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A Documentary Account
One of the most original and engaging composers of the twentieth century, Leos Janáçek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Janáçek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Janáçek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before. The book is complemented by a chronology of Janáçek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Janáçek archive in Brno, this work is a classic of music documentary scholarship.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Using a rich array of newly available sources and contemporary methodologies from many disciplines, the ten original essays in this volume give a fresh appraisal of Addams as a theorist and practitioner of democracy. In an increasingly interdependent world, Addams's life work offers resources for activists, scholars, policy makers, and theorists alike. This volume demonstrates how scholars continue to interpret Addams as a model for transcending disciplinary boundaries, generating theory out of concrete experience, and keeping theory and practice in close and fruitful dialogue._x000B__x000B_Contributors are Harriet Hyman Alonso, Victoria Bissell Brown, Wendy Chmielewski, Marilyn Fischer, Shannon Jackson, Louise W. Knight, Carol Nackenoff, Karen Pastorello, Wendy Sarvasay, Charlene Haddock Seigfried, and Camilla Stivers.
Once intent on being good to people, Jane Addams later dedicated herself to the idea of being good with people, establishing mutually-responsive and reciprocal relationships with those she served at Hull House. The essays in Jane Addams in the Classroom explore how Addams's life, work, and philosophy provide invaluable lessons for teachers seeking connection with their students. Balancing theoretical and practical considerations, the collection examines Addams's emphasis on listening to and learning from those around her and encourages contemporary educators to connect with students through innovative projects and teaching methods. In the first essays, Addams scholars lay out how her narratives drew on experience, history, and story to explicate theories she intended as guides to practice. Six teacher-scholars then establish Addams's ongoing relevance by connecting her principles to exciting events in their own classrooms. An examination of the Jane Addams Children's Book Award and a fictional essay on Addams's work and ideas round out the volume. Accessible and wide-ranging, Jane Addams in the Classroom offers inspiration for educators while adding to the ongoing reconsideration of Addams's contributions to American thought. Contributors are Todd DeStigter, Lanette Grate, Susan Griffith, Lisa Junkin, Jennifer Krikava, Lisa Lee, Petra Munro, Bridget O'Rourke, David Schaafsma, Beth Steffen, Darren Tuggle, Erin Vail, and Ruth Vinz.
Remaking the Past in Contemporary Culture
Jane Austen and Co. explores the ways in which classical novels—particularly, but not exclusively, those of Jane Austen—have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen’s contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts—visual, literary, touristic, British, American, French—reshape the past in the new fashions, styles, media, and desires of the present.
Game theory—the study of how people make choices while interacting with others—is one of the most popular technical approaches in social science today. But as Michael Chwe reveals in his insightful new book, Jane Austen explored game theory’s core ideas in her six novels roughly two hundred years ago—over a century before its mathematical development during the Cold War. Jane Austen, Game Theorist shows how this beloved writer theorized choice and preferences, prized strategic thinking, and analyzed why superiors are often strategically clueless about inferiors. Exploring a diverse range of literature and folktales, this book illustrates the wide relevance of game theory and how, fundamentally, we are all strategic thinkers.
In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced—an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice , from the three Emmas (including Clueless ) to Sense and Sensibility , these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park .
Authorship and Personal Cinema
Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of her mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next.
An Unconventional Life, 1815-1884
Nineteenth-century newspaper editor Jane Grey Swisshelm (1815@-1884) was an unconventionally ambitious woman. While she struggled in private to be a dutiful daughter, wife, and mother, she publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice. As the owner and editor of newspapers in Pittsburgh; St. Cloud, Minnesota; and Washington, D.C.; and as one of the founders of the Minnesota Republican Party, Swisshelm negotiated a significant place for herself in the male-dominated world of commerce, journalism, and politics. How she accomplished this feat; what expressive devices she used; what social, economic, and political tensions resulted from her efforts; and how those tensions were resolved are the central questions examined in this biography. Sylvia Hoffert arranges the book topically, rather than chronologically, to include Swisshelm in the broader issues of the day, such as women's involvement in politics and religion, their role in the workplace, and marriage. Rescuing this prominent feminist from obscurity, Hoffert shows how Swisshelm laid the groundwork for the "New Woman" of the turn of the century.As a feminist, abolitionist, journalist, and newspaper editor, Jane Grey Swisshelm (1815-1884) was an unconventionally ambitious woman who publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice. Sylvia Hoffert tells how Swisshelm struggled in private to be a dutiful daughter, wife, and mother, and how she succeeded in negotiating a significant place for herself in the male-dominated world of commerce, journalism, and politics. Following a loose chronology, the book focuses on topics such as religion, marriage, property ownership, work, politics, reform, and social class, and shows how these forces impacted Swisshelm's life.In this biography, Hoffert shows how Jane Grey Swisshelm (1815-1884), a feminist, abolitionist, journalist, and newspaper editor, was an unconventionally ambitious woman who publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice.Nineteenth-century newspaper editor Jane Grey Swisshelm (1815–1884) was an unconventionally ambitious woman. While she struggled in private to be a dutiful daughter, wife, and mother, she publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice. As the owner and editor of newspapers in Pittsburgh; St. Cloud, Minnesota; and Washington, D.C.; and as one of the founders of the Minnesota Republican Party, Swisshelm negotiated a significant place for herself in the male-dominated world of commerce, journalism, and politics. How she accomplished this feat; what expressive devices she used; what social, economic, and political tensions resulted from her efforts; and how those tensions were resolved are the central questions examined in this biography. Sylvia Hoffert arranges the book topically, rather than chronologically, to include Swisshelm in the broader issues of the day, such as women's involvement in politics and religion, their role in the workplace, and marriage. Rescuing this prominent feminist from obscurity, Hoffert shows how Swisshelm laid the groundwork for the "New Woman" of the turn of the century.
