Susanna Childress writes with an earnest desire to understand things physical and things spiritual. What results is a first collection of provocative, honest poetry that explores various human predicaments: a cancer-ridden wife, an explosive father, an infertile couple, various sexual aggressors, a missing girl. Such careful portraiture provokes the reader to consider the complexity of human love: how selfishness, fear, lust and even brutality might coincide with tenderness and loyalty. Ms. Childress's writing is refreshingly naive and clear, her voice essentially inquisitive. She is brave enough to look at the darkness of the world, but she is more courageous to hope.

A boy's world is shattered by the Holocaust. When German troops come to the small village of BeÂzŒyce, Poland, in 1939, nine-year-old Jakub Szabmacher’s world is forever changed. At first the humiliations inflicted by the Germans seem small, but the conditions worsen until eventually Jakub’s family and much of his village are murdered, and he is sent to various concentration camps in Poland and Germany, where he struggles to survive the terrible conditions of camp life. Finally liberated in 1945 from the concentration camp in Flossenbürg, Germany, Jakub is befriended by American troops and with their help brought to the United States, where he takes the name Jack Terry. Coauthor Alicia Nitecki, whose grandfather was also imprisoned at Flossenbürg, uses Terry’s personal memories to tell young Jakub’s story, as well as unpublished memoirs, private letters, and interviews with former inmates of the Flossenbürg concentration camp and the townspeople of BeÂzŒyce and Flossenbürg. Part history, part autobiography, Jakub’s World offers an anguished young boy’s perspective on the Holocaust.

Haunted by the memories of her powerfully destructive mother, Jamaica Kincaid is a writer out of necessity. Born Elaine Potter Richardson, Kincaid grew up in the West Indies in the shadow of her deeply contemptuous and abusive mother, Annie Drew. Drawing heavily on Kincaid’s many remarks on the autobiographical sources of her writings, J. Brooks Bouson investigates the ongoing construction of Kincaid’s autobiographical and political identities. She focuses attention on what many critics find so enigmatic and what lies at the heart of Kincaid’s fiction and nonfiction work: the “mother mystery.” Bouson demonstrates, through careful readings, how Kincaid uses her writing to transform her feelings of shame into pride as she wins the praise of an admiring critical establishment and an ever-growing reading public.

Donald Capps and John Capps's James and Dewey on Belief and Experience juxtaposes the key writings of two philosophical superstars. As fathers of Pragmatism, America's unique contribution to world philosophy, their work has been enormously influential, and remains essential to any understanding of American intellectual history. _x000B__x000B_In these essays, you'll find William James deeply embroiled in debates between religion and science. Combining philosophical charity with logical clarity, he defended the validity of religious experience against crass forms of scientism. Dewey identified the myriad ways in which supernatural concerns distract religious adherents from pressing social concerns, and sought to reconcile the tensions inherent in science's dual embrace of common sense and the aesthetic._x000B_ _x000B_James and Dewey on Belief and Experience is divided into two sections: the former showcases James, the latter is devoted to Dewey. Two transitional passages in which each reflects on the work of the other bridge these two main segments. Together, the sections offer a unique perspective on the philosophers' complex relationship of influence and interdependence. An editors' introduction provides biographical information about both men, an overview of their respective philosophical orientations, a discussion of the editorial process, and a brief commentary on each of the selections._x000B__x000B_Comparing what these foremost pragmatists wrote on both themes illumines their common convictions regarding the nature of philosophical inquiry and simultaneously reveals what made each a distinctive thinker.

