Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor's "Raising the Wind" comments. The goal of the JJQ is simple: to provide an open, lively, and multidisciplinary forum for the international community of Joyce scholars, students, and enthusiasts.

In order to demonstrate that one story from the Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Coilin Owens examines the dense intertextuality of "A Painful Case."

Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, Owens argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy.

From this springboard, Owens constructs a larger discussion of Joyce's cultural influences, including Schopenhauer, Wagner, Tolstoy, and others. He considers many other complex interrelationships that inform Joyce's text--theology, philosophy, music, opera, literary history, Irish cultural history, and Joyce's own poetry--and offers detailed elucidations informed by historical, geographical, linguistic, and biographical information.

In James K. Humphrey and the Sabbath-Day Adventists, R. Clifford Jones tells the story of this important black religious figure and his attempt to bring about self-determination for twentieth-century blacks in New York City. Humphrey was a Baptist minister who joined the Seventh-day Adventist (SDA) Church shortly after arriving in New York City from Jamaica at the turn of the twentieth century. A leader of uncommon competency and charisma, Humphrey functioned as an SDA minister in Harlem during the time the community became the black capital of the United States. Though he led his congregation to a position of prominence within the SDA denomination, Humphrey came to believe the black experience in Adventism was one of disenfranchisement. When he refused to alter his plans for a utopian community for blacks in the face of dissent from SDA church leaders, Humphrey's ministerial credentials were revoked and his congregation dissolved. Subsequently, Humphrey established an independent black religious organization, the United Sabbath-Day Adventists. This book rescues the Sabbath-Day Adventists from obscurity. Humphrey's break with the Seventh-day Adventists provides clues to the state of black-white relationships in the denomination at the time. It set the stage for the creation of the separate administrative structure for blacks established by the SDA church in 1945. This history of a minister and his church demonstrates the struggles of small, independent, black congregations in the urban community during the twentieth century. R. Clifford Jones is an associate professor at Andrews University in Berrien Springs, Michigan. He is the editor of Preaching with Power and has authored scholarly articles on the emergence of the Sabbath-Day Adventists.

Bryan D. Palmer's award-winning study of James P. Cannon's early years (1890-1928) details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era. Written with panache, Palmer's richly detailed book situates American communism's formative decade of the 1920s in the dynamics of a specific political and economic context.

Drugs, bribes, falsifying evidence, unjustified force and kickbacks:
there are many opportunities for cops to act like criminals. Jammed
Up is the definitive study of the nature and causes of police misconduct.
While police departments are notoriously protective of
their own—especially personnel and disciplinary information—Michael
White and Robert Kane gained unprecedented, complete
access to the confidential files of NYPD officers who committed
serious offenses, examining the cases of more than 1,500 NYPD
officers over a twenty year period that includes a fairly complete
cycle of scandal and reform, in the largest, most visible police department
in the United States. They explore both the factors that
predict officer misconduct, and the police department’s responses
to that misconduct, providing a comprehensive framework for understanding
the issues. The conclusions they draw are important
not just for what they can tell us about the NYPD but for how we
are to understand the very nature of police misconduct.
actual misconduct cases
»» An off-duty officer driving his private vehicle stops at a
convenience store on Long Island, after having just
worked a 10 hour shift in Brooklyn, to steal a six pack of
beer at gun point. Is this police misconduct?
»» A police officer is disciplined no less than six times in
three years for failing to comply with administrative standards
and is finally dismissed from employment for losing
his NYPD shield (badge). Is this police misconduct?
»» An officer was fired for abusing his sick time, but then
further investigation showed that the officer was found
not guilty in a criminal trial during which he was accused
of using his position as a police officer to protect drug
and prostitution enterprises. Which is the example of
police misconduct?

Jane Austen and Co. explores the ways in which classical novels—particularly, but not exclusively, those of Jane Austen—have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen’s contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts—visual, literary, touristic, British, American, French—reshape the past in the new fashions, styles, media, and desires of the present.

In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced—an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice , from the three Emmas (including Clueless ) to Sense and Sensibility , these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park .