented—and at times even obsessive— attention to actual places, this volume traces the tensions between the global and the local, the universal and the particular, that inhere in contemporary debates on global cinema, television, art, and media.
Contributors: Rosalind Galt, U of Sussex; Frances Guerin, U of Kent; Ji-hoon Kim; Hugh S. Manon, Clark U; Ara Osterweil, McGill U; Brian Price, U of Toronto; Linda Robinson, U of Wisconsin–Whitewater; Michael Siegel; Noa Steimatsky, U of Chicago; Meghan Sutherland, U of Toronto; Mark W. Turner, Kings College London; Aurora Wallace, New York U; Charles Wolfe, U of California, Santa Barbara.
What do we as a society, and as parents in particular, owe to our children? Each chapter in Taking Responsibility for Children offers part of an answer to that question. Although they vary in the approaches they take and the conclusions they draw, each contributor explores some aspect of the moral obligations owed to children by their caregivers. Some focus primarily on the responsibilities of parents, while others focus on the responsibilities of society and government.
The essays reflect a mix of concern with the practical and the philosophical aspects of taking responsibility for children, addressing such topics as parental obligations, the rights and entitlements of children, the responsibility of the state, the role and nature of public education in a liberal society, the best ways to ensure adequate child protection, the licensing of parents, children’s religious education, and children’s health. Taking Responsibility for Children will be of interest to philosophers, advocates for children’s interests, and those interested in public policy, especially as it relates to children and families.
Narratives of Jewish Women in Latin America
â€œA very significant addition to the fields of Judaic Studies and Womenâ€™s Studies . . . this book makes a unique contribution to literary scholars interested in the Jewish presence in Latin America and in the literature of displacement in general.â€? â€”Isabel Alvarez Borland, College of the Holy Cross In Taking Root, Latin American women of Jewish descent, from Mexico to Uruguay, recall their coming of age with Sabbath candles and Hebrew prayers, Ladino songs and merengue music, Queen Esther and the Virgin of Guadalupe. Rich and poor, Sephardi and Ash-kenazi, Jewish immigrant families searched for a new home and identity in predominantly Catholic societies. The essays included here examine the religious, economic, social, and political choices these families have made and continue to make as they forge Jewish identities in the New World. Marjorie Agosin has gathered narratives and testimonies that reveal the immense diversity of Latin American Jewish experience. These essays, based on first- and second-generation immigrant experience, describe differing points of view and levels of involvement in Jewish tradition. In Taking Root, Agosin presents us with a contemporary and vivid account of the Jewish experience in Latin America. Taking Root documents the sadness of exile and loss but also a fierce determination to maintain Jewish traditions. This is Jewish history but it is also part of the untold history of Brazil, Argentina, El Salvador, Ecuador, Chile, Peru, and all of Latin America. Marjorie Agosin is a professor of Spanish at Wellesley College. She is the author of A Map of Hope and The Alphabet of My Hands. She is a member of the Spanish Academy of Letters and winner of the Gabriela Mistral Medal of Honor, 2001.