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Karma has become a household word in the modern world, where it is associated with the belief in rebirth determined by one’s deeds in earlier lives. This belief was and is widespread in the Indian subcontinent as is the word “karma” itself. In lucid and accessible prose, this book presents karma in its historical, cultural, and religious context.
Initially, karma manifested itself in a number of religious movements—most notably Jainism and Buddhism—and was subsequently absorbed into Brahmanism in spite of opposition until the end of the first millennium C.E. Philosophers of all three traditions were confronted with the challenge of explaining by what process rebirth and karmic retribution take place. Some took the drastic step of accepting the participation of a supreme god who acted as a cosmic accountant, others of opting for radical idealism. The doctrine of karma was confronted with alternative explanations of human destiny, among them the belief in the transfer of merit. It also had to accommodate itself to devotional movements that exerted a major influence on Indian religions.
The book concludes with some general reflections on the significance of rebirth and karmic retribution, drawing attention to similarities between early Christian and Indian ascetical practices and philosophical notions that in India draw their inspiration from the doctrine of karma.
Partners of Fortune in the Making of the New South
University of Minnesota Pamphlets on American Writers
Katherine Anne Porter - American Writers 28 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Katherine Anne Porter Remembered is a collection of reminiscences and memoirs by contemporaries, friends, and associates of Porter offering a revealing and intimate portrait of the elusive and complex American writer.
From a fractured and vagabond girlhood in Texas, Porter led a wildly itinerant life that took her through five marriages, innumerable love affairs, and homes in Colorado, New York, Paris, Mexico, Louisiana, California, and Maryland. With very little formal education, she grew through sheer force of will to become a major American writer of short stories and the author of several books including Flowering Judas and other stories; Ship of Fools; Pale Horse; Pale Ride; Noon Wine; and The Collected Stories of Katherine Anne Porter, which won both the Pulitzer Prize and the National Book Award.
Because of Porter’s own dissembling and half-truths about her life, as well as the numerous factual errors that persist in biographical entries and literary dictionaries, a complete and accurate portrait of her life has been hard to establish. The 63 reminiscences gathered in this book paint a vivid portrait of Porter and are testaments to her extraordinary beauty, her gift for mesmerizing and charming audiences and friends, her yearnings for a lasting home, her delusions about love, the astonishing range and scope of her reading, her sharp tongue and vindictiveness, and her final paranoid renunciations of friends and family. Along the way, Porter formed friendships with Eudora Welty, Elizabeth Hardwick, Flannery O’Connor, and Cleanth Brooks whose remembrances of her are included in this volume.
Recovering an Anthropological Legacy, Choreographing Ethnographic Futures
This book explores Katherine Dunham’s contribution to anthropology and the ongoing relevance of her ideas and methodologies, rejecting the idea that art and academics need to be cleanly separated from each other.
Christopher Isherwood’s Letters to His Mother
With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her latest movie, which is about the mission to kill Osama Bin Laden.She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the 1970s. Her first feature The Loveless (1982) reflected those academic origins, but subsequent films such as the vampire-Western Near Dark (1987), the female vigilante movie Blue Steel (1989), and the surfer-crime thriller Point Break (1991) demonstrated her determination to apply her aesthetic sensibilities to popular, genre filmmaking.The first volume of Bigelow's interviews ever published, Peter Keough's collection covers her early success with Near Dark; the frustrations and disappointments she endured with films such as Strange Days (1995) and K-19: The Widowmaker (2002); and her triumph with The Hurt Locker. In conversations ranging from the casual to the analytical, Bigelow explains how her evolving ambitions and aesthetics sprang from her earliest aspirations to be a painter and conceptual artist in New York in the 1970s, and then expanded to embrace Hollywood filmmaking when she was exposed to renowned directors such as John Ford, Howard Hawks, Don Siegel, Sam Peckinpah, and George Roy Hill.
A Coast Salish Woman's Life on Oyster Bay
A gravestone, a mention in local archives, stories still handed down around Oyster Bay: the outline of a woman begins to emerge and with her the world she inhabited, so rich in tradition, so shaken by violent change. Katie Kettle Gale was born into a Salish community in Puget Sound in the 1850s, just as settlers were migrating into what would become Washington State. With her people forced out of their accustomed hunting and fishing grounds into ill-provisioned island camps and reservations, Katie Gale sought her fortune in Oyster Bay. In that early outpost of multiculturalism—where Native Americans and immigrants from the eastern United States, Europe, and Asia vied for economic, social, political, and legal power—a woman like Gale could make her way.
As LLyn De Danaan mines the historical record, we begin to see Gale, a strong-willed Native woman who cofounded a successful oyster business, then wrested it away from her Euro-American husband, a man with whom she raised children and who ultimately made her life unbearable. Steeped in sadness—with a lost home and a broken marriage, children dying in their teens, and tuberculosis claiming her at forty-three—Katie Gale’s story is also one of remarkable pluck, a tale of hard work and ingenuity, gritty initiative and bad luck that is, ultimately, essentially American.
At the outset of independence 18 years ago, Kazakhstan's leaders promised that the country's rich natural resources, with oil and gas reserves among the largest in the world, would soon bring economic prosperity. It appeared that democracy was beginning to take hold in this newly independent state. Nearly two decades later, Kazakhstan has achieved the World Bank's ranking of a "middle economic country," but its economy is straining from the global economic crisis. The country's political system still needs fundamental reform before Kazakhstan can be considered a democracy. Kazakhstan: Unfulfilled Promise examines the development of this ethnically diverse and strategically vital nation, which seeks to play an influential role on the international stage. Praise for the previous edition of Kazakhstan:
"This detailed but accessible work will be the definitive work on the newly independent state of Kazakhstan." Choice
"[Olcott]... knows more about Kazakhstan than anyone else in the West." New York Review of Books
"Not only shares the lucid insights and depth of a seasoned observer, it greatly enriches the literature on post-Soviet transitions." Foreign Affairs