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Native Women's Activism in Urban Communities
Ordinary People, Extraordinary Lives
Russian Orthodox Monasticism in the Soviet Union, 1917-1939
In Keeping the Faith, Jennifer Jean Wynot presents a clear and concise history of the trials and evolution of Russian Orthodox monasteries and convents and the important roles they have played in Russian culture, in both in the spiritual and political realms, from the abortive reforms of 1905 to the Stalinist purges of the 1930s. She shows how, throughout the Soviet period, Orthodox monks and nuns continued to provide spiritual strength to the people, in spite of severe persecution, and despite the ambivalent relationship the Russian state has had to the Russian church since the reign of Ivan the Terrible. Focusing her study on two provinces, Smolensk and Moscow, Wynot describes the Soviet oppression and the clandestine struggles of the monks and nuns to uphold the traditions of monasticism and Orthodoxy. Their success against heavy odds enabled them to provide a counterculture to the Soviet regime. Indeed, of all the pre-1917 institutions, the Orthodox Church proved the most resilient. Why and how it managed to persevere despite the enormous hostility against it is a topic that continues to fascinate both the general public and historians. Based on previously unavailable Russian archival sources as well as written memoirs and interviews with surviving monks and nuns, Wynot analyzes the monasteries’ adaptation to the Bolshevik regime and she challenges standard Western assumptions that Communism effectively killed the Orthodox Church in Russia. She shows that in fact, the role of monks and nuns in Orthodox monasteries and convents is crucial, and they are largely responsible for the continuation of Orthodoxy in Russia following the Bolshevik revolution. Keeping the Faith offers a wealth of new information and a new perspective that will be of interest not only to students of Russian history and communism, but also to scholars interested in church-state relations.
Keeping Time with Blue Hyacinths, Sholeh Wolpé’s third collection of poems, is a surreal journey of sorrows and sins, of love, ghosts, and Saudi princes, of banishment inside one’s own skin. Wild in its leaps and images, these poems explore personal and psychological exile from a marriage, lovers, expectations, and finally, country.
Envy in American Consumer Society, 1890-1930
A century ago many Americans condemned envy as a destructive emotion and a sin. Today few Americans expect criticism when they express envy, and some commentators maintain that the emotion drives the economy. This shift in attitude is Susan Matt's central concern. Keeping up with the Joneses: Envy in American Consumer Society, 1890-1930 examines a key transition in the meaning of envy for the American middle class. Although people certainly have experienced envy throughout history, the expansion of the consumer economy at the turn of the twentieth century dramatically reshaped the social role of the emotion. Matt looks at how different groups within the middle class—men in white-collar jobs, bourgeois women, farm families, and children—responded to the transformation in social and cultural life.
Keeping Up with the Joneses traces how attitudes about envy changed as department stores, mail-order catalogs, magazines, movies, and advertising became more prevalent, and the mass production of imitation luxury goods offered middle- and working-class individuals the opportunity to emulate upper-class life. Between 1890 and 1910 moralists sought to tame envy and emulation in order to uphold a moral economy and preserve social order. They criticized the liberal-capitalist preoccupation with personal striving and advancement and praised the virtue of contentment. They admonished the bourgeoisie to be satisfied with their circumstances and cease yearning for their neighbors' possessions. After 1910 more secular commentators gained ground, repudiating the doctrine of contentment and rejecting the notion that there were divinely ordained limits on what each class should possess. They encouraged everyone to pursue the objects of desire. Envy was no longer a sin, but a valuable economic stimulant.
The expansion of consumer economy fostered such institutions as department stores and advertising firms, but it also depended on a transformation in attitudes and emotional codes. Matt explores the ways gender, geography, and age shaped this transformation. Bridging the history of emotions and the history of consumerism, she uncovers the connection between changing social norms and the growth of the consumer economy.
