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H.B. Morse, Customs Commissioner and Historian of China

John King Fairbank, Martha Henderson Coolidge, and Richard J. Smith

Hosea Ballou Morse (1855-1934) sailed to China in 1874, and for the next thirty-five years he labored loyally in the Imperial Chinese Maritime Customs Service, becoming one of its most able commissioners and acquiring a deep knowledge of China's economy and foreign relations. After his retirement in 1909, Morse devoted himself to scholarship. He pioneered in the Western study of China's foreign relations, weaving from the tangled threads of the Ch'ing dynasty's foreign affairs several seminal interpretive histories, most notably his three-volume magnum opus, The International Relations of the Chinese Empire (1910-18).

At the time of his death, Morse was considered the major historian of modern China in the English-speaking world, and his works played a profound role in shaping the contours of Western scholarship on China.

Begun as a labor of love by his protégé, John King Fairbank, this lively biography based primarily on Morse's vast collection of personal papers sheds light on many crucial events in modern Chinese history, as well as on the multifaceted Western role in late imperial China, and provides new insights into the beginnings of modern China studies in this country. Half-finished when Fairbank died, the project was completed by his colleagues, Martha Henderson Coolidge and Richard J. Smith.

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Hébergement, logement et rétablissement en santé mentale

Pourquoi et comment faire évoluer les pratiques?

Edited by Jean-François Pelletier

Le logement constitue le point d'ancrage de l'individu dans la société. Ainsi, avoir une adresse constitue un des facteurs les plus importants pour l'intégration sociale. Le fait pour les personnes vivant avec des troubles mentaux de ne pas toujours accéder à cet idéal signe en quelque sorte leur marginalité. Quelles sont les solutions? Du Connecticut, d'Ontario et du Québec, des expériences réussies.

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Hā`ena

Through the Eyes of Ancestors

Carlos Andrade

Ha‘ena is a land steeped in antiquity yet vibrantly beautiful today as any Hollywood fantasy of a tropical paradise. He ‘aina momona, a rich and fertile land linked to the sea and the rising and setting sun, is a place of gods and goddesses: Pele and her sister, Hi‘iaka, and Laka, patron of hula. It epitomizes the best that can be found in the district of northwestern Kaua‘i, known to aboriginal Hawaiians as Hale Le‘a (House of Pleasure and Delight). This work is an ambitious attempt to provide a unique perspective in the complex story of the ahupua‘a of Ha‘ena. Carlos Andrade begins by examining the stories that identify the origins and places of the earliest inhabitants of Ha‘ena. The narrative outlines the unique relationships developed by Hawaiians with the environment and describes the system used to look after the land and the sea. Andrade goes on to research the changes wrought by concepts and perceptions introduced by European, American, and Asian immigrants. He delves into the impact of land privatization as Hawai‘i struggled to preserve its independence. The Mahele and the Kuleana Act, legislation that laid the foundation for all landholding in Hawai‘i, had a profound influence on Ha‘ena. Part of this story includes a description of the thirty-nine Hawaiians who pooled their resources, bought the entire ahupua‘a of Ha‘ena, and held it in common from the late 1800s to 1967—a little-known chapter in the fight to perpetuate traditional lifeways. Lastly, Andrade collects the stories of kupuna who share their experiences of life in Ha‘ena and surrounding areas, capturing a way of life that is quickly disappearing beneath the rising tide of non-Native people who now inhabit the land. Ha‘ena: Through the Eyes of the Ancestors is a distinctive work, which blends folklore, geography, history, and ethnography. It casts a wide net over information from earliest times to the present, primarily related from a Native perspective. It should be of great interest to historians, ethnologists, sociologists, and students of Hawaiian language, literature, and culture.

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H. G. Adler

Life, Literature, Legacy

Edited by Julia Creet, Sara R. Horowitz, and Amira Bojadzija-Dan

H. G. Adler: Life, Literature, Legacy is the first collection of essays in English dedicated to the life and work of German-language author H. G. Adler. Among the international scholars of German, Jewish, and Holocaust literature and history who reveal the range of Adler’s legacy across genres are Adler’s son, Jeremy Adler, and Peter Filkins, translator of Adler’s trilogy, Panorama (The Journey). Together, the essays examine Adler’s writing in relation to his life, especially his memory as a survivor of the Nazi death camps and his posthumous recognition for having produced a Gesamtkunstwerk, an aesthetic synthesis of the Shoah. The book carries the moral charge of Adler’s work, moving beyond testimony to a complex dialectic between fact and fiction, exploring Adler’s experiments with voice and the ethical work of literary engagement with the Shoah.

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H.L. Mencken - American Writers 62

University of Minnesota Pamphlets on American Writers

Philip Wagner

H.L. Mencken - American Writers 62 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Hélier, fils des bois

Jamais réédité depuis sa parution dans les années 1930, ce grand roman de Marie Le Franc – par ailleurs récipiendaire du prix Femina en 1927 – apparaît au lecteur d’aujourd’hui comme la première incursion littéraire féminine dans la forêt nordique. Cette oeuvre déploie un fascinant imaginaire de la forêt, ici celui du lac Tremblant dans les Laurentides, qui se nourrit des paysages découverts lors des nombreux séjours de la romancière et des sensations vécues au contact d’une nature qui, sans être totalement hostile à l’être humain, n’en demeure pas moins extrêmement difficile à habiter. La radicale altérité de la forêt, qui se joue de rapports intimes et intérieurs, renforce l’intérêt contemporain pour cette oeuvre.