"This fine collection of essays represents an important contribution to the rediscovery of Baldwin's stature as essayist, novelist, black prophetic political voice, and witness to the Civil Rights era. The title provides an excellent thematic focus. He understood both the necessity, and the impossibility, of being a black 'American' writer. He took these issues 'Beyond'---Paris, Istanbul, various parts of Africa---but this formative experience only returned him to the unresolved dilemmas. He was a fine novelist and a major prophetic political voice. He produced some of the most important essays of the twentieth century and addressed in depth the complexities of the black political movement. His relative invisibility almost lost us one of the most significant voices of his generation. This welcome 'revival' retrieves it. Close call." ---Stuart Hall, Professor Emeritus, Open University This interdisciplinary collection by leading writers in their fields brings together a discussion of the many facets of James Baldwin, both as a writer and as the prophetic conscience of a nation. The core of the volume addresses the shifting, complex relations between Baldwin as an American—“as American as any Texas GI” as he once wryly put it—and his life as an itinerant cosmopolitan. His ambivalent imaginings of America were always mediated by his conception of a world “beyond” America: a world he knew both from his travels and from his voracious reading. He was a man whose instincts were, at every turn, nurtured by America; but who at the same time developed a ferocious critique of American exceptionalism. In seeking to understand how, as an American, he could learn to live with difference—breaking the power of fundamentalisms of all stripes—he opened an urgent, timely debate that is still ours. His America was an idea fired by desire and grief in equal measure. As the authors assembled here argue, to read him now allows us to imagine new possibilities for the future. With contributions by Kevin Birmingham, Douglas Field, Kevin Gaines, Briallen Hopper, Quentin Miller, Vaughn Rasberry, Robert Reid-Pharr, George Shulman, Hortense Spillers, Colm Tóibín, Eleanor W. Traylor, Cheryl A. Wall, and Magdalena Zaborowska.

As James Buchanan took office in 1857, the United States found itself at a crossroads. Dissolution of the Union had been averted and the Democratic Party maintained control of the federal government, but the nation watched to see if Pennsylvania's first president could make good on his promise to calm sectional tensions.

Despite Buchanan's central role in a crucial hour in U.S. history, few presidents have been more ignored by historians. In assembling the essays for this volume, Michael Birkner and John Quist have asked leading scholars to reconsider whether Buchanan’s failures stemmed from his own mistakes or from circumstances that no president could have overcome.

Buchanan's dealings with Utah shed light on his handling of the secession crisis. His approach to Dred Scott reinforces the image of a president whose doughface views were less a matter of hypocrisy than a thorough identification with southern interests. Essays on the secession crisis provide fodder for debate about the strengths and limitations of presidential authority in an existential moment for the young nation.

Although the essays in this collection offer widely differing interpretations of Buchanan's presidency, they all grapple honestly with the complexities of the issues faced by the man who sat in the White House prior to the towering figure of Lincoln, and contribute to a deeper understanding of a turbulent and formative era.

James Cameron (b. 1954) is lauded as one of the most successful and innovative filmmakers of the last thirty years. His films often break records, both in their massive budgets and in their box-office earnings. They include such hits as The Terminator, Aliens, The Abyss, Titanic, and Avatar. Part scientist, part dramatist, Cameron combines these two qualities into inventive and captivating films that often push the boundaries of special effects to accommodate his imagination. James Cameron: Interviews chronicles the writer-director's rise through the Hollywood system, highlighted by his "can-do" attitude and his insatiable drive to make the best film possible.

As a young boy growing up in Canada, Cameron imagined himself an astronaut, a deep-sea explorer, a science fiction writer, or a filmmaker. Transplanted to southern California, he would go on to realize many of those boyhood fantasies.

This collection of interviews provides glimpses of the filmmaker as he advances from Roger Corman's underling to "king of the world." The interviews are drawn from a number of sources including TV appearances and conversations on blogs, which have never been published in print. Spanning more than twenty years, this collection constructs a concise and thorough examination of Cameron, a filmmaker who has almost single-handedly ushered Hollywood into the twenty-first century.

After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways. The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism’s cycle of consumption, and as a challenge to that cycle and its accompanying beliefs. In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon’s adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.

James Dickey: The Selected Poems is the first book to collect James Dickey's very best poems. Like many visionary poets of the ecstatic imagination, Dickey experimented in a wide variety of literary styles. This volume brings together the finest work from each of the periods in Dickey's extremely controversial career. For over three decades, until his death in 1997, Dickey was one of the nation's most important poets; these are the poems that brought him a popular readership and critical acclaim.