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Life in a Civil War Prison
Johnson's Island, in Sandusky, Ohio, was not the largest Civil War prison in the North, but it was the only one to house Confederate officers almost exclusively. As a result, a distinctive prison culture developed, in part because of the educational background and access to money enjoyed by these prisoners.
David Bush has spent more than two decades leading archaeological investigations at the prison site. In I Fear I Shall Never Leave This Island he pairs the expertise gained there with a deep reading of extant letters between one officer and his wife in Alexandria, Virginia, providing unique insights into the trials and tribulations of captivity as actually experienced by the men imprisoned at Johnson's Island. Together, these letters and the material culture unearthed at the site capture in compelling detail the physical challenges and emotional toll of prison life for POWs and their families. They also offer fascinating insights into the daily lives of the prisoners by revealing the very active manufacture of POW craft jewelry, especially rings.
No other collection of Civil War letters offers such a rich context; no other archaeological investigation of Civil War prisons provides such a human story.
The Writings of a Deaf Activist
Lawrence Newman became deaf at the age of five in 1930, and saw his father fight back tears knowing that his son would never hear again. The next time he saw his father cry was in 1978, when Newman received an honorary doctorate from Gallaudet University, his alma mater. Newman was recognized for his achievements as a life-long advocate for deaf education, including receiving California’s Teacher of the Year award in 1968. Perhaps his greatest influence, however, stemmed from his many articles and columns that appeared in various publications, the best of which are featured in I Fill This Small Space: The Writings of a Deaf Activist. Editor David Kurs has organized Newman’s writings around his passions — deaf education, communication and language, miscellaneous columns and poems on Deaf life, and humorous insights on his activism. His articles excel both as seamless arguments supporting his positions and as windows on the historical conflicts that he fought: against the Least Restrictive Environment in favor of residential deaf schools; for sign language, Total Communication, and bilingual education; and as a deaf teacher addressing parents of deaf children. A gifted writer in all genres, Newman amuses with ease (“On Mini and Midi-Skirts”), and moves readers with his heartfelt verse (“Girl with a Whirligig”). Newman ranges wide in his ability, but he always maintains his focus on equal tights for deaf people, as he demonstrates in his title poem “I Fill This Small Space:” I fill this small space, this time Who is to say yours is better Than mine or mine yours
The Ritual Performance of Autobiography in an Amazonian Community
A History of the Lipan Apaches
This history of the Lipan Apaches, from archeological evidence to the present, tells the story of some of the least known, least understood people in the Southwest. These plains buffalo hunters and traders were one of the first groups to acquire horses, and with this advantage they expanded from the Panhandle across Texas and into Coahuila, coming into conflict with the Comanches. With a knack for making friends and forging alliances, they survived against all odds, and were still free long after their worst enemies were corralled on reservations. In the most thorough account yet published, Sherry Robinson tracks the Lipans from their earliest interactions with Spaniards and kindred Apache groups through later alliances and to their love-hate relationships with Mexicans, Texas colonists, Texas Rangers, and the U.S. Army. For the first time we hear of the Eastern Apache confederacy of allied but autonomous groups that joined for war, defense, and trade. Among their confederates, and led by chiefs with a diplomatic bent, Lipans drew closer to the Spanish, Mexicans, and Texans. By the 1880s, with their numbers dwindling and ground lost to Mexican campaigns and Mackenzie’s raids, the Lipans roamed with Mescalero Apaches, some with Victorio. Many remained in Mexico, some stole back into Texas, and others melted into reservations where they had relatives. They never surrendered.
Swedish American Women and the Life of Mina Anderson
Near the end of her life, Mina Anderson penned a lively memoir that helped Swedish novelist Vilhelm Moberg create "Kristina," the central female character of his beloved emigrant novels, a woman who constantly yearns for her homeland. But Mina's story was quite different. Showcasing her previously untranslated memoir, "I Go To America" traces Mina's trip across the Atlantic to Wisconsin and then the Twin Cities, where she worked as a domestic servant, and her move to rural Mille Lacs County, where she and her husband worked a farm, raised seven children, and contributed to rural Swedish community life. Mina herself writes about how grateful she was for the opportunity to be in America, where the pay was better, class differences were unconfining, and children--girls included--had the chance for a good education. In her own words, "I have never regretted that I left Sweden. I have had it better here."Author Joy Lintelman greatly expands upon Mina's memoir, detailing the social, cultural, and economic realities experienced by countless Swedish women of her station. Lintelman offers readers both an intimate portrait of Mina Anderson and a window into the lives of the nearly 250,000 young, single Swedish women who immigrated to America from 1881 to 1920 and whose courage, hard work, and pragmatism embody the American dream.
