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Mae Murray Cover

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Mae Murray

The Girl with the Bee-Stung Lips

Michael G. Ankerich. foreword by Kevin Brownlow

Mae Murray (1885--1965), popularly known as "the girl with the bee-stung lips," was a fiery presence in silent-era Hollywood. Renowned for her classic beauty and charismatic presence, she rocketed to stardom as a dancer in the Ziegfeld Follies, moving across the country to star in her first film, To Have and to Hold, in 1916. An instant hit with audiences, Murray soon became one of the most famous names in Tinseltown.

However, Murray's moment in the spotlight was fleeting. The introduction of talkies, a string of failed marriages, a serious career blunder, and a number of bitter legal battles left the former star in a state of poverty and mental instability that she would never overcome.

In this intriguing biography, Michael G. Ankerich traces Murray's career from the footlights of Broadway to the klieg lights of Hollywood, recounting her impressive body of work on the stage and screen and charting her rapid ascent to fame and decline into obscurity. Featuring exclusive interviews with Murray's only son, Daniel, and with actor George Hamilton, whom the actress closely befriended at the end of her life, Ankerich restores this important figure in early film to the limelight.

Mafias on the Move Cover

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Mafias on the Move

How Organized Crime Conquers New Territories

Federico Varese

Organized crime is spreading like a global virus as mobs take advantage of open borders to establish local franchises at will. That at least is the fear, inspired by stories of Russian mobsters in New York, Chinese triads in London, and Italian mafias throughout the West.

As Federico Varese explains in this compelling and daring book, the truth is more complicated. Varese has spent years researching mafia groups in Italy, Russia, the United States, and China, and argues that mafiosi often find themselves abroad against their will, rather than through a strategic plan to colonize new territories. Once there, they do not always succeed in establishing themselves. Varese spells out the conditions that lead to their long-term success, namely sudden market expansion that is neither exploited by local rivals nor blocked by authorities. Ultimately the inability of the state to govern economic transformations gives mafias their opportunity.

In a series of matched comparisons, Varese charts the attempts of the Calabrese 'Ndrangheta to move to the north of Italy, and shows how the Sicilian mafia expanded to early twentieth-century New York, but failed around the same time to find a niche in Argentina. He explains why the Russian mafia failed to penetrate Rome but succeeded in Hungary. In a pioneering chapter on China, he examines the challenges that triads from Taiwan and Hong Kong find in branching out to the mainland. Based on ground-breaking field work and filled with dramatic stories, this book is both a compelling read and a sober assessment of the risks posed by globalization and immigration for the spread of mafias.

The Magazine Writer's Handbook Cover

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The Magazine Writer's Handbook

Franklynn Peterson and Judi Kesselman-Turkel

An expanded and updated revision of the already comprehensive first edition, The Magazine Writer’s Handbook offers insightful strategies addressing virtually every aspect of writing a magazine article for publication. Designed to be useful for both experienced magazine writers and those seeking to break into the magazine-writing industry, this handbook provides an exhaustive step-by-step approach taking the reader through every stage of the publication process. From targeting the right publication to constructing a professional article, and from dealing with legal considerations to working with editors, the revised edition of The Magazine Writer’s Handbook will be an indispensable addition to any writer’s desk. Extensively published in popular trade magazines, the authors dispense their knowledge in this handbook to help writers of all levels see their work published.

Magdalene House Cover

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Magdalene House

A Place about Mercy

Sarah VanHooser Suiter

Women come to Magdalene House in Nashville when they are ready to leave the streets. They live togetherunsupervised and free of chargefor two years. During that time, the women are given time, space, and the resources they need to heal from what have often been lifelong experiences with suffering. (Of the twentytwo women now in residence, 80 percent have a diagnosed mental illness other than addiction, 40 percent are receiving treatment for hepatitis C, and onethird are HIV positive.)


However, the story of the Magdalene community is not about these statistics, but about the stories the women tell. They say they thrive in the community because it is a place where they are free to be themselves, safe to give and receive love, and free to speak their trutheven to complain sometimes about how their storytelling is exploited "for the good of the community." A Place about Mercy is a participantobservation account of the history of this remarkable community founded in 1997, its structure, its Thistle Farms beauty products operation, and Reverend Becca Stevens's communal and spiritual vision. The book is finally about what it means to walk the path of healing with a group of unlikely women as guide.


Magdalene House was the subject of a multiplepart documentary on National Public Radio.

Magdalenian Household, The Cover

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Magdalenian Household, The

Unraveling Domesticity

A comprehensive investigation of household life during the Upper Paleolithic era. What was home and family like in Paleolithic Europe? How did mobile hunter-gatherer families live, work, and play together in the fourteenth millennium BP? What were the functional and spatial constraints and markers of their domesticity—the processes that create and sustain a household? Despite the long recognized absence of comprehensive archaeological data on such ancient homes and hearths, the archaeologists in this volume begin unraveling the domesticity of the Upper Paleolithic by drawing on both an immense trove of new material evidence and comparative site data, and a range of incisive and illuminating ethnographic analogies, theoretical models, and simulations. Five Late Magdalenian sites from the Paris Basin and one later Azilian site provide striking evidence of well preserved camps of short duration, situated on valley bottoms and buried by gentle floods. Of particular interest and value is the site of Verberie, rich in lithic tools, faunal remains, hearts, and other indicators of spatial organization, which has been excavated continuously for twenty-six years by the same director and provides an unparalleled source of information on Paleolithic domesticity. The first group of essays and reports look at the technology and demographic evidences of domesticity; the second set seeks clues to the spatial patterning of Paleolithic households; while the final essays draw on ethnographic analogies to reconstruct and interpret gendered divisions of labor, perishable technologies, and other activities not directly recognizable from archaeological remains.

