This stimulating and graceful book explores Iberian Jewish attitudes toward cultural transition during the 12th and 13th centuries, when growing intolerance toward Jews in Islamic al-Andalus and the southward expansion of the Christian Reconquista led to the relocation of Jews from Islamic to Christian domains. By engaging literary topics such as imagery, structure, voice, landscape, and geography, Jonathan P. Decter traces attitudes toward transition that range from tenacious longing for the Islamic past to comfort in the Christian environment. Through comparison with Arabic and European vernacular literatures, Decter elucidates a medieval Hebrew poetics of estrangement and nostalgia, poetic responses to catastrophe, and the refraction of social issues in fictional narratives.

Published with the generous support of the Koret Foundation.

This book explores how Ibn al->Arabiµ (1165–1240) used the concept of barzakh (the Limit) to deal with the philosophical problem of the relationship between God and the world, a major concept disputed in ancient and medieval Islamic thought. The term “barzakh” indicates the activity or actor that differentiates between things and that, paradoxically, then provides the context of their unity. Author Salman H. Bashier looks at early thinkers and shows how the synthetic solutions they developed provided the groundwork for Ibn al->Arabiµ’s unique concept of barzakh. Bashier discusses Ibn al->Arabiµ’s development of the concept of barzakh ontologically through the notion of the Third Thing and epistemologically through the notion of the Perfect Man, and compares Ibn al->Arabiµ’s vision with Plato’s.

For Lucy Jane Bledsoe, wilderness had always been a source of peace. But during one disastrous solo trip in the wintry High Sierra she came face to face with a crisis: the wilderness no longer felt like home. The Ice Cave recounts Bledsoe’s wilderness journeys as she recovers her connection with the wild and discovers the meanings of fear and grace. 

These are Bledsoe’s gripping tales of fending off wolves in Alaska, encountering UFOs in the Colorado Desert, and searching for mountain lions in Berkeley. Her memorable story “The Breath of Seals” takes readers to Antarctica, the wildest continent on earth, where she camped out with geologists, biologists, and astrophysicists. These fresh and deeply personal narratives remind us what it means to be simply one member of one species, trying to find food and shelter—and moments of grace—on our planet.

With a radically changing world, cultural identity and images have emerged as one of the most challenging issues in the social and cultural sciences. These changes provide an occasion for a thorough reexamination of cultural, historical, political, and economic aspects of society. The INOR (Iceland and Images of the North) group is an interdisciplinary group of Icelandic and non-Icelandic scholars whose recent research on contemporary and historical images of Iceland and the North seeks to analyze the forms these images assume, as well as their function and dynamics. The 21 articles in this book allow readers to seize the variety and complexity of the issues related to images of Iceland.

This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geology, saga narratives, language, culture, and politics and analyzing its emergence as a distinctive and symbolic part of Europe. The book closes with a discussion of Iceland's modern whaling practices and its recent financial collapse.