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Science, Sexuality, and the Body-Instrument Link
Drawing on the theories of Michel Foucault, Judith Butler, and others who have written on the history of sexuality and the body, Galileo’s Pendulum explores how the emergence of the scientific method in the seventeenth century led to a de-emphasis on the body and sexuality. The first half of the book focuses on the historical modeling of the relation between pleasure and knowledge by examining a history of scientific rationality and its relation to the formation of the modern scientist’s subjectivity. Relying on Foucault’s history of sexuality, the author hypothesizes that Galileo’s pendulum, as an extension of mathematics and the body, must have been sexualized by schemes of historical representation to the same extent that such schemes were rationalized by Galileo. The second half of the book explores the problems of scientific methodology and attempts to return the body in an explicit way to scientific practice. Ultimately, Galileo’s Pendulum offers a discursive method and praxis for resexualizing the history of Galilean science.
Opp. 127, 132, 130
This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized.
Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues.
Originally published in 1995.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Siege of Charleston, 1780
In 1779 Sir Henry Clinton and more than eight thousand British troops left the waters of New York, seeking to capture the colonies’ most important southern port, Charleston, South Carolina. Clinton and his officers believed that victory in Charleston would change both the seat of the war and its character. In this comprehensive study of the 1780 siege and surrender of Charleston, Carl P. Borick offers a full examination of the strategic and tactical elements of Clinton’s operations. Suggesting that the importance of the siege has been underestimated, Borick contends that the British effort against Charleston was one of the most critical campaigns of the war. Borick examines the reasons for the shift in British strategy, the efforts of their army and navy, and the difficulties the patriots faced as they defended the city. He explores the roles of key figures in the campaign, including Benjamin Lincoln, William Moultrie, and Lord Charles Cornwallis. Borick relies on an impressive array of primary and secondary sources relating to the siege and includes maps that depict the British approach to the city and the complicated military operations that led to the patriots’ greatest defeat of the American Revolution.
Melvin B. Tolson's Harlem Gallery, published in 1965 as the first book of a projected epic, drew impressive literary praise while it offered a demanding critical challenge. The publication here for the first time of A Gallery of Harlem Portraits, Tolson's first book-length collection of poems, will provide scholars and critics a rich insight into how Tolson's literary picture of Harlem evolved. The poems paint lively portraits of Harlem men and women of all colors and ways of life in the 1930s.
A Gallery of Harlem Portraits was written some forty years ago when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University. Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem's cultural and ethnic diversity and its use of musical forms. Robert Farnsworth's afterword elucidates these and other literary influences.
Tolson eventually attempted to incorporate the technical achievements of T.S. Eliot and the New Criticism into a complex modern poetry which would accurately represent the extraordinary tensions, paradoxes, and sophistication, both highbrow and lowbrow, of modern Harlem. As a consequence his position in literary history is problematical. The publication of this earliest of his manuscripts will help clarify Tolson's achievement and surprise many of his readers with its readily accessible, warmly human poetic portraiture.
A History and a Guide
A History of the Island
Ellis Island of the West
While the massive flow of immigrants to the Northeast was taking place, a number of Jews were finding their way to America through the port of Galveston, Texas. The descendants of these immigrants, now scattered throughout the United States, are hardly aware that their ancestors participated in a unique attempt to organize and channel Jewish immigration. From their recruitment in Eastern Europe to their settlement in the American West, these immigrants were supervised by a network of agents and representatives. The project, known as the “Galveston Movement,” brought over ten thousand Jews to the United States between the years 1907 and 1914.
Micheal C. McDonald and the Rise of Chicago's Democratic Machine
Biography of Michael C. McDonald, nineteenth-century Gambler King of Chicago, who fused the criminal underworld with elements of the city’s supposed political and commercial “Upperworld” into an oily urban machine built on graft, intimidation, bribery, and influence peddling.