Long hair in the 60s, Afros in the early 70s, bobs in the 80s, fuschia in the 90s. Hair is one of the first attributes to catch our eye, not only because it reflects perceptions of attractiveness or unattractiveness, but also because it conveys important political, cultural, and social meanings, particularly in relation to group identity. Given that mainstream images of beauty do not privilege dark skin and tightly coiled hair, African American women's experience provides a starkly different perspective on the meaning of hair in social identity."
--National Women's Studies Association Journal

"Grab your copy at your local bookseller and get hip to what your hair is saying to others with regards to beauty, culture and politics. Learn about how culture has a love for coifs, because after all, so do you!"
—Sophisticate's Black Hair Styles Guide

Drawing on interviews with over 50 women, from teens to seniors, Hair Matters is the first book on the politics of Black hair to be based on substantive, ethnographically informed research. Focusing on the everyday discussions that Black women have among themselves and about themselves, Ingrid Banks analyzes how talking about hair reveals Black women's ideas about race, gender, sexuality, beauty, and power. Ultimately, what emerges is a survey of Black women's consciousness within both their own communities and mainstream culture at large.

Like very good dark chocolate this is a delicious novel, with a bitter-sweet flavour. Vimbai is a hairdresser, the best in Mrs Khumalo's salon, and she knows she is the queen on whom they all depend. Her situation is reversed when the good-looking, smooth-talking Dumisani joins them. However, his charm and desire to please slowly erode Vimbai's rancour and when he needs somewhere to live, Vimbai becomes his landlady. So, when Dumisani needs someone to accompany him to his brother's wedding to help smooth over a family upset, Vimbai obliges. Startled to find that this smart hairdresser is the scion of one of the wealthiest families in Harare, she is equally surprised by the warmth of their welcome; and it is their subsequent generosity which appears to foster the relationship between the two young people. The ambiguity of this deepening friendship - used or embraced by Dumisani and Vimbai with different futures in mind - collapses in unexpected brutality when secrets and jealousies are exposed. Written with delightful humour and a penetrating eye, The Hairdresser of Harare is a novel that you will find hard to put down.

Here is the first fully annotated edition of a landmark in early African American literature, the 1859 autobiography of Eliza Potter, a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women. Xiomara Santamarina provides an insightful introduction to this edition that includes newly discovered information about Potter, discusses the author's strong satirical voice and proud working-class status, and places the narrative in the context of 19th-century literature and history.

“This book...avoids the political debates about Jean-Bertrand Aristide that dominate so many current writings about Haiti. Its focus is the society itself, the sources of difference, the origins of violence, and the possibility of change....The superb work done by the editors has established a high standard for future efforts.” (Terry Copp and John English from the Preface)

Haiti is a country in the midst of a political, economic, ecological, and social crisis. Violence has sabotaged attempts to establish the rule of law, and state infrastructure is notably absent in much of the country, leading to an overall climate of insecurity. Haiti: Hope for a Fragile State sheds light on the varied and complex roots of the current crisis, dispels misperceptions, and suggests that the situation in Haiti, despite evidence to the contrary, is not completely desperate. It brings together diverse perspectives on development, the military, history, NGOs, and politics and discusses the peace-building efforts of the past, suggesting ways to move forward to make Haiti a strong state.

Co-published with the Centre for International Governance Innovation

During the past ten years, political debates, legal disputes, and rising violence associated with the presence of Haitian migrants have flared up throughout the Caribbean basin in such places as Guadeloupe, the Dominican Republic, French Guiana, the Bahamas, and Jamaica. The contributors to this volume explore the common thread of prejudice against the Haitian diaspora as well as its potential role in the construction of national narratives from a comparative and interdisciplinary perspective.

These essays, written by historians, anthropologists, sociologists, and Francophone studies scholars, examine how Haitians interact as an immigrant group with other parts of the Caribbean as well as how they are perceived and treated, particularly in terms of ethnicity and race, in their migration experience in the broader Caribbean.

By discussing the prevalence of anti-Haitianism throughout the region alongside the challenges Haitians face as immigrants, this volume completes the global view of the Haitian diaspora saga.

Clairvoyant who has lived in France for the past 24 years, expresses himself at times with a virulent violence that only an exile living in a perpetual nostalgia of his/her native land can understand. His words directed at the rulers of his native country is not always flattering, a euphemism not to say discourteous or accusatory. Poet with moral probity, he however slips into obsequiousness when expressing his anger that can easily be styled great immorality.

Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world. In this pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini discusses seven of Hartley's feature films, including The Unbelievable Truth, Trust, Simple Men, Amateur, Henry Fool, Fay Grim, and The Book of Life._x000B__x000B_Drawing on journalism, theories of representation, narrative and genre, and cinema history, Berrettini discusses the absurdist-comedic representation of serious themes in Hartley's films: impossible love, coincidence and human relations, extreme isolation, and the restrictions posed by gender norms. He looks at the films' consistently absurd tone and notes how these themes reappear within framing narratives that shift from the seemingly mundane in Hartley's earliest works to the vibrantly creative and fantastic in his later films. The volume concludes with a pair of in-depth interviews with the director from two distinct points in his career. _x000B_

Choice Outstanding Academic Title for 2008

A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class.

The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list.

This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.

The Half-Inch Himalayas is a stellar collection of early work by the poet Agha Shahid Ali (1949-2001). His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.