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David Clewell’s spirited poems cut through the noise we too often accommodate in our daily lives. Breath by surprising breath, this poet takes us into chambers of the heart that have never been mapped quite this way before. By turns raucous and strangely soothing, narrative and lyrical, Clewell traffics in unlikely and compelling details of our mostly discernible world: a school custodian’s role in the burgeoning Space Race, the vastness of abandoned missile silos, the first lawn flamingos, and the living fossil still using a typewriter.
Toward an Engaged Cultural Criticism
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context. Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, “others.” While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny—film, consumer culture, tourism, anthropology, and the academy—the authors theorize and demonstrate the struggles and maneuvers required to “take a stand” on a wide range of issues of significance to the contemporary cultural moment.
The Business of Being an Artist Today
Taking Aim! The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furtheringtheir careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries. Published in celebration of the 30th anniversary of Artist in the Marketplace (AIM)-the pioneering career development program at the Bronx Museum of the Arts-Taking AIM! The Business of Being an Artist Today mirrors the structure and topics featured in the AIM program's weekly workshops and discussions. Each chapter focuses on the specific perspective of an art world insider-from the artist to the public art program director to the blogger. Multiple viewpoints from a range of art professionals provide emerging artists with candid, uncensored information and tools to help them better understand this complex field and develop strategies for building and sustaining successful careers as professional artists.The book ends with an annotated chronology of the past three decades in the contemporary art field and a bibliography of publications, magazine articles, online sources, funding sources, residency programs, and other useful information for emerging artists.
Why Behavioral Therapy is More Effective for Treating ADHD, OCD, Depression, and Other Psychological Problems
In this highly provocative book, Stephen Ray Flora maintains that we have been deceived into believing that whatever one’s psychological problem—from anxiety, anorexia, bulimia, depression, phobias, sleeping and sexual difficulties to schizophrenia—there is a drug to cure us. In contrast, he argues that these problems are behavioral, not chemical, and he advocates behavioral therapy as an antidote. He makes the controversial claim that for virtually every psychological difficulty, behavioral therapy is more effective than drug treatment. Not only that, but the side effects of behavioral therapy, rather than being harmful like many drugs, are actually beneficial, often facilitating self-empowerment through learning functional life skills.
Marriages of White Women and Indigenous Men in the United States and Australia, 1887-1937
This study of the ideological and political context of marriages between white women and indigenous men uncovers striking differences between the policies of assimilation endorsed by Australia and those encouraged by the United States. White Australians emphasized biological absorption, in which indigenous identity would be dissolved through interracial relationships, while white Americans promoted cultural assimilation, attempting to alter the lifestyles of indigenous people rather than their physical appearance. This disparity led, in turn, to differing emphases on humanitarian reforms, education policies, and social mobility, which affected the social status of the white women and indigenous men who married each other.
Shifting from the personal to the local to the transnational, Taking Assimilation to Heart extends our understanding of the ways in which individual lives have been part of the culture of colonialism.
A Biography of Pierre Jeanniot
To chart the inspiring journey of Pierre Jeanniot is to trace the remarkable development of the air transport industry. In his youth, Jeanniot survived the bombing of Rome, the occupation of France, and was a witness to the Resistance in the Jura Mountains. In 1963, after the Sainte-Thérèse air tragedy and the threat of finding himself jobless, Jeanniot was inspired to create the famous Black Box, which has since become a pillar of aviation security. Under his direction, Air Canada chose the Airbus rather than the Boeing to renew its fleet, in the midst of a highly visible political crisis. Against all odds, Jeanniot also orchestrated the successful privatization of the airline. His visionary speech at Amman, delivered when he was at the helm of the International Air Transport Association (IATA), laid out modern aviation’s most urgent priorities regarding accident prevention, protection of the environment, and technological progress. A master of logistics, he successfully negotiated the impasse in the skies following the September 11 terrorist attacks and handled the many complications that came in their wake.
Pierre Jeanniot’s influence has been felt far beyond the aviation world. His longstanding desire to facilitate access to higher learning led him to participate actively in the founding of the Université du Québec. A skilled diplomat, he also helped to resolve political problems in Iran, Libya, North Korea, and the Middle East. Taking Aviation to New Heights is the story of a great leader who has left an indelible mark on his milieu. He has truly piloted aviation to new heights.
Vividly showcasing diverse voices and experiences, this book illuminates an all-too-common experience by exploring how women respond to a diagnosis of breast cancer. Drawing from interviews in which women describe their journeys from diagnosis through treatment and recovery, Julia A. Ericksen explores topics ranging from women's trust in their doctors to their feelings about appearance and sexuality. She includes the experiences of women who do not put their faith in traditional medicine as well as those who do, and she takes a look at the long-term consequences of this disease. What emerges from her powerful and often moving account is a compelling picture of how cultural messages about breast cancer shape women's ideas about their illness, how breast cancer affects their relationships with friends and family, why some of them become activists, and more. Ericksen, herself a breast cancer survivor, has written an accessible book that reveals much about the ways in which we narrate our illnesses and about how these narratives shape the paths we travel once diagnosed.
Contemporary Theories and Applications
A consideration of Confucian ethics as a living ethical tradition with contemporary relevance. This thought-provoking work presents Confucianism as a living ethical tradition with contemporary relevance. While acknowledged as one of the world’s most influential philosophies, Confucianism’s significance is too often consigned to a historical or solely East Asian context. Discussing both the strengths and weaknesses of Confucian ethics, the volume’s contributors reflect on what this tradition offers that we cannot readily learn from other systems of ethics. Developing Confucian ethical ideas within a contemporary context, this work discusses the nature of virtue, the distinction between public and private, the value of spontaneity, the place of sympathy in moral judgment, what it means to be humane, how to handle competing values, and the relationship between trust and democracy. For all those concerned with ethics, this book offers both new perspectives and resources for the ongoing consideration of how we should live.
White Masculinity, Masochism, and Contemporary American Culture
From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity.
Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women.
Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.