"This is the most systematic discussion of semiotics yet published." -- Choice

"A bravura performance." -- Thomas Sebeok

"Nöth's handbook is an outstanding encyclopedia that provides first-rate information on many facets of sign-related studies, research results, and applications." -- Social Sciences in General

Handbook of War Studies III is a follow-up to Handbook of War Studies I (1993) and II (2000). This new volume collects original work from leading international relations scholars on domestic strife, ethnic conflict, genocide, and other timely topics. Special attention is given to civil war, which has become one of the dominant forms---if not the dominant form---of conflict in the world today. Contributors: Bruce Bueno de Mesquita, New York University, and Hoover Institution, Stanford University Nils Petter Gleditsch, International Peace Research Institute, Oslo (PRIO), and Norwegian University of Science and Technology (NTNU), Trondheim Håvard Hegre, University of Oslo, and International Peace Research Institute, Oslo (PRIO) Erin K. Jenne, Central European University, Budapest Mark Irving Lichbach, University of Maryland Roy Licklider, Rutgers University, New Brunswick T. David Mason, University of North Texas Rose McDermott, Cornell University Stephen Saideman, McGill University Håvard Strand, International Peace Research Institute, Oslo (PRIO) Monica Duffy Toft, Harvard University Manus I. Midlarsky is the Moses and Annuta Back Professor of International Peace and Conflict Resolution at Rutgers University, New Brunswick. He is the founding past president of the Conflict Processes Section of the American Political Science Association and a past vice president of the International Studies Association.

An analysis of how fMRI researchers actively involve their bodies--with hand movements in particular--in laboratory practice.

Handmade Culture is the first comprehensive and cohesive study in any language to examine Raku, one of Japan’s most famous arts and a pottery technique practiced around the world. More than a history of ceramics, this innovative work considers four centuries of cultural invention and reinvention during times of both political stasis and socioeconomic upheaval. It combines scholarly erudition with an accessible story through its lively and lucid prose and its generous illustrations. The author’s own experiences as the son of a professional potter and a historian inform his unique interdisciplinary approach, manifested particularly in his sensitivity to both technical ceramic issues and theoretical historical concerns. Handmade Culture makes ample use of archaeological evidence, heirloom ceramics, tea diaries, letters, woodblock prints, and gazetteers and other publications to narrate the compelling history of Raku, a fresh approach that sheds light not only on an important traditional art from Japan, but on the study of cultural history itself.

Is Hong Kong's approach to economic policy really as 'hands off' as we are led to believe? How are economic policies determined within Hong Kong's unique governance structure?

“The contribution of A Hanging in Nacogdoches is not limited to that city, East Texas, or even the state. . . . The purpose of the author's presentation is to show life-race relations, politics, the economy-in a typical . . . Southern town at the transition from the nineteenth to the twentieth century. Borders argues, and demonstrates, that Nacogdoches was, indeed, typical for its time and place.” -Archie P. McDonald, Regent's Professor of History, Stephen F. Austin State University On October 17, 1902, in Nacogdoches, Texas, a black man named James Buchanan was tried without representation, condemned, and executed for the murder of a white family-all in the course of three hours. Two white men played pivotal roles in these events: Bill Haltom, a leading local Democrat and the editor of the Nacogdoches Sentinel, who condemned lynching but defended lynch mobs, and A. J. Spradley, a Populist sheriff who, with the aid of hundreds of state militiamen, barely managed to keep the mob from burning Buchanan alive, only to escort him to the gallows following his abbreviated trial. Each man's story serves to illuminate a part of the path that led to the terrible parody of justice which lies at the heart of A Hanging in Nacogdoches. The turn of the twentieth century was a time of dramatic change for the people of East Texas. Frightened by the Populist Party's attempts to unite poor blacks and whites in a struggle for economic justice, white Democrats defended their power base by exploiting racial tensions in a battle that ultimately resulted in the complete disenfranchisement of the black population of East Texas. In telling the story of a single lynching, Gary Borders dramatically illustrates the way politics and race combined to bring horrific violence to small southern towns like Nacogdoches.

The Hanlon Brothers is the first complete and accurate account of one of the most beloved families in nineteenth-century American theater. The Hanlons evolved a unique theatrical style that combined breath-taking acrobatics with trick scenery, novel illusions, and wild, often violent, knockabout comedy.

This work presents both the range of Arendt’s political thought and the patterns of controversy it has elicited. The essays are arranged in six parts around important themes in Arendt’s work: totalitarianism and evil; narrative and history; the public world and personal identity; action and power; justice, equality, and democracy; and thinking and judging. Despite such thematic diversity, virtually all the contributors have made an effort to build bridges between interest-driven politics and Arendt’s Hellenic/existential politics. Although some are quite critical of the way Arendt develops her theory, most sympathize with her project of rescuing politics from both the foreshortening glance of the philosopher and its assimilation to social and biological processes. This volume treats Arendt’s work as an imperfect, somewhat time-bound but still invaluable resource for challenging some of our most tenacious prejudices about what politics is and how to study it. The following eminent Arendt scholars have contributed chapters to this book: Ronald Beiner, Margaret Canovan, Elisabeth Young-Bruehl, Seyla Benhabib, Jürgen Habermas, Hanna Pitkin, and Sheldon Wolin.

"Peg Birmingham's reading of Arendt's work is absolutely unique. She seeks nothing less than an ontological foundation of the political, and in particular, the notion of human rights." -- Bernard Flynn, The New School for Social Research

Hannah Arendt's most important contribution to political thought may be her well-known and often-cited notion of the "right to have rights." In this incisive and wide-ranging book, Peg Birmingham explores the theoretical and social foundations of Arendt's philosophy on human rights. Devoting special consideration to questions and issues surrounding Arendt's ideas of common humanity, human responsibility, and natality, Birmingham formulates a more complex view of how these basic concepts support Arendt's theory of human rights. Birmingham considers Arendt's key philosophical works along with her literary writings, especially those on Walter Benjamin and Franz Kafka, to reveal the extent of Arendt's commitment to humanity even as violence, horror, and pessimism overtook Europe during World War II and its aftermath. This current and lively book makes a significant contribution to philosophy, political science, and European intellectual history.