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How the Ghadar Movement Charted Global Radicalism and Attempted to Overthrow the British Empire
In The Haj to Utopia, Maia Ramnath tells the dramatic story of Ghadar, the Indian anticolonial movement that attempted overthrow of the British Empire. Founded by South Asian immigrants in California, Ghadar—which is translated as "mutiny"—quickly became a global presence in East Asia, Europe, the Middle East, and East Africa. Ramnath brings this epic struggle to life as she traces Ghadar’s origins to the Swadeshi Movement in Bengal, its establishment of headquarters in Berkeley, California, and its fostering by anarchists in London, Paris, and Berlin. Linking Britain’s declaration of war on Germany in 1914 to Ghadar’s declaration of war on Britain, Ramnath vividly recounts how 8,000 rebels were deployed from around the world to take up the battle in Hindustan. The Haj to Utopia demonstrates how far-flung freedom fighters managed to articulate a radical new world order out of seemingly contradictory ideas.
An American Library Association Notable Book and his first book for children, Erik Christian Haugaard’s Hakon of Rogen’s Saga is a remarkable novel that perfectly catches the mood of a harsh but heroic people. Set at the end of the Viking period, it tells of a young boy, Hakon, from the island of Rogen who, after his chieftain father is murdered, undertakes to reclaim his birthright from his treacherous uncle. The illustrations by renowned artists Leo and Diane Dillon make this captivating story come alive.
Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life._x000B__x000B_Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. _x000B_
The Development of Jewish Law from Qumran to the Rabbis
Halakhah in the Making offers the first comprehensive study of the legal material found in the Dead Sea Scrolls and its significance in the greater history of Jewish religious law (halakhah). Aharon Shemesh's pioneering study revives an issue long dormant in religious scholarship: namely, the relationship between rabbinic law, as written more than one hundred years after the destruction of the Second Temple, and Jewish practice during the Second Temple. The monumental discovery of the Dead Sea Scrolls in Qumran led to the revelation of this missing material and the closing of a two-hundred-year gap in knowledge, allowing work to begin comparing specific laws of the Qumran sect with rabbinic laws. With the publication of scroll 4QMMT-a polemical letter by Dead Sea sectarians concerning points of Jewish law-an effective comparison was finally possible. This is the first book-length treatment of the material to appear since the publication of 4QMMT and the first attempt to apply its discoveries to the work of nineteenth-century scholars. It is also the first work on this important topic written in plain language and accessible to nonspecialists in the history of Jewish law.
What did it mean to be a ˜half caste in early twentieth-century North America? Winnifred Eaton lived that experience and, as Onoto Watanna, she wrote about it. This collection of her short works--some newly discovered, others long awaited by scholars--ranges from breathless magazine romance to story melodrama and provides a riveting introduction to a unique literary personality.? -- Diana Birchall, author of Onoto Watanna: The Story of Winnifred Eaton_x000B_Onoto Watanna (1875-1954) was born Winnifred Eaton, the daughter of a British father and a Chinese mother. The first novelist of Chinese descent to be published in the United States, she became? Japanese to escape Americans scorn of the Chinese and to capitalize on their fascination with things Japanese. The earliest essay here, A Half Caste,? appeared in 1898, a year before Miss Nume: A Japanese-American Romance, the first of her best-selling novels. The last story, Elspeth,? appeared in 1923._x000B_Of Watannas numerous shorter works, this volume includes nineteen--thirteen stories and six essays -- intended to show the scope and versatility of her writing. While some of Watannas fictional characters will remind todays readers of the delicate but tragic Madame Butterfly, others foreshadow such types as the trickster in Maxine Hong Kingstons Tripmaster Monkey (a novel in which Onoto Watanna makes a cameo appearance). Watannas characters are always capable, clever, and inventive--molded in the authors own image.
The Creative Imagination of Europe, 1848-1884
Choice Outstanding Academic Title for 2008
A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class.
The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list.
This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.
The Half-Inch Himalayas is a stellar collection of early work by the poet Agha Shahid Ali (1949-2001). His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.
A HalfMan Dreaming conjures into existence an apocalyptic storyline that takes its narrator, Lupe, from a childhood encounter with the Enola Gay on the edge of the Californian desert, to the war in Vietnam, to prison in Detroit. Filled with confusion, anger, and shame at the things that he has seen and done, Lupe struggles to find his way out of the maze of violence and racism that is Postwar America. With lyrical intensity and pyrotechnic prose, A HalfMan Dreaming weaves together history, archaeology, and mythology in a Melville-ian quest to discover the Leviathan heart of America’s love affair with death and destruction.
In Half/Mask, Roger Mitchell goes in search of the magic that remains when the world is stripped down to “an inhospitable beauty.” Many of these starkly lyrical poems explore the human and natural communities found on tundra and borrow freely from the great narrative and sculptural traditions of the Inuit and other rugged people who have learned to live intensely under challenging conditions. Whether in the High Arctic or in different places “where human life . . . has a loose fit,” Mitchell discovers a land rich in imagery and metaphor for describing experience at a fundamental level, out at the edge of what we can know: “Alone and far away, remote, a step / or two beyond human, real being.” An effort to understand and sympathetically inhabit the earth drives these poems, even in the barren isolation of their settings, and gives to Half/Mask its emotional resonance.