Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Painting and Writing in Medieval Law
To whom does a painted tablet—a tabula picta—belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed?
In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things—whatever they might be—within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete.
In this volume distinguished scholars from both sides of the Atlantic explore the work of Tacitus in its historical and literary context and also show how his text was interpreted in the sixteenth through eighteenth centuries. Discussed here, for example, are the ways predilections of a particular age color one's reading of a complex author and why a reexamination of these influences is necessary to understand both the author and those who have interpreted him. All of the essays were first prepared for a colloquium on Tacitus held at Princeton University in March 1990. The resulting volume is dedicated to the memory of the great Tacitean scholar Sir Ronald Syme.
The contributors are G. W. Bowersock ("Tacitus and the Province of Asia"), T. J. Luce ("Reading and Response in the Dialogus"), Elizabeth Keitel ("Speech and Narrative in Histories 4"), Christopher Pelling ("Tacitus and Germanicus"), Judith Ginsburg ("In maiores certamina: Past and Present in the Annals"), A. J. Woodman ("Amateur Dramatics at the Court of Nero"), Mark Morford ("Tacitean Prudentia and the Doctrines of Justus Lipsius"), Donald R. Kelley ("Tacitus Noster: The Germania in the Renaissance and Reformation"), and Howard D. Weinbrot ("Politics, Taste, and National Identity: Some Uses of Tacitism in Eighteenth-Century Britain").
Originally published in 1993.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Power, Place, and Everyday Life (Culture, Place, and Nature)
Tahiti evokes visions of white beaches and beautiful women. This imagined paradise, created by Euro-American romanticism, endures today as the bedrock of Tahiti's tourism industry, while quite a different place is inhabited and experienced by ta'ata ma'ohi, as Tahitians refer to themselves. This book brings into dialogue the perspectives on place of both Tahitians and Europeans. Miriam Kahn is professor of anthropology at the University of Washington and author of Always Hungry, Never Greedy.
Making Nation and Race in Urban Tanzania
Stories about a Family and Its Dogs