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This is the second and final volume of the annotated translation of a seminal Chinese legal text. The T'ang Code, written in 653 A.D., is the most important legal text in East Asian history. Not only is it China's earliest law code to survive in its entirety, influencing all subsequent Chinese law, but it has also served as a model for codes of law in other East Asian countries, including Japan, Korea, and Vietnam. This is the only translation of the T'ang code into a Western language.
The first volume of the Code, published in translation in 1979, specifies the basic principles of T'ang law and explains the structural standards for applying these principles. Volume II describes acts that are punishable by law and enumerates their punishments. For contemporary readers, the T'ang Code is more than simply a legal document. Studying the 445 "specific articles" sheds considerable light on Chinese culture. The portrait that emerges has surprising resonances in present-day Chinese society--its emphasis on the preservation of the family and the interrelatedness of authority and responsibility, for example. As Western relations with the countries of East Asia continue to expand today, it is increasingly important that we understand the complexities of a legal system that has evolved over more than fifteen centuries. The availability of the complete T'ang Code in English is a significant contribution to this understanding.
Originally published in 1997.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
America's New Preacher
T.D. Jakes has emerged as one of the most prolific spiritual leaders of our time. He is pastor of one of the largest churches in the country, CEO of a multimillion dollar empire, the host of a television program, author of a dozen bestsellers, and the producer of two Grammy Award-nominated CDs and three critically acclaimed plays. In 2001 Time magazine featured Jakes on the cover and asked: Is Jakes the next Billy Graham
T.D. Jakes draws on extensive research, including interviews with numerous friends and colleagues of Jakes, to examine both Jakes’s rise to prominence and proliferation of a faith industry bent on producing spiritual commodities for mass consumption. Lee frames Jakes and his success as a metaphor for changes in the Black Church and American Protestantism more broadly, looking at the ramifications of his rise—and the rise of similar preachers—for the way in which religion is practiced in this country, how social issues are confronted or ignored, and what is distinctly “American” about Jakes's emergence. While offering elements of biography, the work also seeks to shed light on important aspects of the contemporary American and African American religious experience.
Lee contends that Jakes’s widespread success symbolizes a religious realignment in which mainline churches nationwide are in decline, while innovative churches are experiencing phenomenal growth. He emphasizes the “American-ness” of Jakes’s story and reveals how preachers like Jakes are drawing followers by delivering therapeutic and transformative messages and providing spiritual commodities that are more in tune with postmodern sensibilities.
As the first work to critically examine Bishop Jakes’s life and message, T.D. Jakes is an important contribution to contemporary American religion as well as popular culture.
Recueil d'articles scientifiques sur la télématique appliquée à la gestion des ressources, la surveillance de l'environnement et l'aménagement du territoire dans les pays membres de Sommets des chefs d'États et de gouvernements faisant usage du français. Descriptions des actions et situations où la télédétection a grandement contribué à résoudre des problèmes environnementaux ou à mieux les connaître. Comprend cartes et images prises par les satellites d'observation de la Terre.
Sixty-five million years ago, a comet or asteroid larger than Mt. Everest slammed into the Earth, causing an explosion equivalent to the detonation of a hundred million hydrogen bombs. Vaporized impactor and debris from the impact site were blasted out through the atmosphere, falling back to Earth all around the globe. Terrible environmental disasters ensued, including a giant tsunami, continent-scale wildfires, darkness, and cold, followed by sweltering greenhouse heat. When conditions returned to normal, half the genera of plants and animals on Earth had perished.
This horrific story is now widely accepted as the solution to a great scientific murder mystery what caused the extinction of the dinosaurs? In T. rex and the Crater of Doom, the story of the scientific detective work that went into solving the mystery is told by geologist Walter Alvarez, one of the four Berkeley scientists who discovered the first evidence for the giant impact. It is a saga of high adventure in remote parts of the world, of patient data collection, of lonely intellectual struggle, of long periods of frustration ended by sudden breakthroughs, of intense public debate, of friendships made or lost, of the exhilaration of discovery, and of delight as a fascinating story unfolded.
Controversial and widely attacked during the 1980s, the impact theory received confirmation from the discovery of the giant impact crater it predicted, buried deep beneath younger strata at the north coast of the Yucatán Peninsula. The Chicxulub Crater was found by Mexican geologists in 1950 but remained almost unknown to scientists elsewhere until 1991, when it was recognized as the largest impact crater on this planet, dating precisely from the time of the great extinction sixty-five million years ago. Geology and paleontology, sciences that long held that all changes in Earth history have been calm and gradual, have now been forced to recognize the critical role played by rare but devastating catastrophes like the impact that killed the dinosaurs.
University of Minnesota Pamphlets on American Writers
T.S. Eliot - American Writers 8 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
G. Douglas Atkins here offers an original consideration of T. S. Eliot’s essay as a form of embodied thinking. A combination of literature and philosophy, the genre of the essay holds within itself a great tension—that between truth and creative prose. And, as Atkins explains, these conflicting forces of truth and creativity exist not only within the literary format itself but also within the writers and their relationships with the genre, making essay writing a wonderfully enriching “impure art.”
Exploring the similarities between Eliot’s prose and poetry with the art of essay writing, Atkins discovers remarkably similar patterns of Incarnational thinking that emerge in each. In so doing, he establishes for the first time the essayistic nature of the great poem Four Quartets and provides an eloquent reflection on how the essay in all its impurity functions as Incarnational art, an embodiment of truth.
After graduating from Harvard in 1910, T. S. Eliot spent a year in Paris, and his experiences there had a profound and lasting influence upon his life and his work. Even so, most scholars and biographers ignore it, mention it only in passing, or, in rare cases, dismiss it as a typical post-graduation year any wealthy student of the time could have had.
Nancy Hargrove sets the record straight on just how vitally important this period was for the young man. She meticulously re-creates the city and discusses in detail how pre-war Parisian culture influenced the works Eliot later produced. Hers is the first in-depth study of this crucial but largely overlooked year in the life of the artist, and reveals the complex repercussions it had on his literary career.
The Making of an American Poet, 1888–1922
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.