Human habitation in Colorado's San Luis Valley stretches back to distant times. Ancient peoples lived there thousands of years ago, as did the Utes, who claim the valley has been theirs forever. Others, both native peoples and Europeans, knew the valley-Don Juan de Oñate claimed the valley for King Phillip II of Spain in 1598. Consequently, the San Luis Valley has many stories, told in many voices. In this sparkling new edition of < Six-Armed the of Land Valley: Luis San>Virginia McConnell Simmons lays before the reader the stories and voices of this multicultural land. Ranging from prehistoric peoples and historic Indians to early Spanish settlers, trappers, American explorers, railroads, and Euro-American pioneers, this book is a comprehensive volume covering the geography and social history of Colorado's San Luis Valley. New to the second edition is additional material on Hispanic culture (in particular a description of their fiber arts) and a lengthy appendix cataloging and describing all of the San Luis Valley's Hispanic place names. In addition, the notes and bibliography have been expanded, and the book contains a new introduction by David Fridtjof Halaas, Chief Historian of the Colorado Historical Society. Acclaimed as the standard history for the south-central region of Colorado, The San Luis Valley: Land of the Six-Armed Cross is a book for students, scholars, and others interested in the history of this fascinating and culturally rich corner of the state.

Completing the story of the Mexican American struggle for inclusion and equal rights that he began in Anglos and Mexicans in the Making of Texas, 1836–1986 and Quixote’s Soldiers, Montejano presents a rich ethnography of the street-level Chicano movement.

Using the original writings of two Egyptian Sufis, Muh\ammad Wafaµ< and his son >Aliµ, this book shows how the Islamic idea of sainthood developed in the medieval period. Although without a church to canonize its “saints,” the Islamic tradition nevertheless debated and developed a variety of ideas concerning miracles, sanctity, saintly intermediaries, and pious role models. In the writings of the WafaµAliµ Wafaµ< drew on earlier philosophical and gnostic currents to construct their own mystical theories and notes their debt to the Sufi order of the Shaµdhiliyya, the mystic al-Tirmidhiµ, and the great Sufi thinker Ibn >Arabiµ. Notably, although located firmly within the Sunni tradition, the Wafaµ

Heated debates are not unusual when confronting tough medical issues where it seems that moral and religious perspectives often erupt in conflict with philosophical or political positions. In The Sanctity of Human Life, Jewish theologian David Novak acknowledges that it is impossible not to take into account the theological view of human life, but the challenge is how to present the religious perspective to nonreligious people. In doing so, he shows that the two positions—the theological and the philosophical—aren't as far apart as they may seem. Novak digs deep into Jewish scripture and tradition to find guidance for assessing three contemporary controversies in medicine and public policy: the use of embryos to derive stem cells for research, socialized medicine, and physician-assisted suicide. Beginning with thinkers like Plato, Aristotle, Kant, and Nietsche, and drawing on great Jewish figures in history—Maimonides, Rashi, and various commentators on the Torah (written law) and the Mishnah (oral law)—Novak speaks brilliantly to these modern moral dilemmas. The Sanctity of Human Life weaves a rich and sophisticated tapestry of evidence to conclude that the Jewish understanding of the human being as sacred, as the image of God, is in fact compatible with philosophical claims about the rights of the human person—especially the right to life—and can be made intelligible to secular culture. Thus, according to Novak, the use of stem cells from embryos is morally unacceptable; the sanctity of the human person, and not capitalist or socialist approaches, should drive our understanding of national health care; and physician-assisted suicide violates humankind's fundamental responsibility for caring for one another. Novak's erudite argument and rigorous scholarship will appeal to all scholars and students engaged in the work of theology and bioethics.

Sanctuary and Crime rethinks the history of sanctuary protections in the Western legal tradition. Until the sixteenth century, every major medieval legal tradition afforded protections to fugitive criminals who took sanctuary in churches. Sanctuary-seeking criminals might have been required to perform penance or go into exile, but they were guaranteed, at least in principle, immunity from corporal and capital punishment. In the sixteenth century, sanctuary protections were abolished throughout Europe, uprooting an ancient tradition and raising a new set of juridical arguments about law, crime and the power to punish.Sanctuary law has not received very much scholarly attention. According to the prevailing explanation among earlier generations of legal historians, sanctuary was an impediment to effective criminal law and social control, but was made necessary by rampant violence and weak political order in the medieval world. Contrary to the conclusions of the relatively scant literature on the topic, Sanctuary and Crime argues that the practice of sanctuary was not simply an instrumental device intended as a response to weak and splintered medieval political authority. Nor can sanctuary laws be explained as simple ameliorative responses to harsh medieval punishments and the specter of uncontrolled blood-feuds. This book seeks to integrate the history of sanctuary law with the history of criminal law in medieval Europe. It does so by first situating sanctuary law within the early Christian traditions of intercession and penance as well as late-imperial Roman law. The book then traces the transmission of Romano-Christian sanctuary legislation into the feuding traditions of early medieval Europe, showing how sanctuary law was an important emblem of Christian kingship and was integrated into a broad range of social, legal, ecclesiastical and political practices. By the late twelfth-century, sanctuary had been domesticated within the procedures of royal law in England. Unmoored from its taproots in penitential and intercessory practices, sanctuary became a central feature of the emergent law of felony in the early English common law. While sanctuary was widely recognized throughout late medieval Europe, medieval English records provide rich accounts of sanctuary in everyday medieval life and the book reflects the prominence of the English sources. The book concludes by examining the legal arguments in both English and Roman-canonical legal traditions that led to the restriction and abolition of sanctuary privileges in the sixteenth-century and which ushered in a new age of criminal law grounded in deterrence and a state-centered view of punishment and social control.

Winner of the Religious Communication Association Book of the Year Award for 2008

Sanctuary Cinema provides the first history of the origins of the Christian film industry. Focusing on the early days of film during the silent era, it traces the ways in which the Church came to adopt film making as a way of conveying the Christian message to adherents. Surprisingly, rather than separating themselves from Hollywood or the American entertainment culture, early Christian film makers embraced Hollywood cinematic techniques and often populated their films with attractive actors and actresses. But they communicated their sectarian message effectively to believers, and helped to shape subsequent understandings of the Gospel message, which had historically been almost exclusively verbal, not communicated through visual media.

Despite early successes in attracting new adherents with the lure of the film, the early Christian film industry ultimately failed, in large part due to growing fears that film would corrupt the church by substituting an American “civil religion” in place of solid Christian values and amidst continuing Christian unease about the potential for the glorification of images to revert to idolatry. While radio eclipsed the motion picture as the Christian communication media of choice by the 1920, the early film makers had laid the foundations for the current re-emergence of Christian film and entertainment, from Veggie Tales to The Passion of the Christ.