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Adolphine Fletcher Terry and the Progressive South
Suffused with lyrical grace and the language of loss, Sean Nevin's Oblivio Gate explores the mental and emotional struggles of Solomon, a veteran battling the onslaught of Alzheimer's disease. Set against Solomon's memories of the Korean War, Nevin's poems draw us into an intimate view of a man's confusion as everything he knows slowly unravels around him, leaving him abandoned in the suddenly unfamiliar landscape of his own mind. Readers experience first- hand Solomon's dismay as he watches himself inexorably slip away from reality, fighting to hold on to the shreds of his identity. Intertwined with his perspective are the voices of loved ones and caregivers who can only watch helplessly as Solomon is ravaged by the illness. Also central to the collection are the figures of Aurora and Tithonus, the famously doomed couple of mythology whose own happiness was destroyed by the inevitability of age and the betrayal of the body. But if this evocative portrait of Alzheimer's disease is tragic, it is also at moments inspiring.
Oblivio Gate reveals not only what is lost, but also what is found, what is pure, and even what is funny in our fleeting lives. Ultimately, Sean Nevin crafts an unforgettable collection of contemporary poetry that yields heartbreaking insight into memory, the mind, and an affliction that has left millions lost and looking for themselves.
Goncharov's novels have been popular in Russia since their publication, and Oblomov, the central character of his most famous novel, has become the prototype of a fat and lazy man. Milton Ehre offers new interpretations of the complex personality of Goncharov and shows how in many ways Oblomov was a self-portrait of his creator. The introductory chapter neither idealizes Goncharov nor glosses over his weaknesses but shows a sensitive understanding of this major nineteenth-century Russian writer.
The author goes beyond the standard critical clichés about Goncharov to a contemporary reading of his entire artistic production. Proceeding from the assumption that meanings in art are intimately related to forms, he discusses Goncharov's works with close attention to style, structure, and distinctions of genre, to arrive at an understanding of Goncharov's themes and his view of experience. Milton Ehre's extensive knowledge of the Russian literature on Goncharov and his own literary sensitivity combine to provide a new understanding of Goncharov and his novels.
Originally published in 1974.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Over the course of the nineteenth century in both Europe and the United States, the state usurped the traditional authority of the church in regulating sexual expression and behavior. In the same century philosophers of classical liberalism identified that state function as a threat to individual liberty. Since then, liberalism has provided the framework for debates over obscenity around the globe. But liberalism has recently been under siege, on the one side from postmodern thinkers skeptical about its andro- and ethnocentric assumptions, and on the other side from religious thinkers doubtful of the moral integrity of the Enlightenment project writ large.The principal challenge for those who conduct academic work in this realm is to formulate new models of research and analysis appropriate to understanding and evaluating speech in the present-day public sphere. Toward those ends, Obscenity and the Limits of Liberalism contains a selection of essays and interventions by prominent authors and artists in a variety of disciplines and media. These writings, taken as a whole, put recent developments into historical and global contexts and chart possible futures for a debate that promises to persist well into the new millennium.
Roth v. United States and the Long Struggle over Sexual Expression
For some, he was “America’s leading smut king,” hauled into court repeatedly over thirty years for peddling obscene publications through the mail. But when Samuel Roth appealed a 1956 conviction, he forced the Supreme Court to finally come to grips with a problem that had plagued both American society and constitutional law for longer than he had been in business. For while the facts of Roth v. United States were unexceptional, its constitutional issues would define the relationship of obscenity to the First Amendment.
As MacDonald says, “I think what I’m after in the stories as well as in the video work is finding an experiential moment, nothing really stable, something pleasantly unstable, or uncomfortable . . . purposefully pleasant uncomfortable instability with moments of tenderness and definitely humor. Certainly nothing concrete, unless it needs that. A certain fear of and respect for banality. I’m after a good time, which can often turn into a really bad time, but either way, one we’ll remember forever.”
Despite the range of circumstances they reveal, these stories are unified by a brightness of vision, deft observation, and consistently sharp, funny, and unbridled language.
The Visual Poetics of National Parks
National parks are the places that present ideas of nature to Americans: Zion, Yosemite, Grand Canyon, Yellowstone bring to mind quintessential and awe-inspiring wilderness. By examining how rhetoric—particularly visual rhetoric—has worked to shape our views of nature and the “natural” place of humans, Observation Points offers insights into questions of representation, including the formation of national identity.
