Browse Results For:

M

previous PREV 3 4 5 6 7 8 9 NEXT next

Results 51-60 of 3180

:
:
Access Restricted no This search result is for a Book

Mad Jesus

The Final Testament of a Huichol Messiah from Northwest Mexico

Timothy J. Knab

This is the story of an anthropologist's encounter with a Huichol Indian known as "Mad Jesus." Jesús was an artisan, a shaman, a self-styled prophet, a mad messiah, and a murderous mystic. Timothy J. Knab was a young anthropologist soliciting life histories from Huichols in Mexico City when they met. The life story of Jesús may have been the ravings of a madman, but it also embodied the Huichol anticipation of the return of Santo Cristo, the savior who will restore the Huichol to their place as masters of the world around them. Neither Knab's studies in anthropology nor his experiences in the world of counterculture prepared him to understand this strange Indian and his violent history and behavior.

Access Restricted no This search result is for a Book

Mad Like Artaud

Sylvère Lotringer

Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. Sylvère Lotringer explores various embodiments of this shared delirium through what Artaud called “mental dramas”—a series of confrontations with his witnesses or “persecutors” where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet’s work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where “madness” itself is simmering.

Access Restricted no This search result is for a Book

Mad Loves

Women and Music in Offenbach's "Les Contes d'Hoffmann"

Heather Hadlock

In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject.

Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.

Access Restricted no This search result is for a Book

Mad Men Unzipped

Fans on Sex, Love, and the Sixties on TV

Karen L. Dill-Shackleford, Cynthia Vinney, Jeri Lynn Hogg, Kristin Hopper-Losenicky

This is the story of the Mad Men fan phenomenon: how the show and its fans distinguished themselves in a market where it’s hard to make an impression, not unlike the driven ad execs at the center of the show. In this book, four media psychologists who also just happen to be dedicated Mad Men fans explore how the show’s viewers make meaning from fictional drama. The authors also interviewed several contemporary advertising industry professionals, getting their inside view of the business in its modern guise and what they make of the show’s vision of their past. The result is cutting-edge psychological research that crunches and codes online fan commentary to understand the ways that people use the show to debate complex social issues, from sex and alcohol to gender roles, parenting, and advertising itself. What do the 1960s mean to us today, and how well does the twenty-first century measure up against that famously turbulent decade? Which characters do fans identify with—and which ones do they love to hate? How would fans unfurl the Mad Men storylines if they were in charge? What makes a good man, and has it changed over time? How should husbands and wives treat each other, and how should parents treat their children?

In answering these questions, the authors explore not just the online commentary but also Mad Men fans’ fan fiction, cosplay, cocktail making, and vintage furniture collecting. Whether tweeting as one of the main characters (or just a lowly mail clerk), setting Peggy up with the man who’ll treat her right, or figuring out just which “Mad Man” they are at heart, fans integrate the show into their lives and use it to make sense of their own choices in work, leisure, and love.

Access Restricted no This search result is for a Book

Mad money

with an introduction by Benjamin J. Cohen

Susan Strange

Mad money is a classic of International Relations and international political economy literature. It also has profound modern relevance. First published by Manchester University Press in 1998, the book called for an end to the volatility of international financial markets. Markets had grown, technology had advanced, and regulation had all but disappeared, resulting in financial crises in Asia and in the western world. The book identified that finance now called the tune internationally: governments had been stripped of control, morals had loosened, and income gaps were widening sharply. Susan Strange predicted that this would lead to a long, inevitable financial crisis if it continued unchecked. She was proved right within a decade of the book coming out. This reissue includes a new introduction by Benjamin Cohen of the University of California that contextualises the book, and conveys the value of the work for a modern audience.

Access Restricted no This search result is for a Book

Mad Music

Charles Ives, the Nostalgic Rebel

Stephen Budiansky

Mad Music is the story of Charles Edward Ives (1874-1954), the innovative American composer who achieved international recognition, but only after he'd stopped making music. While many of his best works received little attention in his lifetime, Ives is now appreciated as perhaps the most important American composer of the twentieth century and father of the diverse lines of Aaron Copland and John Cage. Ives was also a famously wealthy crank who made millions in the insurance business and tried hard to establish a reputation as a crusty New Englander. To Stephen Budiansky, Ives's life story is a personification of America emerging as a world power: confident and successful, yet unsure of the role of art and culture in a modernizing nation. Though Ives steadfastly remained an outsider in many ways, his life and times inform us of subjects beyond music, including the mystic movement, progressive anticapitalism, and the initial hesitancy of turn-of-the-century-America modernist intellectuals. Deeply researched and elegantly written, this accessible biography tells a uniquely American story of a hidden genius, disparaged as a dilettante, who would shape the history of music in a profound way.

Making use of newly published letters--and previously undiscovered archival sources bearing on the longstanding mystery of Ives's health and creative decline--this absorbing volume provides a definitive look at the life and times of a true American original.

Access Restricted no This search result is for a Book

Mad Tuscans and Their Families

A History of Mental Disorder in Early Modern Italy

By Elizabeth W. Mellyn

Based on three hundred civil and criminal cases over four centuries, Elizabeth W. Mellyn reconstructs the myriad ways families, communities, and civic and medical authorities met in the dynamic arena of Tuscan law courts to forge pragmatic solutions to the problems that madness brought to their households and streets. In some of these cases, solutions were protective and palliative; in others, they were predatory or abusive. The goals of families were sometimes at odds with those of the courts, but for the most part families and judges worked together to order households and communities in ways that served public and private interests.

