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Angelo Tasca from Italian Socialism to French Collaboration
Angelo Tasca, a pivotal figure in 20th-century Italian political history, and indeed European history, is frequently overshadowed by his Fascist opponent Mussolini or his Socialist and Communist colleagues (Gramsci and Togliatti). Yet, as Emanuel Rota reveals in this captivating biography, Tasca--also known as Serra, A. Rossi,Andre Leroux, and XX--was in fact a key political player in the first half of the 20th century and an ill-fated representative of the age of political extremes he helped to create. In A Pact with Vichy, readers meet the Italian intellect and politician with fresh eyes as the author demystifies Tasca's seemingly bizarre trajectory from revolutionary Socialist to Communist to supporter of the Vichy regime. Rota demonstrates how Tasca, an indefatigable cultural operator and Socialist militant, tried all his life to maintain his commitment to scientific analysis in the face of the rise of Fascism and Stalinism, but his struggle ended in a personal and political defeat that seemed to contradict all his life when he lent his support to the Vichy government.Through Tasca's complex life, A Pact with Vichy vividly reconstructs and elucidates the even more complex networks and debates that animated the Italian and French Left in the first half of the 20th century. After his expulsion from the Italian Communist Party as a result of his refusal to conform to Stalinism, Tasca reinvented his life in Paris, where he participated in the intense political debates of the 1930s. Rota explores how Tasca's political choices were motivated by the desperate attempt to find an alternative between Nazism and Stalinism, even when this alternative had the ambiguous borders of Vichy's collaborationist regime. A Pact with Vichy uncovers how Tasca's betrayal of his own ideal was tragically the result of his commitment to political realism in the brief age of triumphant Fascism. This riveting, perceptive biography offers readers a privileged window into one of the 20th century's most intriguing yet elusive characters. It is a must-read for history buffs, students, and scholars alike.
The National Chicano Priest Movement
From the 1848 Treaty of Guadalupe Hidalgo to the 1960s, Mexican American Catholics experienced racism and discrimination within the U.S. Catholic church, as white priests and bishops maintained a racial divide in all areas of the church’s ministry. To oppose this religious apartheid and challenge the church to minister fairly to all of its faithful, a group of Chicano priests formed PADRES (Padres Asociados para Derechos Religiosos, Educativos y Sociales, or Priests Associated for Religious, Educational, and Social Rights) in 1969. Over the next twenty years of its existence, PADRES became a powerful force for change within the Catholic church and for social justice within American society. This book offers the first history of the founding, activism, victories, and defeats of PADRES. At the heart of the book are oral history interviews with the founders of PADRES, who describe how their ministries in poor Mexican American parishes, as well as their own experiences of racism and discrimination within and outside the church, galvanized them into starting and sustaining the movement. Richard Martínez traces the ways in which PADRES was inspired by the Chicano movement and other civil rights struggles of the 1960s and also probes its linkages with liberation theology in Latin America. He uses a combination of social movement theory and organizational theory to explain why the group emerged, flourished, and eventually disbanded in 1989.
Childhood and the Religious Imagination in Contemporary American Paganism
Paganism as a World Religion
In Pagan Theology, Michael York situates Paganism—one of the fastest-growing spiritual orientations in the West—as a world religion. He provides an introduction to, and expansion of, the concept of Paganism and provides an overview of Paganism's theological perspective and practice. He demonstrates it to be a viable and distinguishable spiritual perspective found around the world today in such forms as Chinese folk religion, Shinto, tribal religions, and neo-Paganism in the West.
While adherents to many of these traditions do not use the word “pagan” to describe their beliefs or practices, York contends that there is an identifiable position possessing characteristics and understandings in common for which the label “pagan” is appropriate. After outlining these characteristics, he examines many of the world's major religions to explore religious behaviors in other religions which are not themselves pagan, but which have pagan elements. In the course of examining such behavior, York provides rich and lively descriptions of religions in action, including Buddhism and Hinduism.
Pagan Theology claims Paganism’s place as a world religion, situating it as a religion, a behavior, and a theology.
