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Tradition, Tourism, and Political Ferment in Oaxaca
This book concerns the aesthetic, political, and socio-political aspects of tourism in southern Mexico, particularly in the state of Oaxaca. Tourists seeking "authenticity" buy crafts and festival tickets, and spend even more on travel expenses. What does a craft object or a festival moment need to look like or sound like to please both tradition bearers and tourists in terms of aesthetics? Under what conditions are transactions between these parties psychologically healthy and sustainable? What political factors can interfere with the success of this negotiation, and what happens when the process breaks down? With Subcommandante Marcos and the Zapatistas still operating defiantly in the area, these are not merely theoretical problems.Chris Goertzen analyzes the nature and meaning of a single craft object, a woven pillowcase from Chiapas, thus previewing what the book will accomplish in greater depth in Oaxaca. He introduces the book's guiding concepts, especially concerning the types of aesthetic intensification that have replaced fading cultural contexts, and the tragic partnership between ethnic distinctiveness and oppressive politics. He then brings these concepts to bear on crafts in Oaxaca and on Oaxaca's Guelaguetza, the anchor for tourism in the state and a festival with an increasingly contested meaning.
Cultivating Industrial Arts and Civic Identity in the Progressive Era
Latina/o Constructions of US Religious History
Though the writing of US religious history has become increasingly open to new voices, Hjamil A. Martinez-Vazquez argues that those voices have yet to challenge effectively the dominant Eurocentric historical perspective. In this first Latina/o American religious historiography, Martinez-Vazquez critiques the traditional narrative not for what it says, but for what it does not say. Made in the Margins considers the ways in which traditional historiography has favored a specific understanding of US religious history and offers a new method of constructing Latina/o histories as "subaltern." And, in so doing, Made in the Margins ably begins the necessary conversation about truly doing history from within previously marginalized communities and disciplines.
Trickster Myths, Music, and History from the Amazon
Made-from-Bone provides the first complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking Wakuenai of southernmost Venezuela. The central character throughout these primordial times is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks. Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America.
Preeminent Kentucky reformer and women’s rights advocate Madeline McDowell Breckinridge (1872–1920) was at the forefront of social change during the late nineteenth and early twentieth centuries. A descendant of Henry Clay and the daughter of two of Kentucky’s most prominent families, Breckinridge had a remarkably varied activist career that included roles in the promotion of public health, education, women’s rights, and charity. Founder of the Lexington Civic League and Associated Charities, Breckinridge successfully lobbied to create parks and playgrounds and to establish a juvenile court system in Kentucky. She also became president of the Kentucky Equal Rights Association, served as vice president of the National American Woman Suffrage Association, and even campaigned across the country for the League of Nations. In the first biography of Breckinridge since 1921, Madeline McDowell Breckinridge and the Battle for a New South, Melba Porter Hay draws on newly discovered correspondence and rich personal interviews with her female associates to illuminate the fascinating life of this important Kentucky activist. Deftly balancing Breckinridge’s public reform efforts with her private concerns, Hay tells the story of Madeline’s marriage to Desha Breckinridge, editor of the Lexington Herald, and how she used the match to her advantage by promoting social causes in the newspaper. Hay also chronicles Breckinridge’s ordeals with tuberculosis and amputation, and emotionally trying episodes of family betrayal and sex scandals. Hay describes how Breckinridge’s physical struggles and personal losses transformed her from a privileged socialite into a selfless advocate for the disadvantaged. Later as vice president of the National American Women Suffrage Association, Breckinridge lobbied for Kentucky’s ratification of the Nineteenth Amendment, which gave women the right to vote in 1920. While devoting much of her life to the woman suffrage movement on the local and national levels, she also supported the antituberculosis movement, social programs for the poor, compulsory school attendance, and laws regulating child labor. In bringing to life this extraordinary reformer, Hay shows how Breckinridge championed Kentucky’s social development during the Progressive Era.