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H. Rider Haggard on the Imperial Frontier

The Political and Literary Contexts of His African Romances

Gerald Monsman

H. Rider Haggard on the Imperial Frontier, the first book-length study of H.R.H.'s African fiction, revises the image of Rider Haggard (1856–1925) as a mere writer of adventure stories, a brassy propagandist for British imperialism. Professor Monsman places Haggard’s imaginative works both in the context of colonial fiction writing and in the framework of subsequent postcolonial debates about history and its representation. Like Olive Schreiner, Haggard was an Anglo-African writer straddling the moral divide of mixed allegiances—one empathetically African, the other quite English. The context for such Haggard tales as King Solomon’s Mines and She was a triad of extraordinary nineteenth-century cultures in conflict—British, Boer, and Zulu. Haggard mined his characters both from the ore of real-life Africa and from the depths of his subconscious, giving expression to feelings of cultural conflict, probing and subverting the dominant economic and social forces of imperialism. Monsman argues that Haggard endorses native religious powers as superior to the European empirical paradigm, celebrates autonomous female figures who defy patriarchal control, and covertly supports racial mixing. These social and political elements are integral to his thrilling story lines charged with an exoticism of lived nightmares and extraordinary ordeals. H. Rider Haggard on the Imperial Frontier will be of interest to readers of imperial history and biography, “lost race” and supernatural literature, tales of terror, and heroic fantasies. The book’s unsettling relevance to contemporary issues will engage a wide audience, and the groundbreaking biographical account of Haggard’s close contemporary Bertram Mitford in the appendix will add appeal to specialists.

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The Ha-ha

Poems

David Kirby

A feature of English landscape architecture, a ha-ha is a wall at the bottom of a ditch; its purpose is to allow the presence of cows and sheep on one's lawn, but at an agreeable distance and with none of the malodorous unsightliness that proximity would bring. Similarly, The Ha-Ha, the latest offering from poet David Kirby, is both an exploration of the ways in which the mind invites chaos yet keeps it at a distance and an apologia for humor, reflecting Irish poet Patrick Kavanagh's observation that tragedy is merely underdeveloped comedy. Embracing wit, wide-ranging scholarship, and an equal love of travel as well as the pleasures of home, The Ha-Ha depicts comedy as a radical form of intelligence, a way of thinking that just happens to be noisy and rumbustious.

We are staying with Barbara's parents on Oahu, and the first night we're there, I notice an angry-looking man is staring at me

out of the neighbor's upstairs window and mumbling something, but the second night I realize that it's that poster of Bo Diddley

from the famous Port Arthur concert, and there's a phone wirein front of his face that bobs up and down when the trade winds blow,

which they do constantly, making it seem as though Mr. Diddley is saying something to me.

From "The Ha-Ha, Part I: The Tao of Bo Diddley" published in The Ha-Ha: Poems by David Kirby. Copyright � 2003 by David Kirby. All rights reserved.

- See more at: http://lsupress.org/books/detail/the-ha-ha/#sthash.g8vUSeuN.dpuf

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Haïti aujourd'hui, Haïti demain

Regards croisés

Andrea Martinez

Haïti aujourd’hui, Haïti demain rassemble les témoignages et analyses d’universitaires, de spécialistes et d’organisations du Canada et d’Haïti sur la situation haïtienne après le séisme de 2010. L’objectif du volume est d’échanger sur les moyens de transformer la crise en une occasion de renforcer un développement endogène, équitable et durable. Les textes, éclairés par un retour sur les erreurs du passé et informés par le Plan d’action des pays donateurs, nous permettent de mieux comprendre les obstacles à surmonter. Ils nous permettent aussi de réfléchir aux principes devant inspirer la réalisation concertée de projets en matière de droits humains, de gouvernance, de sécurité, de justice et de développement économique, social et culturel. Les intervenants et intervenantes s’entendent sur la nécessité d’une refonte de la gouvernance haïtienne, centrée sur la réforme en profondeur de l’ensemble de l’appareil administratif. Une telle refonte de l’État passe par la réaffirmation d’une souveraineté sans équivoque, laquelle ne doit pas venir « d’en haut » seulement, mais de la société civile également. Par delà les actions humanitaires d’urgence et les engagements internationaux, la refondation d’Haïti doit s’appuyer sur un développement ancré dans les droits humains.

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Habeas Corpus after 9/11

Confronting America’s New Global Detention System

Jonathan Hafetz, 0, 0

“We all have snatches of the conversation in our heads: Guantánamo, habeas corpus, enemy combatant, military commissions, Bagram, rendition and torture. This book by one of the key lawyers on the front lines in the post-9/11 legal battles puts these pieces together; what emerges is not pretty. If you want to understand how a country that claimed it was the paradigm of fair treatment in its criminal justice system has tailored its laws to expediency, read this disturbing book.—

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