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Painting in a State of Exception

New Figuration in Argentina, 1960-1965

Patrick Frank

Although it is one of Latin America's most significant postwar art movements, Nueva Figuración has long been overlooked in studies of modern art. In this first comprehensive examination of the movement, Patrick Frank explores the work of four artists at its heart--Jorge de la Vega, Luis Felipe Noé, Rómulo Macció, and Ernesto Deira--to demonstrate the importance of their work in the transnational development of modern art.

Painting in a State of Exception examines the group's creations against the backdrop of Argentina in the 1960s. They were responding directly to a difficult and chaotic period characterized by civil strife, frequent changes of government, and economic shocks. They broke new ground in Latin American art, not only in their technique, but also in the way they engaged the social, political, and cultural climate in an Argentina still recovering from the Perón years. Building on postwar expressionism by working with unprecedented urgency and abandon, they combined spontaneous techniques of abstraction with collage elements and figural subjects. Their works exercised a creative freedom that broke taboos about the role of the artist in society.

To show how their works reflect the environment in which they were created, Frank combines analyses of each artist's paintings with discussions of their social, political, and artistic contexts while revealing their connections to literature, popular culture, and film, broadening our understanding of modern art in the early 1960s.

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Painting Indiana III

Heritage of Place

Text by Rachel Berenson Perry. Indiana Plein Air Painters Association, Inc. and Indiana Landmarks

The work of T. C. Steele, William Forsyth, J. Ottis Adams, Otto Stark, and Richard Gruelle, known collectively as the Hoosier Group, established plein air ("in the open air") painting as a major art form in Indiana. The vitality of this style is represented in Painting Indiana III: Heritage of Place which includes 100 juried works by current Indiana plein air artists, along with paintings by the Hoosier Group, all featuring notable Indiana landmarks. This richly illustrated book will delight Hoosiers and art lovers around the world.

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Painting Modernism

Ivan A. Schulman

Studies the influence of the plastic arts on the major writers of Latin American modernism.

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Painting the Gospel

Black Public Art and Religion in Chicago

Kymberly N. Pinder

Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.

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Painting the Landscape with Fire

Longleaf Pines and Fire Ecology

Den Latham

Fire can be a destructive, deadly element of nature, capable of obliterating forests, destroying homes, and taking lives. Den Latham’s Painting the Landscape with Fire describes this phenomenon but also tells a different story, one that reveals the role of fire ecology in healthy, dynamic forests. Fire is a beneficial element which allows the longleaf forests of America’s Southeast to survive. In recent decades, foresters and landowners have become intensely aware of the need to “put enough fire on the ground” to preserve longleaf habitat for red-cockaded woodpeckers, quail, wild turkeys, and a host of other plants and animals. Painting the Landscape with Fire is a hands-on-primer for those who want to understand the role of fire in longleaf forests. Latham joins wildlife biologists, foresters, wildfire fighters, and others as they band and translocate endangered birds, survey snake populations, improve wildlife habitat, and conduct prescribed burns on public and private lands.
Painting the Landscape with Fire explores the unique southern biosphere of longleaf forests. Throughout, Latham beautifully tells the story of the resilience of these woodlands and of the resourcefulness of those who work to see them thrive. Fire is destructive in the case of accidents, arson, or poor policy, but with the right precautions and safety measures, it is the glowing life force that these forests need.

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Painting the Southern Coast

The Art of West Fraser

West Fraser

Painting the Southern Coast: The Art of West Fraser is a stunning collection of the works of West Fraser, one of the nation's most respected painters of representational art. A mastery of his medium and the scope of work ensure his place in southern art history. A true son of the lowcountry, Fraser has dedicated much of his career to capturing the lush, primordial beauty of the Southeast's coastal regions that have been altered by man and time. The 260 works in this book are representative of the sketches, studies, and finished paintings he has generated over his nearly forty-year career, works that depict coastal locales from Winyah Bay, South Carolina, to St. Augustine, Florida, and include Charleston, Hilton Head, Savannah, and the islands of the lowcountry through the Golden Isles of Georgia.  Fraser's goal with each of his paintings is to create a portrait of what he calls "my country." He captures on canvas not only the visual beauty of the landscape, but the spirit and soul of each place. From the sultry streets of Savannah to the winding waterways and unique environs of the region's sea islands, the works included offer a view of the land he loves. Fraser augments his visual tour of the coast with original maps of the region and location coordinates of each painting, enhancing the viewer's knowledge and appreciation of the region as well as Fraser's artistic gift. Painting the Southern Coast: The Art of West Fraser includes essays by Jean Stern, executive director of the Irvine Museum, and Martha R. Severens, Greenville County Museum of Art curator (1992-2010) and authority on southern art. Fraser has also written an autobiographical essay in which he discusses the experiences and influences that have shaped his work and his life as one of America's noted landscape artists.

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PAJ: A Journal of Performance and Art

Vol. 18 (1996) through current issue

Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).

Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.

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Pakistan

Between Mosque and Military

Husain Haqqani

Among U.S. allies in the war against terrorism, Pakistan cannot be easily characterized as either friend or foe. Nuclear-armed Pakistan is an important center of radical Islamic ideas and groups. Since 9/11, the selective cooperation of president General Pervez Musharraf in sharing intelligence with the United States and apprehending al Qaeda members has led to the assumption that Pakistan might be ready to give up its longstanding ties with radical Islam. But Pakistan's status as an Islamic ideological state is closely linked with the Pakistani elite's worldview and the praetorian ambitions of its military. This book analyzes the origins of the relationships between Islamist groups and Pakistan's military, and explores the nation's quest for identity and security. Tracing how the military has sought U.S. support by making itself useful for concerns of the moment —while continuing to strengthen the mosque-military alliance within Pakistan —Haqqani offers an alternative view of political developments since the country's independence in 1947.

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The Pakistan Cauldron

Conspiracy, Assassination & Instability

JAMES FARWELL

The killing of Osama bin Laden spotlighted Pakistan’s unpredictable political dynamics, which are often driven by conspiracy theory, paranoia, and a sense of betrayal. In Pakistan, the late prime minister Benazir Bhutto famously declared, there is “always the story behind the story.” In The Pakistan Cauldron, James P. Farwell explains what makes Pakistani politics tick. Farwell has advised the Department of Defense on terrorism, sovereignty, and the political issues in the Middle East, Africa, and Pakistan. Here he reveals how key Pakistani political players have inconsistently employed the principles of strategic communication to advance their agendas and undercut their enemies. Pakistan is an enigma to many. Only by understanding the complex forces that shape Pakistani leaders can we uncover their shifting political agendas and how they affect America and the West. Farwell explains how and why former president Pervez Musharraf clamped down on nuclear scientist A. Q. Kahn and isolated him. He assesses Benazir Bhutto’s unique legacy and analyzes how Musharraf handled the aftermath of her assassination. He explains Pakistan’s current instability and demonstrates how the country’s emotional reaction to bin Laden’s death is best understood as the outcome of long-standing political dynamics. The Pakistan Cauldron is for anyone who needs to know why Pakistan continues to pose increasingly difficult challenges for the United States and the West.

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Pakistan’s Blasphemy Laws

From Islamic Empires to the Taliban

By Shemeem Burney Abbas

This pioneering study of the evolution of blasphemy laws from the early Islamic empires to the present-day Taliban uncovers the history and questionable motives behind Pakistan’s blasphemy laws and calls for a return to the prophet Muhammad’s peaceful vision of social justice.

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