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The Making of an American Poet, 1888–1922
Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.
After graduating from Harvard in 1910, T. S. Eliot spent a year in Paris, and his experiences there had a profound and lasting influence upon his life and his work. Even so, most scholars and biographers ignore it, mention it only in passing, or, in rare cases, dismiss it as a typical post-graduation year any wealthy student of the time could have had.
Nancy Hargrove sets the record straight on just how vitally important this period was for the young man. She meticulously re-creates the city and discusses in detail how pre-war Parisian culture influenced the works Eliot later produced. Hers is the first in-depth study of this crucial but largely overlooked year in the life of the artist, and reveals the complex repercussions it had on his literary career.
A Collection of Writings, 1880-1928
Born into slavery, T. Thomas Fortune was known as the dean of African American journalism by the time of his death in the early twentieth century. The editorship of three prominent black newspapers--the New York Globe, New York Freeman, and New York Age--provided Fortune with a platform to speak against racism and injustice.
For nearly five decades his was one of the most powerful voices in the press. Contemporaries such as Ida B. Wells, W.E.B. Du Bois, and Booker T. Washington considered him an equal, if not a superior, in social and political thought. Today's histories often pass over his writings, in part because they are so voluminous and have rarely been reprinted. Shawn Leigh Alexander's anthology will go a long way toward rectifying that situation, demonstrating the breadth of Fortune's contribution to black political thought at a key period in American history.
Seduction into Right-Wing Extremism
In the summer of 1984, Noble was within seconds of committing what would have been the largest domestic terrorist act in U.S. history at that time. As one of the founders of the Covenant, Sword, and Arm of the Lord (CSA), a cult paramilitary group, he carried a bomb into a gayaffirming church, intending to murder over seventy individuals. In Tabernacle of Hate, Noble provides an unprecedented first-person account of how a small spiritual community progressed from mainstream religious beliefs to increasingly extreme positions, eventually transforming into a domestic terrorist group.
Petite ethnographie interprétative d'un certain Canada français
Ce tableau d’avancement examine le Canada français de la dernière moitié du XXe siècle et propose quelques repères utiles, souligne certains enlisements, avancées et retards, et cherche à comprendre son évolution malaisée à travers trois grandes perspectives : celle de chefs politiques qui l’ont orienté, celle d’intellectuels influents qui l’ont interprété, et celle de certaines institutions qui en ont révélé la dynamique. Le fil rouge qui lie ces vignettes et sert de fil conducteur est l’ombre de la Révolution tranquille qui a brouillé la vue de bien des observateurs. L’auteur est d’accord avec Gilles Vigneault quand il dit « Nous avons mal regardé. Nous avons mal écouté ». Il propose ici une autre manière de voir, une autre forme d’écoute.
Cet ouvrage propose des concepts et une méthode d'élaboration de tableaux de bord de gestion dans une perspective managérielle et non technique. Il constitue un guide de réflexion et de réalisation s'adressant autant au spécialiste en gestion et en information qu'au gestionnaire intéressé à participer au design de tableaux de bord afin de tirer le maximum de ses possibilités et ce, autant pour le secteur privé que public. En plus d'offrir une méthode simplifiée, des outils d'analyse plus précis, un plus grand nombre d'exemples et une importante banque d'indicateurs, cette deuxième édition témoigne de l'évolution des connaissances, s'enrichit des leçons tirées de nombreuses expériences et présente les opportunités offertes par les développements récents des systèmes d'information.
Tactiques et stratégies de communication
Le plaisir naît de notre interaction avec le monde, mais aussi de notre relation avec les autres. Il n’est pas quelque chose qui nous tombe dessus. C’est un bien-être qui se crée dans l’action et qui porte à l’action. Plaisirs fusionnels, audacieux, rebelles ou courtois: les auteurs exposent des tactiques et des stratégies de communication autour de ces quatre types de plaisir relationnel afin de donner un sens à nos manières d'interagir avec les autres.En pratique, cette approche permet d’identifier les plaisirs offerts par les situations quotidiennes et d’explorer de nouvelles manières d’être en relation.
Less than a decade after the advent of democracy in South Africa, tabloid newspapers have taken the country by storm. One of these papers -- the Daily Sun -- is now the largest in the country, but it has generated controversy for its perceived lack of respect for privacy, brazen sexual content, and unrestrained truth-stretching. Herman Wasserman examines the success of tabloid journalism in South Africa at a time when global print media are in decline. He considers the social significance of the tabloids and how they play a role in integrating readers and their daily struggles with the political and social sphere of the new democracy. Wasserman shows how these papers have found an important niche in popular and civic culture largely ignored by the mainstream media and formal political channels.
An impressionistic memoir offers images of a life in progress, including scenes from Boyer Rickel’s rural Tempe, Arizona, childhood in the 1950s; his relationship with a physically shrinking father; his eccentric teenage friendships; his growing awareness of his sexuality among young, Hispanic gays; and a trip through Italy with his lover. A personal book, but also wholly universal, Taboo investigates the way one breaks through taboos and becomes a self-realized adult.
Topics, Texts, Interpretations
Since his death in 1837, Alexander Pushkin—often called the “father of Russian literature”—has become a timeless embodiment of Russian national identity, adopted for diverse ideological purposes and reinvented anew as a cultural icon in each historical era (tsarist, Soviet, and post-Soviet). His elevation to mythic status, however, has led to the celebration of some of his writings and the shunning of others. Throughout the history of Pushkin studies, certain topics, texts, and interpretations have remained officially off-limits in Russia—taboos as prevalent in today’s Russia as ever before.
The essays in this bold and authoritative volume use new approaches, overlooked archival materials, and fresh interpretations to investigate aspects of Pushkin’s biography and artistic legacy that have previously been suppressed or neglected. Taken together, the contributors strive to create a more fully realized Pushkin and demonstrate how potent a challenge the unofficial, taboo, alternative Pushkin has proven to be across the centuries for the Russian literary and political establishments.