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An Ethical Guide for Transforming Our Communities
In the wake of economic crisis on a global scale, more and more people are reconsidering their role in the economy and wondering what they can do to make it work better for humanity and the planet. In this innovative book, J. K. Gibson-Graham, Jenny Cameron, and Stephen Healy contribute complex understandings of economics in practical terms: what can we do right now, in our own communities, to make a difference?
Full of exercises, thinking tools, and inspiring examples from around the world, Take Back the Economy shows how people can implement small-scale changes in their own lives to create ethical economies. There is no manifesto here, no one prescribed model; rather, readers are encouraged and taught how to take back the economy in ways appropriate for their own communities and context, using what they already have at hand.
Take Back the Economy dismantles the idea that the economy is separate from us and best comprehended by experts. Instead, the authors demonstrate that the economy is the outcome of the decisions and efforts we make every day. The economy is thus reframed as a space of ethical action—something we can shape and alter according to what is best for the well-being of people and the planet. The book explores what people are already doing to build ethical economies, presenting these deeds as mutual concerns: What is necessary for survival, and what do we do with the surplus produced beyond what will fulfill basic needs? What do we consume, and how do we preserve and replenish the commons—those resources that can be shared to maintain all? And finally, how can we invest in a future worth living in?
Suitable for activists and students alike, Take Back the Economy will be of interest to anyone seeking a more just, sustainable, and equitable world.
Reconstructing Confederate Veteran Families in Virginia
Take Care of the Living assesses the short- and long-term impact of the war on Confederate veteran families of all classes in Pittsylvania County and Danville, Virginia. Using letters, diaries, church minutes, and military and state records, as well as close analysis of the entire 1860 and 1870 Pittsylvania County manuscript population census, McClurken explores the consequences of the war for over three thousand Confederate soldiers and their families. The author reveals an array of strategies employed by those families to come to terms with their postwar reality, including reorganizing and reconstructing the household, turning to local churches for emotional and economic support, pleading with local elites for financial assistance or positions, sending psychologically damaged family members to a state-run asylum, and looking to the state for direct assistance in the form of replacement limbs for amputees, pensions, and even state-supported homes for old soldiers and widows.
Tourism and Nationalism in the British Virgin Islands
The British Virgin Islands (BVI) markets itself to international visitors as a paradise. But just whose paradise is it? Take Me to My Paradise looks at the many players in the BVI tourism culture, including immigrants working in a tourism economy, nationalists struggling to maintain some control, and the anthropologist trying to make sense of it all. The result is a richly detailed and accessible ethnography on the impact of tourism on a country that came into being as a tourist destination.
The Postwar Letters of John Singleton Mosby to Samuel F. Chapman
During the Civil War, John Singleton Mosby led the Forty-third Battalion, Virginia Cavalry, better known as Mosby’s Rangers, in bold and daring operations behind Union lines. Throughout the course of the war, more than 2000 men were members of Mosby’s command, some for only a short time. Mosby had few confidants (he was described by one acquaintance as “a disturbing companion”) but became close friends with one of his finest officers, Samuel Forrer Chapman. Chapman served with Mosby for more than two years, and their friendship continued in the decades after the war. Take Sides with the Truth is a collection of more than eighty letters, published for the first time in their entirety, written by Mosby to Chapman from 1880, when Mosby was made U.S. consul to Hong Kong, until his death in a Washington, D.C., hospital in 1916. These letters reveal much about Mosby’s character and present his innermost thoughts on many subjects. At times, Mosby’s letters show a man with a sensitive nature; however, he could also be sarcastic and freely derided individuals he did not like. His letters are critical of General Robert E. Lee’s staff officers (“there was a lying concert between them”) and trace his decades-long crusade to clear the name of his friend and mentor J. E. B. Stuart in the Gettysburg campaign. Mosby also continuously asserts his belief that slavery was the cause of the Civil War—a view completely contrary to a major portion of the Lost Cause ideology. For him, it was more important to “take sides with the Truth” than to hold popular opinions. Peter A. Brown has brought together a valuable collection of correspondence that adds a new dimension to our understanding of a significant Civil War figure.
Unilateral Presidential Directives in American Politics
Executive orders and proclamations afford presidents an independent means of controlling a wide range of activities in the federal government—yet they are not mentioned in the U.S. Constitution. In fact, the controversial edicts known as universal presidential directives seem to violate the separation of powers by enabling the commander-in-chief to bypass Congress and enact his own policy preferences. As Clinton White House counsel Paul Begala remarked on the numerous executive orders signed by the president during his second term: "Stroke of the pen. Law of the land. Kinda cool."
Although public awareness of unilateral presidential directives has been growing over the last decade—sparked in part by Barack Obama's use of executive orders and presidential memoranda to reverse many of his predecessor's policies as well as by the number of unilateral directives George W. Bush promulgated for the "War on Terror"—Graham G. Dodds reminds us that not only has every single president issued executive orders, such orders have figured in many of the most significant episodes in American political history. In Take Up Your Pen, Dodds offers one of the first historical treatments of this executive prerogative and explores the source of this authority; how executive orders were legitimized, accepted, and routinized; and what impact presidential directives have had on our understanding of the presidency, American politics, and political development. By tracing the rise of a more activist central government—first advanced in the Progressive Era by Theodore Roosevelt—Dodds illustrates the growing use of these directives throughout a succession of presidencies. More important, Take Up Your Pen questions how unilateral presidential directives fit the conception of democracy and the needs of American citizens.
