Today hundreds of thousands of Americans carry pacemakers and implantable cardioverter-defibrillators (ICDs) within their bodies. These battery-powered machines—small computers, in fact—deliver electricity to the heart to correct dangerous disorders of the heartbeat. But few doctors, patients, or scholars know the history of these devices or how "heart-rhythm management" evolved into a multi-billion-dollar manufacturing and service industry. Machines in Our Hearts tells the story of these two implantable medical devices. Kirk Jeffrey, a historian of science and technology, traces the development of knowledge about the human heartbeat and follows surgeons, cardiologists, and engineers as they invent and test a variety of electronic devices. Numerous small manufacturing firms jumped into pacemaker production but eventually fell by the wayside, leaving only three American companies in the business today. Jeffrey profiles pioneering heart surgeons, inventors from the realms of engineering and medical research, and business leaders who built heart-rhythm management into an industry with thousands of employees and annual revenues in the hundreds of millions. As Jeffrey shows, the pacemaker (first implanted in 1958) and the ICD (1980) embody a paradox of high-tech health care: these technologies are effective and reliable but add billions to the nation's medical bill because of the huge growth in the number of patients who depend on implanted devices to manage their heartbeats.

Maclure of New Harmony follows the twists and turns of William Maclure's intriguing life. A native Scotsman, Maclure (1763--1840) became a merchant, made a fortune, and retired in his early thirties. Then his life became interesting. Fascinated by the study of geology, Maclure did fieldwork throughout Europe before traveling to the United States, where he completed the first geological survey of his adopted nation and published a detailed, color geological map -- one reason he is known as the Father of American Geology.

Maclure's travels sharpened his convictions about social justice and led him to a life of social radicalism. He founded progressive schools to educate the children of the working classes and, in 1820, he joined forces with Robert Owen to found New Harmony -- the utopian community in Indiana. Ever restless, Maclure later moved to Mexico, where he watched his hopes for the new republic founder.

A very important study that will appeal to a disability studies audience as well as scholars in social movements, social justice, critical pedagogy, literacy education, professional development for disability and learning specialists in access centers and student counseling centers, as well as the broader domains of sociology and education. ---Melanie Panitch, Ryerson University "Ableism is alive and well in higher education. We do not know how to abandon the myth of the 'pure (ivory) tower that props up and is propped up by ableist ideology.' . . . Mad at School is thoroughly researched and pathbreaking. . . . The author's presentation of her own experience with mental illness is woven throughout the text with candor and eloquence." ---Linda Ware, State University of New York at Geneseo Mad at School explores the contested boundaries between disability, illness, and mental illness in the setting of U.S. higher education. Much of the research and teaching within disability studies assumes a disabled body but a rational and energetic (an "agile") mind. In Mad at School, scholar and disabilities activist Margaret Price asks: How might our education practices change if we understood disability to incorporate the disabled mind? Mental disability (more often called "mental illness") is a topic of fast-growing interest in all spheres of American culture, including popular, governmental, aesthetic, and academic. Mad at School is a close study of the ways that mental disabilities impact academic culture. Investigating spaces including classrooms, faculty meeting rooms, and job searches, Price challenges her readers to reconsider long-held values of academic life, including productivity, participation, security, and independence. Ultimately, she argues that academic discourse both produces and is produced by a tacitly privileged "able mind," and that U.S. higher education would benefit from practices that create a more accessible academic world. Mad at School is the first book to use a disability-studies perspective to focus specifically on the ways that mental disabilities impact academic culture at institutions of higher education. Individual chapters examine the language used to denote mental disability; the role of "participation" and "presence" in student learning; the role of "collegiality" in faculty work; the controversy over "security" and free speech that has arisen in the wake of recent school shootings; and the marginalized status of independent scholars with mental disabilities. Margaret Price is Associate Professor of English at Spelman College.

This is the story of an anthropologist's encounter with a Huichol Indian known as "Mad Jesus." Jesús was an artisan, a shaman, a self-styled prophet, a mad messiah, and a murderous mystic. Timothy J. Knab was a young anthropologist soliciting life histories from Huichols in Mexico City when they met. The life story of Jesús may have been the ravings of a madman, but it also embodied the Huichol anticipation of the return of Santo Cristo, the savior who will restore the Huichol to their place as masters of the world around them. Neither Knab's studies in anthropology nor his experiences in the world of counterculture prepared him to understand this strange Indian and his violent history and behavior.

Hailed by the noted critic Karatani Kojin as a more important and lasting writer than Mishima, Shimao Toshio (1917-1986) remains almost unknown in the West. Several of his short stories have appeared in English translation, yet it is only now, with the publication of Philip Gabriel's comprehensive and searching study, that Shimao's work is being introduced to the worldwide audience it deserves. Mad Wives and Island Dreams not only is a thorough assessment of the literary legacy of a highly original and influential writer, but also represents a significant contribution to the consideration of much broader issues relating to the emergence and nature of the postwar Japanese sense of identity. Shimao's fiction covers a wide range of topics: the war and its aftermath, the unconscious, the nuclear family, madness, the position of women, the culture of Japan's southern islands. Shimao's experiences as a survivor of a "kamikaze" unit underscore much of his literature and resulted in a series of compelling short stories unique in modern fiction. Many of these early, critically acclaimed works, including the classic "Everyday Life in a Dream," are based on the narrative logic of the unconscious. Mad Wives and Island Dreams contextualizes these "dream stories" as a literary expression of wartime trauma and argues that Shimao's powerful narration of guilt and victimization challenges standard readings of Japanese war literature. Shimao's most popular works are the byosaimono (literally "stories of a sick wife"), which chronicle the real-life crisis of his wife's madness in the mid-1950s. Among these is the writer's best-known work, the 1977 novel Shi no toge (The sting of death), widely recognized as one of the masterpieces of Japanese literature. The novel further explores Shimao's "literature of the victimizer" and wartime experience while revealing a feminist perspective that explores links between the suppressed aspirations of women and madness. Perhaps, most importantly, just as the novel examines the relationship between the wife, Miho, and her southern island roots, Shi no toge parallels Shimao's growing concern over the culture of marginalized regions and notions of cultural diversity-a concern that would eventually result in the Yaponesia essays. In Mad Wives and Island Dreams, Gabriel succeeds in linking all of the seemingly disparate strands within Shimao's oeuvre--the war stories, the byosaimono, the dream stories, the Yaponesia writings-categories all too often discussed in isolation. He shows convincingly that together they represent a consistent and concerted attempt to depict the existence of "the Other," the significant periphery of a less than homogenous whole. This volume will prove fascinating and important reading for those interested in questions of cultural identity and marginalization as well as Japanese literature and culture.