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Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life._x000B__x000B_Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. _x000B_
Producer to the Stars
Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies) -- have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career.
A former office boy and salesman, Wallis first engaged with the business of film as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944.
Bernard F. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
The Development of Jewish Law from Qumran to the Rabbis
Halakhah in the Making offers the first comprehensive study of the legal material found in the Dead Sea Scrolls and its significance in the greater history of Jewish religious law (halakhah). Aharon Shemesh's pioneering study revives an issue long dormant in religious scholarship: namely, the relationship between rabbinic law, as written more than one hundred years after the destruction of the Second Temple, and Jewish practice during the Second Temple. The monumental discovery of the Dead Sea Scrolls in Qumran led to the revelation of this missing material and the closing of a two-hundred-year gap in knowledge, allowing work to begin comparing specific laws of the Qumran sect with rabbinic laws. With the publication of scroll 4QMMT-a polemical letter by Dead Sea sectarians concerning points of Jewish law-an effective comparison was finally possible. This is the first book-length treatment of the material to appear since the publication of 4QMMT and the first attempt to apply its discoveries to the work of nineteenth-century scholars. It is also the first work on this important topic written in plain language and accessible to nonspecialists in the history of Jewish law.
A Cultural Symbol in Nineteenth-Century American Fiction
The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American prototype?
In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit" -- a character of untainted blood who joined the virtues of the two races in his manner of life -- was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto.
This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.
What did it mean to be a ˜half caste in early twentieth-century North America? Winnifred Eaton lived that experience and, as Onoto Watanna, she wrote about it. This collection of her short works--some newly discovered, others long awaited by scholars--ranges from breathless magazine romance to story melodrama and provides a riveting introduction to a unique literary personality.? -- Diana Birchall, author of Onoto Watanna: The Story of Winnifred Eaton_x000B_Onoto Watanna (1875-1954) was born Winnifred Eaton, the daughter of a British father and a Chinese mother. The first novelist of Chinese descent to be published in the United States, she became? Japanese to escape Americans scorn of the Chinese and to capitalize on their fascination with things Japanese. The earliest essay here, A Half Caste,? appeared in 1898, a year before Miss Nume: A Japanese-American Romance, the first of her best-selling novels. The last story, Elspeth,? appeared in 1923._x000B_Of Watannas numerous shorter works, this volume includes nineteen--thirteen stories and six essays -- intended to show the scope and versatility of her writing. While some of Watannas fictional characters will remind todays readers of the delicate but tragic Madame Butterfly, others foreshadow such types as the trickster in Maxine Hong Kingstons Tripmaster Monkey (a novel in which Onoto Watanna makes a cameo appearance). Watannas characters are always capable, clever, and inventive--molded in the authors own image.
The Creative Imagination of Europe, 1848-1884
Choice Outstanding Academic Title for 2008
A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class.
The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list.
This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.
The Half-Inch Himalayas is a stellar collection of early work by the poet Agha Shahid Ali (1949-2001). His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.
How New Technology Affects Old Policy Issues
The Half-Life of Policy Rationales argues that the appropriateness of policy depends on the state of technology, and that the justifications for many public policies are dissolving as technology advances. As new detection and metering technologies are being developed for highways, parking, and auto emissions, and information becomes more accessible and user-friendly, this volume argues that quality and safety are better handled by the private sector. As for public utilities, new means of producing and delivering electricity, water, postal, and telephone services dissolve the old natural-monopolies rationales of the government.
This volume includes essays on marine resources, lighthouses, highways, parking, auto emissions, consumer product safety, money and banking, medical licensing, electricity, water delivery, postal service, community governance, and endangered species. The editors have mobilized the hands-on knowledge of field experts to develop theories about technology and public policy. The Half-Life of Policy Rationales will be of interest to readers in public policy, technology, property rights, and economics.
In Half/Mask, Roger Mitchell goes in search of the magic that remains when the world is stripped down to “an inhospitable beauty.” Many of these starkly lyrical poems explore the human and natural communities found on tundra and borrow freely from the great narrative and sculptural traditions of the Inuit and other rugged people who have learned to live intensely under challenging conditions. Whether in the High Arctic or in different places “where human life . . . has a loose fit,” Mitchell discovers a land rich in imagery and metaphor for describing experience at a fundamental level, out at the edge of what we can know: “Alone and far away, remote, a step / or two beyond human, real being.” An effort to understand and sympathetically inhabit the earth drives these poems, even in the barren isolation of their settings, and gives to Half/Mask its emotional resonance.