My Spirited Life in West Texas and Austin
On the southern portion of what was known as the Sibley’s Pezuna del Caballo (Horse’s Hoof) Ranch in West Texas’ Culberson County are two mountains that nearly meet, forming a gap that frames a salt flat where Indians and later, pioneers came to gather salt to preserve foodstuffs. According to the US Geological Survey, the gap that provides this breathtaking and historic view is named “Jane’s Window.”
In Jane’s Window: My Spirited Life in West Texas and Austin, Jane Dunn Sibley, the inimitable namesake of that mountain gap, gives readers a similarly enchanting view: she tells the story of a small-town West Texas girl coming into her own in Texas’ capital city, where her commitment to philanthropy and the arts and her flair for fashion—epitomized by her signature buzzard feather—have made her name a society staple.
Growing up during the Depression in Fort Stockton, Jane Sibley learned first-hand the value of hard work and determination. In what she describes as “a more innocent age,” she experienced the “pleasant life” of a rural community with good schools, friends and neighbors, and daily dips in the Comanche Springs swimming pool. She arrived as a student at the University of Texas only ninety days before the bombing of Pearl Harbor and studied art under such luminaries as sculptor Charles Umlauf. Her enchanting stories of returning to Fort Stockton, working in the oil industry, marrying local doctor D. J. Sibley, and rearing a family evoke both her love for her origins and her clear-eyed aspirations.
The Sibleys never discussed the details of their good fortune, and, to their gratitude, no one ever asked. In Jane’s Window, Sibley narrates travel adventures, shares vignettes of famous visitors, and tells of her favorite causes, among which the Austin Symphony and the preservation of lower Pecos prehistoric rock art are especially prominent.
Peopled with vivid characters and told in Sibley’s uniquely down-to-earth and humorous manner, Jane’s Window paints a portrait of a life filled to the brim with events both heartwarming and heartbreaking.
Seven Commentaries on Walter Map's "Dissuasio Valerii"
In volume 1 of Jankyn’s Book of Wikked Wyves (Georgia, 1997), Ralph Hanna and Traugott Lawler presented authoritative versions of three medieval texts invoked by Jankyn (fifth husband of the Wife of Bath) in The Canterbury Tales. In Jankyn’s Book, volume 2, Lawler and Hanna revisit one of those texts by way of presenting all the known contemporary commentaries on it.The text is Walter Map’s “Dissuasio Valerii,” that is, “The Letter of Valerius to His Friend Ruffinus, Dissuading Him from Marrying.” Included in Jankyn’s Book, volume 2, are seven commentaries on “Dissuasio Valerii,” edited from all known manuscripts and presented in their Latin text with English translation on the facing page. Each commentary opens with a headnote. Variants are reported at the bottom of the translation pages, and full explanatory notes appear after the texts, along with a bibliography and index of sources.In their introduction, Lawler and Hanna discuss what is known about the authors of the commentaries. Four are unknown, although one of these is almost certainly a Dominican. Of the three known authors, two are Dominicans (Eneas of Siena and the brilliant Englishman Nicholas Trivet), and one is Franciscan (John Ridewall). In addition, the editors discuss the likely readerships of the commentaries—the four humanist texts, which explicate Map’s witty and allusive Latin and which were for use in school, and the three moralizing texts, which mount eloquent defenses of women and which were for use mainly by the clergy.While Lawler and Hanna’s immediate aim is to give readers of Chaucer the fullest possible background for understanding his satire on antifeminism in “The Wife of Bath’s Prologue,” the “Dissuasio Valerii” commentaries extend significantly our understanding of medieval attitudes, in general, toward women and marriage.