When World Religion Meets World Literature
In the first book to consider the study of world religion and world literature in concert, Zhange Ni proposes a new reading strategy that she calls "pagan criticism," which she applies not only to late twentieth- and early twenty-first-century literary texts that engage the global resurgence of religion but also to the very concepts of religion and the secular. Focusing on two North American writers (the Jewish American Cynthia Ozick and the Canadian Margaret Atwood) and two East Asian writers (the Japanese Endō Shūsaku and the Chinese Gao Xingjian), Ni reads their fiction, drama, and prose to envision a "pagan (re)turn" in the study of world religion and world literature. In doing so, she highlights the historical complexities and contingencies in literary texts and challenges both Christian and secularist assumptions regarding aesthetics and hermeneutics.
In assessing the collision of religion and literature, Ni argues that the clash has been not so much between monotheistic orthodoxies and the sanctification of literature as between the modern Western model of religion and the secular and its non-Western others. When East and West converge under the rubric of paganism, she argues, the study of religion and literature develops into that of world religion and world literature.
A Confession of Faith
Now remembered primarily as Franz Kafta's friend and literary executor, Max Brod was an accomplishered thinker and writer in his own right. In this volume, he considers the nature and differences between Judaism and Christianity, addressing some of the most perplexing questions at the heart of human existence.
“One of the most famous and widely discussed books of the 1920’s, Max Brod’s Paganism—Christianity—Judaism, has at last found its way into English translation to confront a new generation of readers. Max Brod is best remembered today as the literary editor and friend of Franz Kafka. In his day, however, he was the more famous of the two by far. A major novelist, playwright, poet, essayist, and composer, he was also, as this book demonstrates, a serious thinker on the perennial questions that are at the heart of human existence. . . .Some of his judgments are open to question. Still, with all its limitations, this is a forthright and passionate proclamation of the uniqueness of Judaism. Paganism—Christianity—Judaism was an intellectual and spiritual event when it was first published and it remains a valuable document even now.” —Rabbi Jack Riemer, Hadassah
Threat and Fascination
In this volume the persistence, resurgence, threat, fascination, and repression of various forms of pagan culture are studied in an interdisciplinary perspective from late antiquity to the emergent Renaissance. Contributions deal with the survival of pagan beliefs and practices, as well as with the Christianization of pagan rural populations or with the different strategies of oppression of pagan beliefs. The authors examine problems raised by the encounter with pagan cultures outside the Muslim world and show how philosophers contrived to ‘save' the great philosophers and poets from ancient culture notwithstanding their paganism. The contributors also study the fascination of classic ‘pagan' culture among friars during the fourteenth and fifteenth centuries and the imitation of pagan models of virtue and mythology in Renaissance poetry.
The Craft of Adaptation
At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.
A James Boggs Reader
Born in the rural American south, James Boggs lived nearly his entire adult life in Detroit and worked as a factory worker for twenty-eight years while immersing himself in the political struggles of the industrial urban north. During and after the years he spent in the auto industry, Boggs wrote two books, co-authored two others, and penned dozens of essays, pamphlets, reviews, manifestos, and newspaper columns to become known as a pioneering revolutionary theorist and community organizer. In Pages from a Black Radical’s Notebook: A James Boggs Reader, editor Stephen M. Ward collects a diverse sampling of pieces by Boggs, spanning the entire length of his career from the 1950s to the early 1990s. Pages from a Black Radical’s Notebook is arranged in four chronological parts that document Boggs’s activism and writing. Part 1 presents columns from Correspondence newspaper written during the 1950s and early 1960s. Part 2 presents the complete text of Boggs’s first book, The American Revolution: Pages from a Negro Worker’s Notebook, his most widely known work. In part 3, “Black Power—Promise, Pitfalls, and Legacies,” Ward collects essays, pamphlets, and speeches that reflect Boggs’s participation in and analysis of the origins, growth, and demise of the Black Power movement. Part 4 comprises pieces written in the last decade of Boggs’s life, during the 1980s through the early 1990s. An introduction by Ward provides a detailed overview of Boggs’s life and career, and an afterword by Grace Lee Boggs, James Boggs’s wife and political partner, concludes this volume. Pages from a Black Radical’s Notebook documents Boggs’s personal trajectory of political engagement and offers a unique perspective on radical social movements and the African American struggle for civil rights in the post–World War II years. Readers interested in political and ideological struggles of the twentieth century will find Pages from a Black Radical’s Notebook to be fascinating reading.