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Naked Light and the Blind Eye

Sanya Osha

At the end of his tether, Solomon Wenku contemplates a life gone awry amid widespread postcolonial squalor. Tani enters his life supposedly as a contrast to his encroaching existential gloom only to speed up the pace of his total collapse. Sanya Osha’s cult novel beams a searchlight on what it feels like to survive personally and collectively in unyielding tropical malaise. This web of a narrative pits the rural versus the urban, tradition against modernity with a gallery of immortal characters and with a yearning that sings lushly of freedom.

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Naked Lunch @ 50

Anniversary Essays

Edied by Oliver Harris and Ian MacFadyen

An illustrated, international collection of original essays that combines academic analysis and personal response, to mark the 50th anniversary of William Burroughs’ landmark novel.

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Naked Picnic

Un Sio San, Edited by Bei Dao, Shelby Chan, Gilbert Fong, Lucas Klein, and Christopher Mattison

Following the convening of Hong Kong International Poetry Nights 2013, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem of "Naked Picnic" by Un Sio San (Macau) is finest contemporary poetry in trilingual or bilingual presentation.

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Naked Truth

Strip Clubs, Democracy, and a Christian Right

By Judith Lynne Hanna

Taking an unprecedented, counterintuitive look at America’s conflict over sexuality, Naked Truth reveals how the attack on the exotic dance industry by the activist Christian Right threatens the separation of church and state and undermines our civil liberties .

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The Naked Truth

Why Hollywood Doesn't Make X-rated Movies

Kevin S. Sandler

From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"-films accessible by all audiences and acceptable to Hollywood's various critics and detractors.

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Nameless Indiginities

Unraveling the Mystery of One of Illinois's Most Infamous Crimes

Upon discovering that her great-great aunt was the victim and central figure in one of Illinois’s most notorious crimes, author Susan Elmore set out to learn more. She uncovered a perplexing case that resulted in multiple suspects, a lynch mob, charges of perjury and bribery, a failed kidnapping attempt, broken family loyalties, lies, cover-ups, financial devastation, and at least two suicides.

In June 1882, when young schoolteacher Emma Bond was brutally gang-raped and left for dead in her country schoolhouse near Taylorville, Illinois, an enduring mystery was born. The case was covered by newspapers across the country, but some of the injuries inflicted upon the victim were so appalling that the press refused to print the ugliest details, referring to them only as “nameless indignities.” Emma’s life hung in the balance for months, but she survived. Eighteen months went by before three of the six suspects were finally brought to trial. Citizens expected a swift conviction but were shocked to learn of the defendants’ acquittal.

What should have been the end of the Bond story was actually just the beginning. Permanently crippled in the attack, Emma spent time in a sanitarium and was stricken by amnesia. In the years that followed, new theories on the crime emerged. Some suggested that she had concocted her story as a cover-up for an unwanted pregnancy or abortion. Doctors labeled her as a mentally unstable hysteric and a malingerer who purposely lied. Within a decade, the tides turned against Emma and her life began to crumble as she tried to cope with the demons of her past.

At the time, educators, editors, politicians, lawyers, and doctors eagerly weighed in on the case and its ramifications. Doctors of the Victorian era couldn’t agree on anything of a physical or a psychological nature, and as a result, Emma paid dearly. The crime also took a toll on local residents, pitting families and neighbors against one another. The fact that the case was never solved gave it staying power, with unanswered questions and intrigue persisting for decades.

Elmore spent years digging through historical newspapers and documents, trying to crack this whodunit. In the process, she uncovered startling new facts about some of the defendants and based on those discoveries developed her own theory on what really happened. Her theory concludes Nameless Indignities

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Names Above Houses

Oliver de la Paz

In Names above Houses, Oliver de la Paz uses both prose and verse poems to create the magical realm of Fidelito Recto—a boy who wants to fly—and his family of Filipino immigrants. Fidelito’s mother, Maria Elena, tries to keep her son grounded while struggling with her own moorings. Meanwhile, Domingo, Fidelito's fisherman father, is always at sea, even when among them. From the archipelago of the Philippines to San Francisco, horizontal and vertical movements shape moments of displacement and belonging for this marginalized family. Fidelito approaches life with a sense of wonder, finding magic in the mundane and becoming increasingly uncertain whether he is in the sky or whether his feet are planted firmly on the ground.

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Namibia and Germany: Negotiating the Past

Reinhart K�ssler

100 years since the end of German colonial rule in Namibia, the relationship between the former colonial power and the Namibian communities who were affected by its brutal colonial policies remains problematic, and interpretations of the past are still contested. This book examines the ongoing debates, conflicts and confrontations over the past. It scrutinises the consequences of German colonial rule, its impact on the descendants of victims of the 1904�08 genocide, Germany�s historical responsibility, and ways in which post-colonial reconciliation might be achieved.

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Namibia's Rainbow Project

Gay Rights in an African Nation

Robert Lorway

What are the consequences when international actors step in to protect LGBT people from discrimination with programs that treat their sexualities in isolation from the "facts on the ground"? Robert Lorway tells the story of the unexpected effects of The Rainbow Project (TRP), a LGBT rights program for young Namibians begun in response to President Nujoma's notorious hate speeches against homosexuals. Lorway highlights the unintended consequences of this program, many of which ran counter to the goals of local and international policy makers and organizers. He shows how TRP inadvertently diminished civil opportunities at the same time as it sought to empower youth to claim their place in Namibian culture and society. Tracking the fortunes of TRP over several years, Namibia’s Rainbow Project poses questions about its effectiveness in the faces of class distinction and growing inequality. It also speaks to ongoing problems for Western sexual minority rights programs in Africa in the midst of political violence, heated debates over anti-discrimination laws, and government-sanctioned anti-homosexual rhetoric.

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Naming Colonialism

History and Collective Memory in the Congo, 1870–1960

Osumaka Likaka

What’s in a name? As Osumaka Likaka argues in this illuminating study, the names that Congolese villagers gave to European colonizers reveal much about how Africans experienced and reacted to colonialism. The arrival of explorers, missionaries, administrators, and company agents allowed Africans to observe Westerners’ physical appearances, behavior, and cultural practices at close range—often resulting in subtle yet trenchant critiques. By naming Europeans, Africans turned a universal practice into a local mnemonic system, recording and preserving the village’s understanding of colonialism in the form of pithy verbal expressions that were easy to remember and transmit across localities, regions, and generations.
    Methodologically innovative, Naming Colonialism advances a new approach that shows how a cultural process—the naming of Europeans—can provide a point of entry into economic and social histories. Drawing on archival documents and oral interviews, Likaka encounters and analyzes a welter of coded fragments. The vivid epithets Congolese gave to rubber company agents—“the home burner,” “Leopard,” “Beat, beat,” “The hippopotamus-hide whip”—clearly conveyed the violence that underpinned colonial extractive economies. Other names were subtler, hinting at derogatory meaning by way of riddles, metaphors, or symbols to which the Europeans were oblivious. Africans thus emerge from this study as autonomous actors whose capacity to observe, categorize, and evaluate reverses our usual optic, providing a critical window on Central African colonialism in its local and regional dimensions.

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