As Thomas Patin reveals, the term “nature” is artificial and unstable, in need of constant maintenance and reconstruction. The process of stabilizing its representation, he notes, is unavoidably political. America’s national parks and monuments show how visual rhetoric operates to naturalize and stabilize representations of the environment. As contributors demonstrate, visual rhetoric is often transparent, structuring experience while remaining hidden in plain sight. Scenic overlooks and turnouts frame views for tourists. Visitor centers, with their display cases and photographs and orientation films, provide their own points of view—literally and figuratively. Guidebooks, brochures, and other publications present still other ways of seeing. At the same time, images of America’s “natural” world have long been employed for nationalist and capitalist ends, linking expansionism with American greatness and the “natural” triumph of European Americans over Native Americans.
The essays collected here cover a wide array of subjects, including park architecture, landscape painting, public ceremonies, and techniques of display. Contributors are from an equally broad range of disciplines—art history, geography, museum studies, political science, American studies, and many other fields. Together they advance a provocative new visual genealogy of representation.
Contributors: Robert M. Bednar, Southwestern U, Georgetown, Texas; Teresa Bergman, U of the Pacific; Albert Boime, UCLA; William Chaloupka, Colorado State U; Gregory Clark, Brigham Young U; Stephen Germic, Rocky Mountain College; Gareth John, St. Cloud State U, Minnesota; Mark Neumann, Northern Arizona U; Peter Peters, Maastricht U; Cindy Spurlock, Appalachian State U; David A. Tschida, U of Wisconsin, Eau Claire; Sabine Wilke, U of Washington.
Following in the path of her distinguished Puritan forebears, Hannah Mather Crocker used her skills as a writer primarily to persuade. Unlike those forebears, however, she did not begin her career as a published writer until well into middle age, after the death of her husband, Joseph Crocker, and after having raised ten children. The works collected here include previously unpublished poetry, drama, memoirs, sermons, and essays on American identity, education, and history, as well as the three texts published in her lifetime. This volume is named for her most famous work, Observations on the Real Rights of Women. Originally published in 1818, it is widely considered the first published treatise on women’s rights written by an American woman and serves as a rare example of women’s views of their own roles within the early American republic. This collection also mirrors the many changes that occurred in the United States during the late eighteenth and early nineteenth centuries, highlighting the shift in attitude toward women’s rights, education, and other reform movements as well as the American Revolution. Crocker’s writing provides a rare and valuable window into the concerns of women who embodied Enlightenment ideals during the years of the early republic.
Containing a Vindication of the American Constitutions, and Defending the Blessings of Religious Liberty and Toleration, against the Illiberal Strictures of the Rev. Samuel B. Wylie
Observations on “The Two Sons of Oil” was written in 1811 in response to the Reverend Samuel B. Wylie’s work, The Two Sons of Oil, which was published in 1803. In this work of radical Presbyterian theology, Wylie pointed out what he considered to be deficiencies in the constitutions of both Pennsylvania and the United States and declared them to be immoral.
Findley’s response to Wylie’s criticisms in Observations showed that it was neither the purpose nor the design of the United States government to have a federal religion and a federal creed. In a broader sense the book is also a passionate defense of a civil government guided by moral principles that allow for essential freedoms. Findley’s defense of religious liberty and the American constitutions affords a grand window through which to view early American understanding about the relationship between politics and faith and why it is essential for both liberty and piety to resist any attempt to unite government and Church.
This new Liberty Fund edition will make this work available once again; Observations on “The Two Sons of Oil” has not been republished since its original publication in 1812. Scholars of American history, government, and religion will appreciate the new availability of this book, which provides critical insight into Americans’ conception of liberty in the nation’s formative years. In addition, readers concerned with renewed debates around the world on the separation of church and state will appreciate the timelessness of Findley’s arguments for secular government and its compatibility with religious beliefs.
William Findley was born in Ireland and emigrated to Pennsylvania in 1763. He served in the Second through the Fifth Congresses, and again in the Eighth through the Fourteenth Congresses, earning the designation “Father of the House” before he retired from Congress in 1817. He died in 1821.
John Caldwell is retired from Augustana College, where he was Director of the Library and Professor of History. Himself a native of western Pennsylvania, Professor Caldwell is the author of George R. Stewart (1981) and William Findley from West of the Mountains: A Politician in Pennsylvania, 1783–1791 (2000).