This is the most comprehensive account of the internal dynamics of the young intellectual generation of NU advocating for pluralism and democracy within Islam in Indonesia, during Gus Dur's leadership of PBNU. Because of the author's unique vantage point, her sometimes sharp criticism of this movement and its internal dynamics is extremely useful to those who continue to advocate for reform, within NU and in Indonesia generally. - Ahman Suaedy, Executive Director, Wahid Institute, Jakarta"Robin Bush provides an authoritative, insightful and engaging account of the political and intellectual world of Nahdlatul Ulama. She carefully analyses the tumultuous and often tangled dynamics within NU from the 1980s to the post-Soeharto period and unearths deeper historical and cultural resonances in explaining the organisation's outlook and actions. This is a valuable work for anyone seeking to understand contemporary Islamic politics in Indonesia." - Greg Fealy, Fellow and Senior Lecturer in Indonesian Politics, Australian National University, Canberra

In this detailed study, Nina Caputo examines conceptions of history and messianic redemption in the writings of the Catalonian rabbi and brilliant Talmudic scholar Nahmanides (1195–1270). An early exponent of kabbalah, Nahmanides was also a shrewd intermediary between the Jewish communities and the royal administration of Aragon. Most intellectual histories focus on Nahmanides in the fairly insular context of Jewish community dynamics, but this volume explores the largely unexamined history of encounters between Jewish and Christian interpretations of history and redemption, as well as the significant role played by Jews in the expansion of the Crown of Aragon during the thirteenth century. Caputo explains Nahmanides' distinctive understanding of the shape and meaning of historical time and change and reveals how his discourse frequently confronted Christian views of history and scripture, sometimes embracing Christians forms, but at other times directly refuting them. Nina Caputo's book is the first to situate Nahmanides in the full intellectual and religious context of thirteenth-century Catalonia. It makes an important contribution to the fields of Jewish studies as well as medieval and early modern history.

Explores the life and career of one of the twentieth century's most colorful Zionist leaders.

From his reporting on Islamic true believers to his descriptions of the postcolonial world, V. S. Naipaul has been a controversial figure in contemporary letters. Winner of the Nobel Prize, Naipaul has traveled throughout the world, looking at its varied cultures and seeking out others' stories, recording and transforming them. His engagement with postcolonial cultures informs his novels, such as Guerrillas and A Bend in the River. However, it is his documentaries (such as Among the Believers and Beyond Belief) and his works that combine actual and fictional histories and memories (Finding the Center, The Enigma of Arrival, and A Way in the World) that best exhibit a growing awareness of the complexities of cultural difference -- and the incompleteness and uncertainty of understanding "strangers." In this book, Dagmar Barnouw explores the sophisticated strategies and experimentations that Naipaul employs in his cultural critique and in his enterprise of learning about and documenting the enduring strangeness of this world.

Despite being a large capital city in Africa in terms of size and its regional role, Nairobi is an unrecognised entity. For the majority of its inhabitants, the capital of Kenya is a transit point rather than a dwelling place. Since its origins, Nairobi has been a city of migrants, more predisposed to their rural roots than to their current city status. It is a non-conforming town, which conceals its urbanity more than it claims it, and whose identity remains evasive. Nairobi presents itself as a mosaic of residential areas which bring to mind the cityís history. The racial segregation that stratified the development of the colonial city has today disappeared, but it has given way to a form of social segregation. One must, therefore, not seek a unique identity in Nairobi, but rather, several identitiesóthose of different communities that comprise the city and whose dynamics are seen at village and residential estate level. However, Nairobi is also a city that is contradictory. This East African capital city is often associated with slums and crime, and their increase and growth stigmatises the failure of urban policies. Therefore, it is at these cracks and fringes of the city that we should seek out the identities and dynamics that have shaped the city for a century. Nairobi is a fragmented city that can be understood in steps. The 13 contributory articles in Nairobi Today thus reveal the city. This multidisciplinary collective work invites us to gain entry into certain areas of the city, to visit its communities and to familiarise ourselves with its formal and informal institutions. This is a requirement in order to fully understand what makes Nairobi what it is today.

At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.

The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti-Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.

An illustrated, international collection of original essays that combines academic analysis and personal response, to mark the 50th anniversary of William Burroughs’ landmark novel.

Taking an unprecedented, counterintuitive look at America’s conflict over sexuality, Naked Truth reveals how the attack on the exotic dance industry by the activist Christian Right threatens the separation of church and state and undermines our civil liberties.

From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"-films accessible by all audiences and acceptable to Hollywood's various critics and detractors.