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A Twentieth-Century Life in Letters
One of the Lost Generation modernists who gathered in 1920s Paris, Kay Boyle published more than forty books, including fifteen novels, eleven collections of short fiction, eight volumes of poetry, three children's books, and various essays and translations. Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time. Kay Boyle shared the first issue of This Quarter with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.
At the outset of independence 18 years ago, Kazakhstan's leaders promised that the country's rich natural resources, with oil and gas reserves among the largest in the world, would soon bring economic prosperity. It appeared that democracy was beginning to take hold in this newly independent state. Nearly two decades later, Kazakhstan has achieved the World Bank's ranking of a "middle economic country," but its economy is straining from the global economic crisis. The country's political system still needs fundamental reform before Kazakhstan can be considered a democracy. Kazakhstan: Unfulfilled Promise examines the development of this ethnically diverse and strategically vital nation, which seeks to play an influential role on the international stage. Praise for the previous edition of Kazakhstan:
"This detailed but accessible work will be the definitive work on the newly independent state of Kazakhstan." Choice
"[Olcott]... knows more about Kazakhstan than anyone else in the West." New York Review of Books
"Not only shares the lucid insights and depth of a seasoned observer, it greatly enriches the literature on post-Soviet transitions." Foreign Affairs
A groundbreaking filmmaker dogged by controversy in both his personal life and career, Elia Kazan was one of the most important directors of postwar American cinema. In landmark motion pictures such as A Streetcar Named Desire, On the Waterfront, East of Eden, and Splendor in the Grass, Kazan crafted an emotionally raw form of psychological realism. His reputation has rested on his Academy award-winning work with actors, his provocative portrayal of sexual, moral, and generational conflict, and his unpopular decision to name former colleagues as Communists before the House Un-American Activities Committee in 1952. But much of Kazan's influential cinematic legacy remains unexamined. Arriving in the wake of his centenary, Kazan Revisited engages and moves beyond existing debates regarding Kazan's contributions to film, tackling the social, political, industrial, and aesthetic significance of his work from a range of critical perspectives. Featuring essays by established film critics and scholars such as Richard Schickel (Time), Victor Navasky (The Nation), Mark Harris (Entertainment Weekly), Kent Jones (Film Comment), Jonathan Rosenbaum (Essential Cinema, 2004), Jeanine Basinger (The Star Machine, 2007), and Leo Braudy (On the Waterfront, 2008), this book is a must for diehard cinephiles and those new to Kazan alike.
Contributors include: JEANINE BASINGER, LEO BRAUDY, LISA DOMBROWSKI, HADEN GUEST, MARK HARRIS, KENT JONES, PATRICK KEATING, SAVANNAH LEE, BRENDA MURPHY, VICTOR NAVASKY, BRIAN NEVE, JONATHAN ROSENBAUM, RICHARD SCHICKEL, ANDREW TRACY, and SAM WASSON.
Politics of the Spirit, Volume 2
Putting Greek writer Nikos Kazantzakis's vast output into the context of his lifelong spiritual quest and the turbulent politics of twentieth-century Greece, Peter Bien argues that Kazantzakis was a deeply flawed genius--not always artistically successful, but a remarkable figure by any standard. This is the second and final volume of Bien's definitive and monumental biography of Kazantzakis (1883-1957). It covers his life after 1938, the period in which he wrote Zorba the Greek and The Last Temptation of Christ, the novels that brought him his greatest fame.
A demonically productive novelist, poet, playwright, travel writer, autobiographer, and translator, Kazantzakis was one of the most important Greek writers of the twentieth century and the only one to achieve international recognition as a novelist. But Kazantzakis's writings were just one aspect of an obsessive struggle with religious, political, and intellectual problems. In the 1940s and 1950s, a period that included the Greek civil war and its aftermath, Kazantzakis continued this engagement with undiminished energy, despite every obstacle, producing in his final years novels that have become world classics.
In K?cracy, Trees in the Storm and Other Poems, Bill Ndi vociferously bemoans the fate of a world in which the good and the evil are intimate bedfellows; a world wherein miscreants proceed with nauseating impunity to trample on innocence. The poet, a widely traveled scholar in Africa, Europe, and the Americas, currently resides in Australia where he is hailed as an Ambassador of the Peace. Informed by his experience as a child of the world - being at home away from home and thinking of home, Bill Ndi serves the reader with a delicious platter of poetic maze which to him is synonymous to the political maze he has known around the world.
Beyond the Laughter
Filling a major gap in the critical canon, Gabriella Oldham’s study of Buster Keaton’s nineteen silent short films shot between 1920 and 1923 chronicles the rapid growth in the filmmaker’s understanding of what makes both comedy and film successful.
The Myth of the Hero
Focusing in a new and thoroughgoing way on Keats's widely discussed interest in Greek myth, Professor Van Ghent finds the underlying coherence in both his poetry and his letters to be archetypes of the hero and his double"--pervasive myths of creation and generation reflected in his poetics of desire.
Originally published in 1983.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Vol. 62 (2013) through current issue
The /Keats-Shelley Journal/ has published scholarship on Keats, Shelley, and their immediate circles among the British Romantics since 1953. Now including work on many others writing amid the cultural and literary excitement of the first decades of the nineteenth century, this annual is known for its stimulating essays, informative news and notes, scholarly reviews, and distinctive bibliography of the year’s work on the younger Romantics.
Keep and Give Away was selected by Terrance Hayes as the inaugural winner of the South Carolina Poetry Book Prize sponsored by the South Carolina Poetry Initiative. In her first full-length collection, Susan Meyers guides us through her examination of life's ordinary moments and the seemingly ordinary images that abide in them to reveal the extraordinary. From minutia to marriage, crumbs to crows, nothing is too commonplace to escape her attention as she traverses terrains of childhood, loss, relationships, and death. Mostly lyrical and often elegiac, the poems of Keep and Give Away move along the rifts between the past and present, the lived and desired. The dominant emotions of the verses are deepened by observations rooted in our natural world, where birds are "yeses quickening the air" and the sky can "lap you up, and up." In the book's final section, marriage poems turn to fishing and gardening for their truths, contemplations that recognize the realities of a world governed by luck, imperfection, contraries, and—most of all—love.
The poems in Keeper explore, and long for, intimacy: with nature, with others, with the unknown. They delve into purely dark spaces (the insides of birdhouses and mailboxes, caves of prehistoric paintings) and in-between places, searching out, as Paul Eluard put it, the other world inside this one, pointing to the pervasive sensuality that connects all beings, and to the fact that essential goodness and sorrow often walk hand in hand.