The Magellan Fallacy Cover

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The Magellan Fallacy

Globalization and the Emergence of Asian and African Literature in Spanish

Adam Lifshey

The Magellan Fallacy argues that literature in Spanish from Asia and Africa, though virtually unknown, reimagines the supposed centers and peripheries of the modern world in fundamental ways. Through archival research and comparative readings, The Magellan Fallacy rethinks mainstream mappings of diverse cultures while advocating the creation of a new field of scholarship: global literature in Spanish. As the first attempt to analyze Asian and African literature in Spanish together, and doing so while ranging over all continents, The Magellan Fallacy crosses geopolitical and cultural borders without end. The implications of the book, therefore, extend far beyond the lands formerly ruled by the Spanish empire. The Magellan Fallacy shows that all theories of globalization, including those focused on the Americas and Europe, must be able to account for the varied significances of hispanophone Asia and Africa as well.

Magia Sexualis Cover

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Magia Sexualis

Sex, Magic, and Liberation in Modern Western Esotericism

Hugh Urban

Sexuality and the occult arts have long been associated in the western imagination, but it was not until the nineteenth century that a large and sophisticated body of literature on sexual magic—the use of sex as a source of magical power—emerged. This book, the first history of western sexual magic as a modern spiritual tradition, places these practices in the context of the larger discourse surrounding sexuality in American and European society over the last 150 years to discover how sexual magic was transformed from a terrifying medieval nightmare of heresy and social subversion into a modern ideal of personal empowerment and social liberation. Focusing on a series of key figures including American spiritualist Paschal Beverly Randolph, Aleister Crowley, Julius Evola, Gerald Gardner, and Anton LaVey, Hugh Urban traces the emergence of sexual magic out of older western esoteric traditions including Gnosticism and Kabbalah, which were progressively fused with recently-discovered eastern traditions such as Hindu and Buddhist Tantra. His study gives remarkable new insight into sexuality in the modern era, specifically on issues such as the politics of birth control, the classification of sexual "deviance," debates over homosexuality and feminism, and the role of sexuality in our own new world of post-modern spirituality, consumer capitalism, and the Internet.

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Magic and Masculinity in Early Modern English Drama

By Ian McAdam

The prevalent worldview of early modern England, clearly shaped by Protestantism, dismissed magical belief as an ideological delusion inherent in Catholicism. That same Protestantism encouraged a strong sense of individualism, with its emphasis on self-transformation, through which a new masculinity found expression. Why, then, did magical self-empowerment retain such a hold on the artistic and cultural imagination of early modern English society?

Ian McAdam’s innovative study suggests that the answer to this question may lie partly in an increasingly ironic presentation of magic. While the magical beliefs of the period asserted, on the one hand, individual empowerment through a quasi-religious self-justification and a presumed mastery of the objective world, those beliefs also gave rise to various anxieties concerning power and control — anxieties that created difficulty with conceptions of masculine and feminine gender roles as well as cultural attitudes toward Nature and the natural. Thus, McAdam contends, the increased interest in magic was connected to a crisis in masculine identity, which was exacerbated by the Protestant Reformation and its concern with individual empowerment as well as class, sexual, and religious identifications. Moreover, as artistic presentations — especially in the theater — were concerned with magic as a form of psychological, ideological, and cultural control, the study finds the psychoanalytic concept of narcissism useful in explaining the notion of selfhood as it developed in early modern England.

In chapters that explore various literary texts, McAdam considers depictions of magic by tracing a chronological path that follows a dialectical struggle involving a precarious attempt to balance “supra-rational” and “sub-rational” impulses. Beginning with Greene’s Friar Bacon and Friar Bungay, which depicts some ambivalent attitudes toward magical self-empowerment and the cultural concern of a feminine sexual threat to masculine (magical) control, the book moves to the Calvinist constructions of manhood in Marlowe’s Doctor Faustus and eventually to considerations of male self-definition and its reliance on women, class considerations in more oblique magical contexts, and surrender to magical (and ideological) powers in the works of Shakespeare, Marston, Middleton, Chapman, and Jonson.

In addition to appealing to those who study early modern literature and drama, this book will interest scholars of gender and those concerned with the theological basis of human subjectivity in the Renaissance.

The Magic Behind the Voices Cover

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The Magic Behind the Voices

A Who's Who of Cartoon Voice Actors

Tim Lawson

The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who have created the unmistakable voices for some of the most popular and enduring animated characters of all time.

Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people-many from humble beginnings-who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small town Ohio girl who became the star protégé of Daws Butler-most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) are a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters.

In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features.

Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.

Tim Lawson is a freelance writer and filmmaker who lives in Galesburg, Illinois.

Alisa Persons is a freelance writer, artist, animator, and filmmaker, who lives in Superior, Wisconsin.

Magic in the Cloister Cover

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Magic in the Cloister

Pious Motives, Illicit Interests, and Occult Approaches to the Medieval Universe

By Sophie Page

During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.

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