H. Rider Haggard on the Imperial Frontier, the first book-length study of H.R.H.'s African fiction, revises the image of Rider Haggard (1856–1925) as a mere writer of adventure stories, a brassy propagandist for British imperialism. Professor Monsman places Haggard’s imaginative works both in the context of colonial fiction writing and in the framework of subsequent postcolonial debates about history and its representation. Like Olive Schreiner, Haggard was an Anglo-African writer straddling the moral divide of mixed allegiances—one empathetically African, the other quite English. The context for such Haggard tales as King Solomon’s Mines and She was a triad of extraordinary nineteenth-century cultures in conflict—British, Boer, and Zulu. Haggard mined his characters both from the ore of real-life Africa and from the depths of his subconscious, giving expression to feelings of cultural conflict, probing and subverting the dominant economic and social forces of imperialism. Monsman argues that Haggard endorses native religious powers as superior to the European empirical paradigm, celebrates autonomous female figures who defy patriarchal control, and covertly supports racial mixing. These social and political elements are integral to his thrilling story lines charged with an exoticism of lived nightmares and extraordinary ordeals. H. Rider Haggard on the Imperial Frontier will be of interest to readers of imperial history and biography, “lost race” and supernatural literature, tales of terror, and heroic fantasies. The book’s unsettling relevance to contemporary issues will engage a wide audience, and the groundbreaking biographical account of Haggard’s close contemporary Bertram Mitford in the appendix will add appeal to specialists.

Habeas Corpus is the process by which state prisoners—particularly those on death row—appeal to federal courts to have their convictions overturned. Its proper role in our criminal justice system has always been hotly contested, especially in the wake of 1996 legislation curtailing the ability of prisoners to appeal their sentences.

In this timely volume, Eric M. Freedman reexamines four of the Supreme Court’s most important habeas corpus rulings: one by Chief Justice John Marshall in 1807 concerning Aaron Burr’s conspiracy, two arising from the traumatic national events of the 1915 Leo Frank case and the 1923 cases growing out of murderous race riots in Elaine County, Arkansas, and one case from 1953 that dramatized some of the ugliest features of the Southern justice of the period. In each instance, Freeman uncovers new original sources and tells the stories of the cases through such documents as the Justices’ draft opinions and the memos of law clerk William H. Rehnquist. In bracing and accessible language, Freedman then presents an interpretation that rewrites the conventional view.

Building on these results, he challenges legalistic limits on habeas corpus and demonstrates how a vigorous writ is central to implementing the fundamental conceptions of individual liberty and constrained government power that underlie the Constitution.

“We all have snatches of the conversation in our heads: Guantánamo, habeas corpus, enemy combatant, military commissions, Bagram, rendition and torture. This book by one of the key lawyers on the front lines in the post-9/11 legal battles puts these pieces together; what emerges is not pretty. If you want to understand how a country that claimed it was the paradigm of fair treatment in its criminal justice system has tailored its laws to expediency, read this disturbing book.—

"The scientist has the habit of science; the artist, the habit of art." -- Flannery O'Connor

This collection of stories contains some of the best new short fiction from America. The stories display a wide range of styles, settings, and themes. In addition to being among the country's most talented, prize-winning writers, the authors gathered in The Habit of Art also share a common bond as former members of the fiction workshop at Indiana University, which celebrates its first 25 years with the publication of this book.

In Habitats and Ecological Communities of Indiana, leading experts assess the health and diversity of Indiana's eight wildlife habitats, providing detailed analysis, data-generated maps, color photographs, and complete lists of flora and fauna. This groundbreaking reference details the state's forests, grasslands, wetlands, aquatic systems, barren lands, and subterranean systems, and describes the nature and impact of two man-made habitats—agricultural and developed lands. The book considers extirpated and endangered species alongside invasives and exotics, and evaluates floral and faunal distribution at century intervals to chart ecological change.

La vie de la diaspora arménienne est, d’une manière générale, bien connue dans ses aspects historiques et géopolitiques ; la littérature scientifique est riche à ce sujet. Peu d’études en revanche se consacrent au quotidien des communautés. Pour éclairer les enjeux de cette vie diasporique à l’échelle de l’individu, Marie-Blanche Fourcade a investigué le « petit » patrimoine familial exposé dans cet espace privé et intime qu’est la maison, afin de cerner la relation organique existant entre le patrimoine et l’identité en contexte de mobilité.

Habits of Whiteness offers a new way to talk about race and racism by focusing on racial habits and how to change them. According to Terrance MacMullan, the concept of racial whiteness has undermined attempts to create a truly democratic society in the United States. By getting to the core of the racism that lives on in unrecognized habits, MacMullan argues clearly and charitably for white folk to recognize the distance between their color-blind ideals and their actual behavior. Revitalizing the work of W. E. B. Du Bois and John Dewey, MacMullan shows how it is possible to reconstruct racial habits and close the gap between people. This forthright and persuasive analysis of the impulses of whiteness ultimately reorganizes them into something more compatible with our country's increasingly multicultural heritage.

Habsburg Lemberg: Architecture, Public Space, and Politics in the Galician Capital, 1772–1914 reveals that behind a variety of national and positivist historical narratives of Lemberg and of its architecture, there always existed a city that was labeled cosmopolitan yet provincial; and a Vienna, but still of the East. Buildings, streets, parks, and monuments became part and parcel of a complex set of culturally driven politics.