As chief of counterintelligence for the Central Intelligence Agency from the early 1950s to the early 1970s, James Jesus Angleton built a formidable reputation. Although perhaps best known for leading the agency's notorious “Molehunt”—the search for a Soviet spy believed to have infiltrated the upper levels of the American government—Angleton also played a key role in the U.S. intervention in the Italian election of 1948, in Israel's development of nuclear weapons, and in the management of the CIA's investigation of the assassination of John F. Kennedy. He later led CIA efforts to contain the Vietnam-era antiwar movement, including the campaign to destroy the liberal Catholic magazine Ramparts . In this deeply researched biography, Michael Holzman uses Angleton's story to illuminate the history of the CIA from its founding in the late 1940s to the mid-1970s. Like many of his colleagues in the CIA, James Angleton learned the craft of espionage during World War II as an officer in the Office of Strategic Services (OSS), where he became a friend and protégé of the British double agent Kim Philby. Yet Angleton's approach to counterintelligence was also influenced by his unusual Mexican American family background and his years at Yale as a student of the New Critics and publisher of modernist poets. His marriage to Cicely d'Autremont and the couple's friendship with E. E. and Marion Cummings became part of a network of cultural connections that linked the U.S. secret intelligence services and American writers and artists during the postwar period. Drawing on a broad range of sources, including previously unexamined archival documents, personal letters, and interviews, Holzman looks beneath the surface of Angleton's career to reveal the sensibility that governed not only his personal aims and ambitions but those of the organization he served and helped shape.

Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor's "Raising the Wind" comments. The goal of the JJQ is simple: to provide an open, lively, and multidisciplinary forum for the international community of Joyce scholars, students, and enthusiasts.

In order to demonstrate that one story from the Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Coilin Owens examines the dense intertextuality of "A Painful Case."

Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, Owens argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy.

From this springboard, Owens constructs a larger discussion of Joyce's cultural influences, including Schopenhauer, Wagner, Tolstoy, and others. He considers many other complex interrelationships that inform Joyce's text--theology, philosophy, music, opera, literary history, Irish cultural history, and Joyce's own poetry--and offers detailed elucidations informed by historical, geographical, linguistic, and biographical information.

In James K. Humphrey and the Sabbath-Day Adventists, R. Clifford Jones tells the story of this important black religious figure and his attempt to bring about self-determination for twentieth-century blacks in New York City. Humphrey was a Baptist minister who joined the Seventh-day Adventist (SDA) Church shortly after arriving in New York City from Jamaica at the turn of the twentieth century. A leader of uncommon competency and charisma, Humphrey functioned as an SDA minister in Harlem during the time the community became the black capital of the United States. Though he led his congregation to a position of prominence within the SDA denomination, Humphrey came to believe the black experience in Adventism was one of disenfranchisement. When he refused to alter his plans for a utopian community for blacks in the face of dissent from SDA church leaders, Humphrey's ministerial credentials were revoked and his congregation dissolved. Subsequently, Humphrey established an independent black religious organization, the United Sabbath-Day Adventists. This book rescues the Sabbath-Day Adventists from obscurity. Humphrey's break with the Seventh-day Adventists provides clues to the state of black-white relationships in the denomination at the time. It set the stage for the creation of the separate administrative structure for blacks established by the SDA church in 1945. This history of a minister and his church demonstrates the struggles of small, independent, black congregations in the urban community during the twentieth century. R. Clifford Jones is an associate professor at Andrews University in Berrien Springs, Michigan. He is the editor of Preaching with Power and has authored scholarly articles on the emergence of the Sabbath-Day Adventists.

Bryan D. Palmer's award-winning study of James P. Cannon's early years (1890-1928) details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era. Written with panache, Palmer's richly detailed book situates American communism's formative decade of the 1920s in the dynamics of a specific political and economic context.