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Hadrosaurs--also known as duck-billed dinosaurs--are abundant in the fossil record. With their unique complex jaws and teeth perfectly suited to shred and chew plants, they flourished on Earth in remarkable diversity during the Late Cretaceous. So ubiquitous are their remains that we have learned more about dinosaurian paleobiology and paleoecology from hadrosaurs than we have from any other group. In recent years, hadrosaurs have been in the spotlight. Researchers around the world have been studying new specimens and new taxa seeking to expand and clarify our knowledge of these marvelous beasts. This volume presents the results of an international symposium on hadrosaurs, sponsored by the Royal Tyrrell Museum and the Royal Ontario Museum, where scientists and students gathered to share their research and their passion for duck-billed dinosaurs. A uniquely comprehensive treatment of hadrosaurs, the book encompasses not only the well-known hadrosaurids proper, but also Hadrosaouroidea, allowing the former group to be evaluated in a broader perspective. The 36 chapters are divided into six sections--an overview, new insights into hadrosaur origins, hadrosaurid anatomy and variation, biogeography and biostratigraphy, function and growth, and preservation, tracks, and traces--followed by an afterword by Jack Horner.
The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.
These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.
Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.
The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise.
Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations.
Originally published in 1988.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Evolution of a Commander
For years, Douglas Haig has been considered perhaps the most controversial military leader in British history. Today his career is at the center of a swirling historiographical debate concerning the nature of the First World War. The traditional school contends that Haig, like the majority of generals from both sides, were overmatched, hidebound relics of a bygone military age who could not come to grips with modern war. They allegedly sent their soldiers “over the top” in waves, with a criminal disregard for the mounting cost in lives. A new revisionist school contends that many Great War leaders, including Haig, were central to a phenomenal period of military innovation that laid the foundations for modern war. This so-called learning curve led from the killing fields of the Somme to the protoblitzkrieg tactics of the 100 Days Battles.Having achieved a measure of fame in Britain’s colonial wars, Haig began the First World War as a corps commander and succeeded to command the British Expeditionary Force (BEF) in 1915. Under his leadership, the BEF fought its two signature battles of the Great War—at the Somme and Passchendaele. Haig’s role in the direction of these battles earned him a reputation as a “butcher and bungler,” the slaughter of the Somme and the muddy hell of Passchendaele forever tarnishing his reputation. However, as Andrew Wiest points out, in 1918 Haig was instrumental in winning one of the greatest victories in British military history. While the 100 Days Battles often go unnoticed or unappreciated in the history of World War I, obscured by the failures of earlier campaigns, it was here that modern war came of age. Haig’s role in that transformation makes him the central figure of the war on the Western Front.
American Ghosts, Millennial Passions, and Contemporary Gothic Fictions
Beauty, Power, and Black Women's Consciousness
Long hair in the 60s, Afros in the early 70s, bobs in the 80s, fuschia in the 90s. Hair is one of the first attributes to catch our eye, not only because it reflects perceptions of attractiveness or unattractiveness, but also because it conveys important political, cultural, and social meanings, particularly in relation to group identity. Given that mainstream images of beauty do not privilege dark skin and tightly coiled hair, African American women's experience provides a starkly different perspective on the meaning of hair in social identity."
--National Women's Studies Association Journal
"Grab your copy at your local bookseller and get hip to what your hair is saying to others with regards to beauty, culture and politics. Learn about how culture has a love for coifs, because after all, so do you!"
Sophisticate's Black Hair Styles Guide
Drawing on interviews with over 50 women, from teens to seniors, Hair Matters is the first book on the politics of Black hair to be based on substantive, ethnographically informed research. Focusing on the everyday discussions that Black women have among themselves and about themselves, Ingrid Banks analyzes how talking about hair reveals Black women's ideas about race, gender, sexuality, beauty, and power. Ultimately, what emerges is a survey of Black women's consciousness within both their own communities and mainstream culture at large.
Here is the first fully annotated edition of a landmark in early African American literature, the 1859 autobiography of Eliza Potter, a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women. Xiomara Santamarina provides an insightful introduction to this edition that includes newly discovered information about Potter, discusses the author's strong satirical voice and proud working-class status, and places the narrative in the context of 19th-century literature and history.
Haiti has long played an important role in global perception of the western hemisphere, but ideas about Haiti often appear paradoxical. Is it a land of tyranny and oppression or a beacon of freedom as site of the world's only successful slave revolution? A bastion of devilish practices or a devoutly religious island? Does its status as the second independent nation in the hemisphere give it special lessons to teach about postcolonialism, or is its main lesson one of failure?Haiti and the Americas brings together an interdisciplinary group of essays to examine the influence of Haiti throughout the hemisphere, to contextualize the ways that Haiti has been represented over time, and to look at Haiti's own cultural expressions in order to think about alternative ways of imagining its culture and history. Thinking about Haiti requires breaking through a thick layer of stereotypes. Haiti is often represented as the region's nadir of poverty, of political dysfunction, and of savagery. Contemporary media coverage fits very easily into the narrative of Haiti as a dependent nation, unable to govern or even fend for itself, a site of lawlessness that is in need of more powerful neighbors to take control. Essayists in Haiti and the Americas present a fuller picture developing approaches that can account for the complexity of Haitian history and culture.