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Pain, Death, and the Law

Austin Sarat, Editor

This collection of essays examines the relationship between pain, death, and the law and addresses the question of how the law constructs pain and death as jurisprudential facts. The empirical focus of these essays enables the reader to delve into both the history and the theoretical complexities of the pain-death-law relationship. The combination of the theoretical and the empirical broadens the contribution this volume will undoubtedly make to debates in which the right to live or die is the core issue at hand. This volume will be an important read for policy makers and legal practitioners and a valuable text for courses in law, the social sciences, and the humanities. Austin Sarat is William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst College.

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The Pain of Reformation

Spenser, Vulnerability, and the Ethics of Masculinity

Joseph Campana

The Pain of Reformation argues that Edmund Spenser's 1590 Faerie Queene represents an extended meditation on emerging notions of physical, social, and affective vulnerability in Renaissance England. Histories of violence, trauma, and injury have dominated literary studies, often obscuring vulnerability, or an openness to sensation, affect, and aesthetics that includes a wide range of pleasures and pains. This book approaches early modern sensations through the rubric of the vulnerable body, explores the emergence of notions of shared vulnerability, and illuminates a larger constellation of masculinity and ethics in post-Reformation England.Spenser's era grappled with England's precarious political position in a world tense with religious strife and fundamentally transformed by the doctrinal and cultural sea changes of the Reformation, which had serious implications for how masculinity, affect, and corporeality would be experienced and represented. Intimations of vulnerability often collided with the tropes of heroic poetry, producing a combination of defensiveness, anxiety, and shame. It has been easy to identify predictably violent formations of early modern masculinity but more difficult to see Renaissance literature as an exploration of vulnerability.The underside of representations of violence in Spenser's poetry was a contemplation of the precarious lives of subjects in post-Reformation England. Spenser's adoption of the allegory of Venus disarming Mars, understood in Renaissance Europe as an allegory of peace, indicates that The Faerie Queene is a heroic poem that militates against forms of violence and war that threatened to engulf Europe and devastate an England eager to militarize in response to perceived threats from within and without. In pursuing an analysis, disarmament, and redefinition of masculinity in response to a sense of shared vulnerability, Spenser's poem reveals itself to be a vital archive of the way gender, violence, pleasure, and pain were understood.

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Pain, Pride, and Politics

Social Movement Activism and the Sri Lankan Tamil Diaspora in Canada

Amarnath Amarasingam

Pain, Pride, and Politics is an examination of diasporic politics based on a case study of Sri Lankan Tamils in Canada, with particular focus on activism between December 2008 and May 2009. Amarnath Amarasingam analyzes the reactions of diasporic Tamils in Canada at a time when the separatist Tamil movement was being crushed by the Sri Lankan armed forces and revises currently accepted analytical frameworks relating to diasporic communities. This book adds to our understanding of a particular diasporic group, while contributing to the theoretical literature in the area.

Throughout, Amarasingam argues that transnational diasporic mobilization is at times determined and driven as much by internal organizational and communal developments as by events in their countries of origin, a phenomenon that has received relatively little attention in the scholarly literature. His work provides an in-depth examination of the ways in which a separatist sociopolitical movement beginning in Sri Lanka is carried forward, altered, and adapted by the diaspora and the struggles that are involved in this process.

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Paine and Jefferson in the Age of Revolutions

Edited by Simon P. Newman and Peter S. Onuf

The enormous popularity of his pamphlet Common Sense made Thomas Paine one of the best-known patriots during the early years of American independence. His subsequent service with the Continental Army, his publication of The American Crisis (1776–83), and his work with Pennsylvania’s revolutionary government consolidated his reputation as one of the foremost radicals of the Revolution. Thereafter, Paine spent almost fifteen years in Europe, where he was actively involved in the French Revolution, articulating his radical social, economic, and political vision in major publications such as The Rights of Man (1791), The Age of Reason (1793-1807), and Agrarian Justice (1797). Such radicalism was deemed a danger to the state in his native Britain, where Paine was found guilty of sedition, and even in the United States some of Paine’s later publications lost him a great deal of his early popularity.

Yet despite this legacy, historians have paid less attention to Paine than to other leading Patriots such as Thomas Jefferson. In Paine and Jefferson in the Age of Revolutions, editors Simon Newman and Peter Onuf present a collection of essays that examine how the reputations of two figures whose outlooks were so similar have had such different trajectories.

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Painful Choices

A Theory of Foreign Policy Change

David A. Welch

Under what conditions should we expect states to do things radically differently all of a sudden? In this book, David Welch seeks to answer this question, constructing a theory of foreign policy change inspired by organization theory, cognitive and motivational psychology, and prospect theory. He then "test drives" the theory in a series of comparative case studies in the security and trade domains: Argentina's decision to go to war over the Falklands/Malvinas vs. Japan's endless patience with diplomacy in its conflict with Russia over the Northern Territories; America's decision to commit large-scale military force to Vietnam vs. its ultimate decision to withdraw; and Canada's two abortive flirtations with free trade with the United States in 1911 and 1948 vs. its embrace of free trade in the late 1980s.