Impersonation in the Personal Essay
The human presence that animates the personal essay is surely one of the most beguiling of literary phenomena, for it comes across in so familiar a voice that it’s easy to believe we are listening to the author rather than a textual stand-in. But the “person” in a personal essay is always a written construct, a fabricated character, its confessions and reminiscences as rehearsed as those of any novelist. In this first book-length study of the personal essay, Carl Klaus unpacks this made-up self and the manifold ways in which a wide range of essayists and essays have brought it to life.
By reconceiving the most fundamental aspect of the personal essay—the I of the essayist—Klaus demonstrates that this seemingly uncontrived form of writing is inherently problematic, not willfully devious but bordering upon the world of fiction. He develops this key idea by explaining how structure, style, and voice determine the nature of a persona and our perception of it in the works of such essayists as Michel de Montaigne, Charles Lamb, E. B. White, and Virginia Woolf. Realizing that this persona is shaped by the force of culture and the impress of personal experience, he explores the effects of both upon the point of view, content, and voice of such essayists as George Orwell, Nancy Mairs, Richard Rodriguez, and Alice Walker. Throughout, in full command of the history of the essay, he calls up numerous passages in which essayists themselves acknowledge the element of impersonation in their work, drawing upon the perspectives of Joan Didion, Edward Hoagland, Joyce Carol Oates, Leslie Marmon Silko, Scott Russell Sanders, Annie Dillard, Vivian Gornick, Loren Eiseley, James Baldwin, and a host of other literary guides.
Finally, adding yet another layer to the made-up self, Klaus succumbs to his addiction to the personal essay by placing some of the different selves that various essayists have called forth in him within the essays that he has crafted so carefully for this book. Making his way from one essay to the next with a persona variously learned, whimsical, and poignant, he enacts the palimpsest of ways in which the made-up self comes to life in the work of a single essayist. Thus over the course of this highly original, beautifully structured study, the personal essay is revealed to be more complex than many readers have supposed. With its lively analyses and illuminating examples, The Made-Up Self will speak to anyone who wishes to understand—or to write—personal essays.
African Americans in the Advertising Industry
Until now, most works on the history of African Americans in advertising have focused on the depiction of blacks in advertisements. As the first comprehensive examination of African American participation in the industry, Madison Avenue and the Color Line breaks new ground by examining the history of black advertising employees and agency owners.
For much of the twentieth century, even as advertisers chased African American consumer dollars, the doors to most advertising agencies were firmly closed to African American professionals. Over time, black participation in the industry resulted from the combined efforts of black media, civil rights groups, black consumers, government organizations, and black advertising and marketing professionals working outside white agencies. Blacks positioned themselves for jobs within the advertising industry, especially as experts on the black consumer market, and then used their status to alter stereotypical perceptions of black consumers. By doing so, they became part of the broader effort to build an African American professional and entrepreneurial class and to challenge the negative portrayals of blacks in American culture.
Using an extensive review of advertising trade journals, government documents, and organizational papers, as well as personal interviews and the advertisements themselves, Jason Chambers weaves individual biographies together with broader events in U.S. history to tell how blacks struggled to bring equality to the advertising industry.
Today, we think of constitutional questions as being settled by the Supreme Court. But that is not always the case, nor is it what the framers intended in constructing the three-branch federal government. This volume examines four crucial moments in the United States' political history—the Civil War and Reconstruction, the Progressive Era, Franklin Delano Roosevelt's presidency and the New Deal, and the Reagan revolution—to illustrate the Madisonian view that the present rise of judicial supremacy actually runs counter to the Constitution as established at the nation’s founding. George Thomas opens by discussing how the Constitution encourages an antagonistic approach to settling disputes, thereby preserving itself as the nation's fundamental law rather then ceding that role to the president, Congress, or Supreme Court. In considering the four historical case studies, he focuses on judicial interpretations and the political branches' responses to them to demonstrate that competing conceptions of constitutional authority and meaning, as well as intergovernmental disputes themselves—rather than any specific outcome—strengthen the nature of the nation's founding document as a political instrument. Engagingly written and soundly argued, this study clarifies and highlights the political origins of the nation's foundational document and argues that American constitutionalism is primarily about countervailing power not legal limits enforced by courts.