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Against a background of suburban Philadelphia in the 1950s, and the family secret of his father's alcoholism, Henry comes of age as the youngest of four children. He rejects his father's course in managing the family chocolate factory, and goes on to college, becoming a writer and teacher. When Henry marries, and becomes a father himself, he is impacted by the social revolutions of the 1970s, and struggles to avoid his father's flaws. He leads a literary life in Boston, founds the literary magazine Ploughshares, and befriends novelist Richard Yates. During the 1980s, Henry suffers the deaths of his parents, infertility, rejections of his work, and setbacks in his teaching career. In the 1990s, while his daughter and adopted son are swept up into trials of adolescence and young adulthood, and as his wife grieves the deaths of friends and family, Henry confronts a spiritual abyss similar to his father's, and learns to surrender to life, to love, to aging and mortality. By turns lyrical, quirky, confessional, and experimental in form, Henry's essays build into an affirming and generous vision. While addiction, the uses of imagination, a passion for literature, and issues of heart and soul are key motifs, a bungee jump becomes Henry's central metaphor: "isn't this life? isn't this art? We live and trust in our safe suicides."
When Sandy Holston is on dry land, she’s nothing special: a nurse who wears her hair in a ponytail and prefers a fishing lure as an earring. But once she dons waders, picks up a fly rod, and steps into a river, she becomes a remarkable, elegant fisherwoman who’s at peace with the world. After surviving her marriage to Vernon - her violent, incarcerated ex-husband - peace is just what Sandy needs. So she moves to Damascus, a small town on the Ripshin River, where she plans to enjoy the fishing and the solitude. Finally she is on the brink of a life she desires in a place she loves. But as the Ripshin’s trout mysteriously die off, and as Sandy grows closer to a reclusive neighbor who has a propensity for fishing naked, her plans are put in jeopardy. Will Sandy be able to find peace - in the river or out - once Vernon is released from prison and fulfills his promise to hunt her down?
Après quatre décennies de prospérité sans pareille au cours de son histoire, le Saguenay-Lac-Saint-Jean fait face depuis 25 ans déjà à une difficile mutation vers un nouveau cycle dans l'évolution de sa structure économique. Ces difficultés seront illustrées par les indicateurs classiques à propos de la démographie, de l'emploi, de la pauvreté, de l'entrepreneuriat, du revenu des ménages, de l'investissement, de la démocratie.Précis dans les diagnostics effectués, vigoureux dans les pronostics formulés et réaliste dans les thérapeutiques proposées, cet ouvrage à tous ceux et celles à qui l'avenir du Saguenay-Lac-Saint-Jean tient à cour et à raison. Il ne se veut ni exhaustif ni définitif. Loin s'en faut. Ce livre s'inscrit néanmoins comme un outil fondamental pour soutenir l'accélération du rythme de l'apprentissage collectif vers un nouveau cycle économique structurel pour cette région.
Space and Mobility in Northwest Africa
The Sahara has long been portrayed as a barrier that divides the Mediterranean world from Africa proper and isolates the countries of the Maghrib from their southern and eastern neighbors. Rather than viewing the desert as an isolating barrier, this volume takes up historian Fernand Braudel's description of the Sahara as "the second face of the Mediterranean." The essays recast the history of the region with the Sahara at its center, uncovering a story of densely interdependent networks that span the desert's vast expanse. They explore the relationship between the desert's "islands" and "shores" and the connections and commonalities that unite the region. Contributors draw on extensive ethnographic and historical research to address topics such as trade and migration; local notions of place, territoriality, and movement; Saharan cities; and the links among ecological, regional, and world-historical approaches to understanding the Sahara.
A Maritime History of the Pacific Peoples
Written by a senior scholar and master mariner, Sailors and Traders is the first comprehensive account of the maritime peoples of the Pacific. It focuses on the sailors who led the exploration and settlement of the islands and New Zealand and their seagoing descendants, providing along the way new material and unique observations on traditional and commercial seagoing against the background of major periods in Pacific history. The book begins by detailing the traditions of sailors, a group whose way of life sets them apart. Like all others who live and work at sea, Pacific mariners face the challenges of an often harsh environment, endure separation from their families for months at a time, revere their vessels, and share a singular attitude to risk and death. The period of prehistoric seafaring is discussed using archaeological data, interpretations from interisland exchanges, experimental voyaging, and recent DNA analysis. Sections on the arrival of foreign exploring ships centuries later concentrate on relations between visiting sailors and maritime communities. The more intrusive influx of commercial trading and whaling ships brought new technology, weapons, and differences in the ethics of trade. The successes and failures of Polynesian chiefs who entered trading with European-type ships are recounted as neglected aspects of Pacific history. As foreign-owned commercial ships expanded in the region so did colonialism, which was accompanied by an increase in the number of sailors from metropolitan countries and a decrease in the employment of Pacific islanders on foreign ships. Eventually small-scale island entrepreneurs expanded interisland shipping, and in 1978 the regional Pacific Forum Line was created by newly independent states. This was welcomed as a symbolic return to indigenous Pacific ocean linkages. The book’s final sections detail the life of the modern Pacific seafarer. Most Pacific sailors in the global maritime labor market return home after many months at sea, bringing money, goods, a wider perspective of the world, and sometimes new diseases. Each of these impacts is analyzed, particularly in the case of Kiribati, a major supplier of labor to foreign ships.
Essays on Beckett
Sails of the Herring Fleet traces esteemed director and theorist Herbert Blau's encounters with the work of Samuel Beckett. Blau directed Beckett's plays when they were still virtually unknown, and for more than four decades has remained one of the leading interpreters of his work. In addition to now-classic essays, the collection includes early program notes and two remarkable interviews -- one from Blau's experience directing Waiting for Godot at San Quentin prison, and one from his last visit with Beckett, just before the playwright's death. Herbert Blau is Byron W. and Alice L. Lockwood Professor of the Humanities, University of Washington.