For most of the period Mellyn examines, Tuscan communities had no institutions devoted solely to the treatment and protection of the mentally disturbed; responsibility for their long-term care fell to the family. By the end of the seventeenth century, Tuscans, like other Europeans, had come to explain madness in medical terms and the mentally disordered were beginning to move from households to hospitals. In Mad Tuscans and Their Families, Mellyn argues against the commonly held belief that these changes chart the rise of mechanisms of social control by emerging absolutist states. Rather, the story of mental illness is one of false starts, expedients, compromise, and consensus created by a wide range of historical actors.

Access Restricted no This search result is for a Book

Mad Wives and Island Dreams

Shimao Toshio and the Margins of Japanese Literature

by Philip Gabriel

Hailed by the noted critic Karatani Kojin as a more important and lasting writer than Mishima, Shimao Toshio (1917-1986) remains almost unknown in the West. Several of his short stories have appeared in English translation, yet it is only now, with the publication of Philip Gabriel's comprehensive and searching study, that Shimao's work is being introduced to the worldwide audience it deserves. Mad Wives and Island Dreams not only is a thorough assessment of the literary legacy of a highly original and influential writer, but also represents a significant contribution to the consideration of much broader issues relating to the emergence and nature of the postwar Japanese sense of identity. Shimao's fiction covers a wide range of topics: the war and its aftermath, the unconscious, the nuclear family, madness, the position of women, the culture of Japan's southern islands. Shimao's experiences as a survivor of a "kamikaze" unit underscore much of his literature and resulted in a series of compelling short stories unique in modern fiction. Many of these early, critically acclaimed works, including the classic "Everyday Life in a Dream," are based on the narrative logic of the unconscious. Mad Wives and Island Dreams contextualizes these "dream stories" as a literary expression of wartime trauma and argues that Shimao's powerful narration of guilt and victimization challenges standard readings of Japanese war literature. Shimao's most popular works are the byosaimono (literally "stories of a sick wife"), which chronicle the real-life crisis of his wife's madness in the mid-1950s. Among these is the writer's best-known work, the 1977 novel Shi no toge (The sting of death), widely recognized as one of the masterpieces of Japanese literature. The novel further explores Shimao's "literature of the victimizer" and wartime experience while revealing a feminist perspective that explores links between the suppressed aspirations of women and madness. Perhaps, most importantly, just as the novel examines the relationship between the wife, Miho, and her southern island roots, Shi no toge parallels Shimao's growing concern over the culture of marginalized regions and notions of cultural diversity-a concern that would eventually result in the Yaponesia essays. In Mad Wives and Island Dreams, Gabriel succeeds in linking all of the seemingly disparate strands within Shimao's oeuvre--the war stories, the byosaimono, the dream stories, the Yaponesia writings-categories all too often discussed in isolation. He shows convincingly that together they represent a consistent and concerted attempt to depict the existence of "the Other," the significant periphery of a less than homogenous whole. This volume will prove fascinating and important reading for those interested in questions of cultural identity and marginalization as well as Japanese literature and culture.

Access Restricted no This search result is for a Book

Madah-Sartre

Alek Baylee Toumi

“Hell is other people,” Jean-Paul Sartre famously wrote in No Exit. The fantastic tragicomedy Madah-Sartre brings him back from the dead to confront the strange and awful truth of that statement. As the story begins, Sartre and his consort in intellect and love, Simone de Beauvoir, are on their way to the funeral of Tahar Djaout, an Algerian poet and journalist slain in 1993. En route they are kidnapped by Islamic terrorists and ordered to convert . . . or die. Since they are already dead, fearless Sartre gives the terrorists a chance to convince him with reason.
 
What follows is, as James D. Le Sueur writes in his introduction, “one of the most imaginative and provocative plays of our era.” Sartre, one of the greatest thinkers of the twentieth century, finds himself in an absurd yet deadly real debate with armed fanatics about terrorism, religion, intellectuals, democracy, women’s rights, and secularism, trying to bring his opponents back to their senses in an encounter as disturbing as it is compelling.

Access Restricted no This search result is for a Book

Madam Belle

Sex, Money, and Influence in a Southern Brothel

Maryjean Wall

Belle Brezing made a major career move when she stepped off the streets of Lexington, Kentucky, and into Jennie Hill's bawdy house -- an upscale brothel run out of a former residence of Mary Todd Lincoln. At nineteen, Brezing was already infamous as a youth steeped in death, sex, drugs, and scandal. But it was in Miss Hill's "respectable" establishment that she began to acquire the skills, manners, and business contacts that allowed her to ascend to power and influence as an internationally known madam.

In this revealing book, Maryjean Wall offers a tantalizing true story of vice and power in the Gilded Age South, as told through the life and times of the notorious Miss Belle. After years on the streets and working for Hill, Belle Brezing borrowed enough money to set up her own establishment -- her wealth and fame growing alongside the booming popularity of horse racing. Soon, her houses were known internationally, and powerful patrons from the industrial cities of the Northeast courted her in the lavish parlors of her gilt-and-mirror mansion.

Secrecy was a moral code in the sequestered demimonde of prostitution in Victorian America, so little has been written about the Southern madam credited with inspiring the character Belle Watling in Margaret Mitchell's Gone with the Wind. Following Brezing from her birth amid the ruins of the Civil War to the height of her scarlet fame and beyond, Wall uses her story to explore a wider world of sex, business, politics, and power. The result is a scintillating tale that is as enthralling as any fiction.

previous PREV 3 4 5 6 7 8 9 NEXT next

Results 51-60 of 3180

:
:

Return to Browse All on Project MUSE

Titles

M

Content Type

  • (3146)
  • (34)

Access

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access