Inside the Hunt for Al Qaeda
On September 11, 2001, as Central Intelligence Agency analyst Philip Mudd rushed out of the Eisenhower Executive Office Building next to the White House, he could not anticipate how far the terror unleashed that day would change the world of intelligence and his life as a CIA officer. For the previous fifteen years, his role had been to interpret raw intelligence and report his findings to national security decision makers. But within weeks of the 9/11 attacks, he would be on a military aircraft, over the Hindu Kush mountains, en route to Afghanistan as part of the U.S. government effort to support the fledging government there after U.S. forces toppled the Taliban. Later, Mudd would be appointed second-in-charge of the CIA's rapidly expanding Counterterrorist Center and then Senior Intelligence Adviser at the FBI. A first-person account of Mudd's role in two organizations that changed dramatically after 9/11, Takedown sheds light on the inner workings of the intelligence community during the global counterterror campaign.
Here Mudd tells how the Al Qaeda threat looked to CIA and FBI professionals as the focus shifted from a core Al Qaeda leadership to the rise of Al Qaeda-affiliated groups and homegrown violent extremism from Europe, the Middle East, and Asia. As a participant and a witness to key strategic initiatives—including the hunt for bin Laden and efforts to displace the Taliban—Mudd offers an insider's perspective on the relationships between the White House, the State Department, and national security agencies before and after the invasions of Iraq and Afghanistan. Through telling vignettes, Mudd reveals how intelligence analysts understood and evaluated potential dangers and communicated them to political leaders.
Takedown is a gripping narrative of tracking terrorism during what may be the most exhilarating but trying times American intelligence has ever seen.
â€œHer poetry, in form and in content, is both traditional and original. In the best sense of the word, it is poetic.â€? â€”John Baxter, in Sequoia â€œHowever belated the publication of this book, time is on Pinkertonâ€™s side.â€? â€”Timothy Steele In 1967, Yvor Winters wrote of Helen Pinkerton, â€œshe is a master of poetic style and of her material. No poet in English writes with more authority.â€? Unfortunately, in 1967 mastery of poetic style was not, by and large, considered a virtue, and Pinkertonâ€™s finely crafted poems were neglected in favor of more improvisational and flashier talents. Though her work won the attention and praise of serious readers, who tracked her poems as they appeared in such journals as The Paris Review, The Sewanee Review, and The Southern Review, her verse has never been available in a trade book. Taken in Faith remedies that situation, bringing Pinkertonâ€™s remarkable poems to a general audience for the first time. Even her very earliest works embody a rare depth and seriousness. Primarily lyrical and devotional, they always touch on larger issues of human struggle and conduct. More recent poems, concerned in part with history, exhibit a stylistic as well as a thematic shift, moving away from the rhymed forms of her devotional works into a blank verse marked by a quiet flexibility and contemplative grace. Like Virginia Adair, another poet who waited long for proper recognition, Pinkerton speaks as a woman who has lived fully and observed acutely and who has set the life and observations down in memorable verse. Swallow Press is delighted to be publishing Taken in Faith, which represents a half-century of her poetic efforts, in the hope of bringing this poet the audience she so richly deserves. Helen Pinkerton is a poet, essayist, and scholar of American and English literature. The 1999 winner of the Allen Tate Poetry Prize, she has taught poetry, fiction, and the writing of poetry at Stanford, Michigan State, and other universities. She lives in Palo Alto, California.
David Clewell’s spirited poems cut through the noise we too often accommodate in our daily lives. Breath by surprising breath, this poet takes us into chambers of the heart that have never been mapped quite this way before. By turns raucous and strangely soothing, narrative and lyrical, Clewell traffics in unlikely and compelling details of our mostly discernible world: a school custodian’s role in the burgeoning Space Race, the vastness of abandoned missile silos, the first lawn flamingos, and the living fossil still using a typewriter.
Toward an Engaged Cultural Criticism
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context. Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, “others.” While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny—film, consumer culture, tourism, anthropology, and the academy—the authors theorize and demonstrate the struggles and maneuvers required to “take a stand” on a wide range of issues of significance to the contemporary cultural moment.
The Business of Being an Artist Today
Taking Aim! The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furtheringtheir careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries. Published in celebration of the 30th anniversary of Artist in the Marketplace (AIM)-the pioneering career development program at the Bronx Museum of the Arts-Taking AIM! The Business of Being an Artist Today mirrors the structure and topics featured in the AIM program's weekly workshops and discussions. Each chapter focuses on the specific perspective of an art world insider-from the artist to the public art program director to the blogger. Multiple viewpoints from a range of art professionals provide emerging artists with candid, uncensored information and tools to help them better understand this complex field and develop strategies for building and sustaining successful careers as professional artists.The book ends with an annotated chronology of the past three decades in the contemporary art field and a bibliography of publications, magazine articles, online sources, funding sources, residency programs, and other useful information for emerging artists.