I Have a Story to Tell You is about Eastern European Jewish immigrants living in Montreal, Toronto, and Winnipeg in the early twentieth century. The stories encompass their travels and travails on leaving home and their struggles in the sweatshops and factories of the garment industry in Canada. Basing her work on extensive interviews, Seemah Berson recreates these immigrants’ stories about their lives in the Old Country and the hardship of finding work in Canada, and she tells how many of these newcomers ended up in the needle trades. Revealing a fervent sense of socialist ideology acquired in the crucible of the Russian Revolution, the stories tell of the influence of Jewish culture and traditions, of personaland organizedfights against exploitation, and of struggles to establish unions for better working conditions.
This book is a wonderful resource for teachers of Canadian, Jewish, and social history, as well as auto/biography and cultural studies. The simplicity of the language, transcribed from oral reports, makes this work accessible to anyone who enjoys a good story.
I Have My Own Song for It: Modern Poems of Ohio gathers together 117 poems by 85 poets for a fresh perspective on the Buckeye State. Not since 1911 has there been a comprehensive collection of poems written about Ohio. And this anthology is especially relevant as Ohio celebrates its 200th year as a state. It could be called Ohio’s bicentennial gift to itself. These poems, written by such celebrated Ohio natives as James Wright and Mary Oliver, and by accomplished if less well known poets like Ruth L. Schwartz and Rachel Langille, offer a virtual tour of people and places in the state, traveling around Ohio’s lakes and rivers, farms and open country, small towns and large cities. In resonant language and compelling imagery, in shapely verse and lines responsive to the moment’s impulse, the poems bring Ohio to its citizens and, beyond the borders of the state, to lovers of poetry everywhere. The perspective may be personal or historical, close-up or wide-ranging, celebratory or otherwise, but each poem becomes part of the state’s legacy passed on to future generations, a collective record of how Ohio appears to itself and to others at the begining of the 21st century.
A Memoir of Love, Death, and the Radio
Jean Feraca’s road to self-fulfillment has been as quirky and demanding as the characters in her incredible memoir. A veteran of several decades of public radio broadcasting, Feraca is also a writer and a poet. She is a talk show host beloved for her unique mixture of the humanities, poetry, and journalism, and is the creator of the pioneering international cultural affairs radio program Here on Earth: Radio without Borders.
In this searing memoir, Feraca traces her own emergence. She pulls back the curtain on her private life, revealing unforgettable portraits of the characters in her brawling Italian-American family: Jenny, the grandmother, the devil woman who threw Casey Stengel down an excavation pit; Dolly, the mother, a cross between Long John Silver and the Wife of Bath, who in battling mental illness becomes the scourge of a Lutheran nursing home; and Stephen, the brilliant but troubled older brother, an anthropologist adopted by a Sioux tribe. In a new chapter that reinforces and ties together the book’s exploration of the multiple forms of love, Jean introduces us to Roger, a Wildman and her husband’s best friend with whom she, too, develops an extraordinary intimacy. A selection of fifteen of Feraca’s poems add counterpoint to her engaging prose.
In his nearly two terms as president, Barack Obama has solidified his status as something black people haven’t had for fifty years: a folk hero. The 1960s delivered Malcolm X and Martin Luther King, forever twinned as larger-than-life outsiders and truth tellers who took on racism and died in the process. Obama is different: Not an outsider but president, head of the most powerful state in the world; a centrist Democrat, not the face of a movement. Yet he is every bit a folk hero, doing battle with the beast of a system created to keep people like him on the margins. He is unique among presidents and entirely unique among black people, who never expected to have a president so soon.
In I Heart Obama, journalist Erin Aubry Kaplan offers an unapologetic appreciation of our highest-ranking “First” and what he means to black Americans. In the process, she explores the critiques of those in the black community who charge that he has not done enough, been present enough, been black enough to motivate real change in America. Racial antipathy cloaked as political antipathy has been the major conflict in Obama’s presidency. His impossible task as an individual and as a president is nothing less than this: to reform the entire racist culture of the country he leads. Black people know he can’t do it, but will support his effort anyway, as they have supported the efforts of many others. Obama’s is a noble and singular story we will tell for generations. I Heart Obama looks at the story so far.
Narrative, Affiliation, and Antiraciset Rhetoric
"Both from the Right and from the Left, we are stymied in talking well with one another about race and racism, by intransigent beliefs in our own goodness as well as by our conviction that such talk is useless. . . . White antiracist epistemology needs to begin not with our beliefs, but with our individual and collective awakening to that which we do not know."
Drawing on scholarship across disciplines ranging from writing and rhetoric studies to critical race theory to philosophy, I Hope I Join the Band examines the limits and the possibilities for performative engagement in antiracist activism. Focusing particularly on the challenges posed by raced-white identity to performativity, and moving between narrative and theoretical engagement, thebook names and argues for critical shifts in the understandings and rhetorical practices that attend antiracist activism.