Painful Choices has three main objectives: to determine whether the general theory project in the field of international relations can be redeemed, given disappointment with previous attempts; to reflect on what this reveals about the possibilities and limits of general theory; and to inform policy. Welch argues that earlier efforts at general theory erred by aiming to explain state behavior, which is an intractable problem. Instead, since inertia is the default expectation in international politics, all we need do is to explain changes in behavior. Painful Choices shows that this is a tractable problem with clear implications for intelligence analysts and negotiators.

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The Painted Desert

Land of Wind and Stone

Most people who are familiar with the Painted Desert of northeastern Arizona know it only from having pulled off at the Petrified Forest exit on Interstate 40. If they happen to come by it at midday, as most do, they find a landscape drained of color and flattened under the direct sunlight. But this remote pocket of the Arizona desert, sandwiched between the Little Colorado River on one side and bold escarpments on the other, is much more than most tourists ever experience. An ethereal landscape of sculpted rock, wind-fluted cliffs, and elegantly drifting sand, the Painted Desert is a rich storehouse of natural beauty, colorful history, and scientific wonders. Here the strongest winds in Arizona blow across extensive dunefields, where less than ten inches of rain falls each year and only a few desert-savvy Navajo are able to live. Now, for the first time award-winning writer Scott Thybony and freelance photographer David Edwards offer an intimate look at a place that remains inhospitable and inaccessible to so many. They share insights about the geology, paleontology, anthropology, and human history of the region as well as personal stories that dispel the misconceptions and mysteries that surround this delicate and difficult landscape. With fifteen stunning photographs gracing the text, this book offers a vibrant portrait of one of the Southwest’s most barren, and most colorful landscapes.

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Painted Fires

Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.

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The Painted King

Art, Activism, and Authenticity in Hawai`i

Glenn Wharton

The famous statue of Kamehameha I in downtown Honolulu is one of the state’s most popular landmarks. Many tourists—and residents—however, are unaware that the statue is a replica; the original, cast in Paris in the 1880s and the first statue in the Islands, stands before the old courthouse in rural Kapa‘au, North Kohala, the legendary birthplace of Kamehameha I. In 1996 conservator Glenn Wharton was sent by public arts administrators to assess the statue’s condition, and what he found startled him: A larger-than-life brass figure painted over in brown, black, and yellow with “white toenails and fingernails and penetrating black eyes with small white brush strokes for highlights. . . . It looked more like a piece of folk art than a nineteenth-century heroic monument.”

The Painted King is Wharton’s account of his efforts to conserve the Kohala Kamehameha statue, but it is also the story of his journey to understand the statue’s meaning for the residents of Kapa‘au. He learns that the townspeople prefer the “more human” (painted) Kamehameha, regaling him with a parade, chants, and leis every Kamehameha Day (June 11). He meets a North Kohala volunteer who decides to paint the statue’s sash after respectfully consulting with kahuna (Hawaiian spiritual leaders) and the statue itself. A veteran of public art conservation, Wharton had never before encountered a community that had developed such a lengthy, personal relationship with a civic monument. Going against the advice of some of his peers and ignoring warnings about “going native,” Wharton decides to involve the people of Kapa‘au in the conservation of their statue and soon finds himself immersed in complex political, social, and cultural considerations, including questions about representations of the Native Hawaiian past: Who should decide what is represented and how? And once a painting or sculpture exists, how should it be conserved?

The Painted King examines professional authority and community involvement while providing a highly engaging and accessible look at “activist conservation” at work, wherever it may be found.

77 color illus.

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Painting Borges

Philosophy Interpreting Art Interpreting Literature

A provocative examination of the artistic interpretation of twelve of Borges' most famous stories. In Painting Borges, Jorge J. E. Gracia explores in depth the artistic interpretation of fiction using a novel and philosophically sophisticated approach. The book presents a provocative theory of the artistic interpretation of literature, thus contributing both to aesthetics and hermeneutics; it provides original artistic and philosophical interpretations of twelve of Borges's most famous stories, thus making new inroads in to the understanding of Borges's work; and it introduces readers to recent figurative Argentinean and Cuban art, two of the most vibrant artistic currents today. The book breaks new ground because, although the artistic interpretation of literature is nothing new in the history of art, the philosophical exploration of how artists have interpreted literature is a topic that has been largely ignored.

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Painting Dixie Red

When, Where, Why, and How the South Became Republican

Edited by Glenn Feldman

Has the South, once the "Solid South" of the Democratic Party, truly become an unassailable Republican stronghold? If so, when, where, why, and how did this seismic change occur? Moreover, what are the implications for the U.S. body politic?

Painting Dixie Red is the first volume to grapple with these difficult yet critical questions. In this fascinating and timely collection, a distinguished group of scholars engages in an enlightening debate. Some make the case that the South has become Republican, and some contend that it has not. Some outline the region's exceptionalism, and some reject the idea of regional distinctiveness. Some point to white discontent over civil rights as the root of political changes, and some cite color-blind factors. All offer invaluable insights into U.S. politics during these ultra-partisan times.

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