This study of the religious landscape of Indianapolis -- the summative volume of the Lilly Endowment's Project on Religion and Urban Culture conducted by the Polis Center at IUPUI -- aims to understand religion's changing role in public life. The book examines the shaping of religious traditions by the changing city. It sheds light on issues such as social capital and faith-based welfare reform and explores the countervailing pressures of "decentering" -- the creation of multiple (sub)urban centers -- and civil religion's role in binding these centers into one metropolis.

Polis Center Series on Religion and Urban Culture -- David J. Bodenhamer and Arthur E. Farnsley II, editors

Liturgical, sacramental, and historical, The Sacred Community is a masterful work of theological aesthetics. David Jasper draws upon a rich variety of texts and images from literature, art, and religious tradition to explore the liturgical community gathered around—and most fully constituted by—the moment of the Sanctus in the Eucharistic liturgy. From art and architecture to pilgrimage and politics Jasper places this community in the midst of the contemporary world.

In this innovative book, Kyle Sinisi explores a little-known chapter in the history of American politics-the struggle between states and the federal government over the costs of fighting the Civil War. At stake was the disposition of some 8 million. Focusing on Kansas, Kentucky, and Missouri, Sinisi explores the process by which states were reimbursed by Washington in the most expensive intergovernmental contact of the 19th century. Recasting our understanding of governance, he shows that traditional sources of influence-courts and political parties-were less important in settling claims than adjutants general and private agents who fought for cash bonanzas. These power brokers helped shape the federal bureaucracy-and the process of state building.

In early twentieth-century France, a vast network of artists, writers, and religious seekers were drawn to Roman Catholicism’s elaborate panoply of symbols centered on suffering. A preoccupation with affliction dominated the movement now known as the French Catholic revival, or the renouveau catholique—considered a watershed in the history of the modern Catholic Church and the “golden age” of French Catholicism. In Sacred Dread, Brenna Moore examines the life and writings of Raïssa Maritain (1883-1960), one of the few women to contribute to this intellectual movement. Moore explores the reasons why Maritain, a nonpracticing Jew, was attracted to this suffering-centered theological imagination and how she and other advocates transformed it in the wake of the Holocaust. Sacred Dread offers readers a new understanding of a radical Catholic piety that was embraced by a wide range of pre-war intellectuals. By combining late-modern French intellectual and cultural history, Catholic theology, biography, and an analysis of Maritain’s published and unpublished writings, Moore also identifies two major factors in this Catholic revival—gender and Judaism—that have not received adequate attention. Discourses of femininity and Judaism were central to the French Catholic articulation and idealization of suffering. Moore argues that Maritain, as a Jewish convert and one of the few women in this intellectual community, embodied symbolic associations of suffering, holiness, women, and Jews; indeed, for her husband, godfather, confessors, friends, and godchildren, Raïssa Maritain was herself the articulation of this abject ideal. Caught as she was in a web of meaning, Raïssa Maritain was an intellectual whose legacy deepens but also subverts the centrality of femininity and Judaism in French Catholic elaborations of suffering.

Late antique and early medieval hagiographic texts present holy women as simultaneously pious and corrupt, hideous and beautiful, exemplars of depravity and models of sanctity. In Sacred Fictions Lynda Coon unpacks these paradoxical representations to reveal the construction and circumscription of women's roles in the early Christian centuries.

Coon discerns three distinct paradigms for female sanctity in saints' lives and patristic and monastic writings. Women are recurrently figured as repentant desert hermits, wealthy widows, or cloistered ascetic nuns, and biblical discourse informs the narrative content, rhetorical strategies, and symbolic meanings of these texts in complex and multivalent ways. If hagiographers made their women saints walk on water, resurrect the dead, or consecrate the Eucharist, they also curbed the power of women by teaching that the daughters of Eve must make their bodies impenetrable through militant chastity or spiritual exile and must eradicate self-indulgence through ascetic attire or philanthropy.

The windows the sacred fiction of holy women open on the past are far from transparent; driven by both literary invention and moral imperative, the stories they tell helped shape Western gender constructs that have survived into modern times.

Renowned as one of the most significant museums built by private collectors, the Menil Collection in Houston, Texas, seeks to engage viewers in an acutely aesthetic, rather than pedagogical, experience of works of art. The Menil’s emphasis on being moved by art, rather than being taught art history, comes from its founders’ conviction that art offers a way to reintegrate the sacred and the secular worlds. Inspired by the French Catholic revivalism of the interwar years that recast Catholic tradition as the avant-garde, Dominique and John de Menil shared with other Catholic intellectuals a desire to reorder a world in crisis by imbuing modern cultural forms with religious faith, binding the sacred with the modern. Sacred Modern explores how the Menil Collection gives expression to the religious and political convictions of its founders and how “the Menil way” is being both perpetuated and contested as the Museum makes the transition from operating under the personal direction of Dominique de Menil to the stewardship of career professionals. Taking an ethnographic approach, Pamela G. Smart analyzes the character of the Menil aesthetic, the processes by which it is produced, and the sensibilities that it is meant to generate in those who engage with the collection. She also offers insight into the extraordinary impact Dominique and John de Menil had on the emergence of Houston as a major cultural center.

Early in the twentieth century, Leslie Spier and Erna Gunther, graduate students trained by anthropologist Franz Boas, hiked to the bottom of the Grand Canyon to learn about Havasupai culture. In the process, they asked two Havasupai leaders and elders for every story they could remember. These were translated by native speakers and transcribed by Spier and, later, Gunther. Yet for unknown reasons Spier never published the whole collection of forty-eight stories, one of the earliest, most complete translations of an entire Native American oral tradition. Passed from Spier to anthropologist and Havasupai scholar Dr. Robert C. Euler, the stories, published here for the first time in book form with the permission of the Havasupai Tribal Council, are a cultural library and a cultural treasure that reflect an ancient Yuman-language mythological tradition. Publication restores them to the People (Pai/Pa/Pah) from whom they arose.