These seven gentle tales set in Minnesota and North Dakota and all written during the 1970s treat fans of novelist Hassler (A Green Journey; Jemmy) to the earliest fruits of his talent. Some are folksy portraits of small-town characters, while others are drier and more plot driven. Both the title story and "Resident Priest" feature crusty, 74-year-old Father Fogarty, a pastor who's leaving his parish after 23 years. In "Chief Larson," a seven-year-old Indian boy, known (rather improbably) only as "chief" on the reservation, rebels in a small but telling way against his white adoptive family.""Good News in Culver Bend" tracks two city reporters who travel to a small town and discover "the heart of Christmas." "Chase" and "Christopher, Moony, and the Birds" show how frustrated residents of small towns seek solace. The former, so brief it's nearly a prose poem, hints at Hassler's own adolescent discovery of his talent for fiction; the latter follows a lonely 50-year-old college professor as he goes on a consolatory walk with a student's awkward wife and child, watching "birds on family outings, hopping and halting on the grass." The cleverest story, ""Yesterday's Garbage," follows a "garbologist" who finds the truth about a murder in a trash bin, and is then led to commit one himself. The publisher plans to issue Hassler's later short fiction in three more volumes, starting in the year 2000.""--Publishers Weekly
Vol. 1 (1991) through current issue
Now in its third decade of publication, the Kennedy Institute of Ethics Journal (KIEJ) is an interdisciplinary quarterly journal of the Joseph and Rose Kennedy Institute of Ethics at Georgetown University in Washington, D.C. It publishes philosophically rigorous and empirically informed articles in all areas of bioethics (broadly construed) and on related issues in practical ethics. The KIEJ has recently focused on publishing papers that explore ethical and social issues in science practice, as well as philosophical approaches to health, environmental, and science policy, especially those which situate philosophical and ethical issues in a global context.
The Presidential Election of 1960
Kennedy v. Nixon is a book for everyone who thinks they know what happened in the pivotal election year of 1960. For fifty years we've accepted Theodore White's premise (from The Making of the President, 1960) that Kennedy ran a brilliant campaign while Nixon committed blunder after blunder.
But White the journalist was a Kennedy partisan and helped establish the myth of Camelot. Now, five decades later, Edmund Kallina offers a fresh overview of the election's most critical and controversial events.
Based upon research conducted at four presidential libraries--those of Eisenhower, Kennedy, Johnson, and Nixon--Kallina is able to make observations and share insights unavailable in the immediate aftermath of one of the closest races in American presidential history. He describes the strengths and mistakes of both camps, and examines the impact of civil rights, Cold War tensions, and the televised presidential debates on an election that still looms large in both the political history and the popular imagination of the United States.
Sherman, Johnston, and the Atlanta Campaign
Sherman's march almost grinds to a stop While fighting his way toward Atlanta, William T. Sherman encountered his biggest roadblock at Kennesaw Mountain, where Joseph E. Johnston's Army of Tennessee held a heavily fortified position. The opposing armies confronted each other from June 19 to July 3, 1864, and Sherman initially tried to outflank the Confederates. His men endured heavy rains, artillery duels, sniping, and a fierce battle at Kolb's Farm before Sherman decided to directly attack Johnston’s position on June 27. Kennesaw Mountain tells the story of an important phase of the Atlanta campaign. Historian Earl J. Hess explains how this battle, with its combination of maneuver and combat, severely tried the patience and endurance of the common soldier and why Johnston’s strategy might have been the Confederates’ best chance to halt the Federal drive toward Atlanta. He gives special attention to the engagement at Kolb's Farm on June 22 and Sherman's assault on June 27. A final section explores the Confederate earthworks preserved within the Kennesaw Mountain National Battlefield Park. Earl J. Hess is Stewart W. McClelland Chair in history at Lincoln Memorial University and has written many books, including ###The Civil War in the West: Victory and Defeat from the Appalachians to the Mississippi#.
Conversing with the Moderns, 1915–1931
Capturing the lively modernist milieu of Kenneth Burke’s early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with “the moderns.” Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures.
Burke himself, who died in 1993 at the age of 96, has been hailed as America’s most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke’s formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined.
Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz’s “291” gallery, and Eugene O’Neill’s Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot’s “The Wasteland” into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke’s own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke’s transformation from aesthete to social critic.