With I Alone Have Escaped to Tell You, Ralph McInerny—distinguished scholar, mystery writer, editor, publisher, and family man—delivers a thoroughly engaging memoir. In the course of his recollections, McInerny describes his childhood in Minnesota; his grammar school and seminary education, with his decision to leave the path toward ordination; his marriage to his beloved Connie and their active family life and travels; and his life as a fiction writer. We learn of his career as a Catholic professor of philosophy at Notre Dame, his views on the Catholic Church, his experiences as an editor and publisher of Catholic magazines and reviews, his involvement with the International Catholic University, and his thoughts on other Catholic writers. Part homage to his academic home for the last half century and part appreciation of the many significant friendships he has fostered over his life, McInerny's reminiscences beautifully convey his lively interest in the world and his gift for friendship and collegiality.

Until now, no book has covered all of Cold War air combat in the words of the men who waged it. In I Always Wanted to Fly, retired United States Air Force Colonel Wolfgang W. E. Samuel has gathered first-person memories from heroes of the cockpits and airstrips. Battling in dogfights when jets were novelties, saving lives in grueling airlifts, or flying dangerous reconnaissance missions deep into Soviet and Chinese airspace, these flyers waged America's longest and most secretively conducted air war. Many of the pilots Samuel interviewed invoke the same sentiment when asked why they risked their lives in the air--"I always wanted to fly." While young, they were inspired by barnstormers, by World War I fighter legends, by the legendary Charles Lindbergh, and often just by seeing airplanes flying overhead. With the advent of World War II, many of these dreamers found themselves in cockpits soon after high school. Of those who survived World War II, many chose to continue following their dream, flying the Berlin Airlift, stopping the North Korean army during the "forgotten war" in Korea, and fighting in the Vietnam War. Told in personal narratives and reminiscences, I Always Wanted to Fly renders views from pilots' seats and flight decks during every air combat flashpoint from 1945--1968. Drawn from long exposure to the immense stress of warfare, the stories these warriors share are both heroic and historic. The author, a veteran of many secret reconnaissance missions, evokes individuals and scenes with authority and grace. He provides clear, concise historical context for each airman's memories. In I Always Wanted to Fly he has produced both a thrilling and inspirational acknowledgment of personal heroism and a valuable addition to our documentation of the Cold War. Wolfgang W. E. Samuel, the author of German Boy: A Refugee's Story (University Press of Mississippi) and a distinguished graduate of the Air Force ROTC in 1960, served in the U.S. Air Force until his retirement as a colonel in 1985. Ken Hechler is the author of The Bridge at Remagen.

Presents a new view of the Taoist classic, The Chuang Tzu, through the lens of Buber’s translation and his philosophy developed in I and Thou and later works. Jonathan Herman presents a new view of the Taoist classic through the lens of Buber’s translation and his philosophy developed in I and Thou and later works.

The 1950s marked a radical transformation in American popular music, as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he was unwittingly articulating a musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, and radio personalities---all of them key players in the decade's musical transformation. Written in engaging, accessible prose, Albin Zak's I Don't Sound Like Nobody is the first book to approach musical and historical issues of the 1950s through the lens of recordings and to fashion a compelling story of the birth of a new musical language. The book belongs on the shelf of every modern music aficionado and every scholar of rock 'n' roll. Albin J. Zak III is Associate Professor and Chair of the Department of Music at the University at Albany, State University of New York. He is the editor of The Velvet Underground Companion and the author of The Poetics of Rock: Cutting Tracks, Making Records, a groundbreaking study of rock music production. Zak is also a recording engineer, record producer, songwriter, singer, and guitarist. Keywords: rock and roll, nineteen-fifties, sound recording, radio, popular music

Johnson's Island, in Sandusky, Ohio, was not the largest Civil War prison in the North, but it was the only one to house Confederate officers almost exclusively. As a result, a distinctive prison culture developed, in part because of the educational background and access to money enjoyed by these prisoners.

David Bush has spent more than two decades leading archaeological investigations at the prison site. In I Fear I Shall Never Leave This Island he pairs the expertise gained there with a deep reading of extant letters between one officer and his wife in Alexandria, Virginia, providing unique insights into the trials and tribulations of captivity as actually experienced by the men imprisoned at Johnson's Island. Together, these letters and the material culture unearthed at the site capture in compelling detail the physical challenges and emotional toll of prison life for POWs and their families. They also offer fascinating insights into the daily lives of the prisoners by revealing the very active manufacture of POW craft jewelry, especially rings.

No other collection of Civil War letters offers such a rich context; no other archaeological investigation of Civil War prisons provides such a human story.

Lawrence Newman became deaf at the age of five in 1930, and saw his father fight back tears knowing that his son would never hear again. The next time he saw his father cry was in 1978, when Newman received an honorary doctorate from Gallaudet University, his alma mater. Newman was recognized for his achievements as a life-long advocate for deaf education, including receiving California’s Teacher of the Year award in 1968. Perhaps his greatest influence, however, stemmed from his many articles and columns that appeared in various publications, the best of which are featured in I Fill This Small Space: The Writings of a Deaf Activist. Editor David Kurs has organized Newman’s writings around his passions — deaf education, communication and language, miscellaneous columns and poems on Deaf life, and humorous insights on his activism. His articles excel both as seamless arguments supporting his positions and as windows on the historical conflicts that he fought: against the Least Restrictive Environment in favor of residential deaf schools; for sign language, Total Communication, and bilingual education; and as a deaf teacher addressing parents of deaf children. A gifted writer in all genres, Newman amuses with ease (“On Mini and Midi-Skirts”), and moves readers with his heartfelt verse (“Girl with a Whirligig”). Newman ranges wide in his ability, but he always maintains his focus on equal tights for deaf people, as he demonstrates in his title poem “I Fill This Small Space:” I fill this small space, this time Who is to say yours is better Than mine or mine yours