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Shakespeare to Tolkien
In The Fairy Way of Writing, Kevin Pask seeks to explain the origins and popularity of enchantment in Shakespeare’s plays. Writers John Dryden and Joseph Addison originated the phrase the “fairy way of writing” to define the concept of an English creative imagination founded on a synthesis of high literary culture and the popular culture of tales and superstitions. Beginning with Chaucer, Johnson, Dryden, and Milton, Pask argues that the fairy way of writing not only sets the stage for the fairy tale, the Gothic novel, and children’s literature, but also informs genres beyond the English canon, including French fairy tales, painting, and twentieth-century fantasy fiction. In addition to English writers and visual artists such as Pope, Blake, and Keats who were directly engaged with Shakespearean fantasy, Pask also examines fairy tales, letters, and paintings by the French writers Madame d'Aulnoy, Charles Perrault, Madame de Sévigné, and the Swiss-born artist Johann Heinrich Füssli (Fuseli). The Fairy Way of Writing alters the traditional sense of English literary history and of Shakespeare’s singular place in it, insisting on the importance of often-overlooked literary and visual works. It recovers a distinctive aspect of English literary culture from across the entire early modern period and beyond, one which has been studied in the context of individual periods and writers but has not been considered within a broad overview informed by the history of European nationalism and the creation of the modern literary system.
A Theological Critique of the Narrative Strategies of Hugh MacLennan and Morley Callaghan
Is it possible to write an artistically respectable and theoretically convincing religious novel in a non-religious age?
Up to now, there has been no substantial application of theological criticism to the works of Hugh MacLennan and Morley Callaghan, the two most important Canadian novelists before 1960. Yet both were religious writers during the period when Canada entered the modern, non-religious era, and both greatly influenced the development of our literature. MacLennan’s journey from Calvinism to Christian existentialism is documented in his essays and seven novels, most fully in The Watch that Ends the Night.
Callaghan’s fourteen novels are marked by tensions in his theology of Catholic humanism, with his later novels defining his theological themes in increasingly secular terms. This tension between narrative and metanarrative has produced both the artistic strengths and the moral ambiguities that characterize his work.
Faith and Fiction: A Theological Critique of the Narrative Strategies of Hugh MacLennan and Morley Callaghan is a significant contribution to the relatively new field studying the relation between religion and literature in Canada.
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Drawing on scholarship from an array of disciplines, this volume provides a deep and timely look at the intertwining of race and religion in American politics. The contributors apply the methods of intersectionality, but where this approach has typically considered race, class, and gender, the essays collected here focus on religion, too, to offer a theoretically robust conceptualization of how these elements intersect--and how they are actively impacting the political process.
Antony W. Alumkal, Iliff School of Theology * Carlos Figueroa, University of Texas at Brownsville * Robert D. Francis, Lutheran Services in America * Susan M. Gordon, independent scholar * Edwin I. Hernández, DeVos Family Foundations * Robin Dale Jacobson, University of Puget Sound * Robert P. Jones, Public Religion Research Institute * Jonathan I. Leib, Old Dominion University * Jessica Hamar Martínez, University of Arizona * Eric Michael Mazur, Virginia Wesleyan College * Sangay Mishra, University of Southern California * Catherine Paden, Simmons College * Milagros Peña, University of Florida * Tobin Miller Shearer, University of Montana * Nancy D. Wadsworth, University of Denver * Gerald R. Webster, University of Wyoming
Their Roles in Religious and Secular Life
Explores the mutually dependent relationship of faith and reason in human life and human knowledge. Few words are as widely misconceived as the word “faith.” Faith is often set in stark opposition to reason, considered antithetical to scientific thought, and heavily identified with religion. Donald Crosby’s revealing book provides a more complex picture, discussing faith and its connection to the whole of human life and human knowledge. Crosby writes about that existential faith that underlies, shapes, and supports a person’s life and its sense of purpose and direction. Such faith does not make a person religious and being secular does not mean one rejects all forms of faith. Throughout the book Crosby makes the case that faith is fundamentally involved in all processes of reasoning and that reason is an essential part of all dependable forms of faith. Crosby elaborates the major components of faith and goes on to look at the mutually dependent relationships between faith and knowledge, faith and scientific knowledge, and faith and morality. The work’s final chapters examine crises of faith among several noted thinkers as well as the author’s own journey of faith from plans for the ministry to pastor to secular philosopher and religious naturalist.
Faith and the Historian collects essays from eight experienced historians discussing the impact of being touched? by Catholicism on their vision of history. That first graduate seminar, these essays suggest, did not mark the inception of ones historical sensibilities; rather, the process had deeper, and earlier, roots. The authorsÂ--ranging from cradle to the grave? Catholics to those who havent practiced for forty years, and everywhere in between--explicitly investigate the interplay between their personal lives and beliefs and the sources of their professional work. A variety of heartfelt, illuminating, and sometimes humorous experiences emerge from these stories of intelligent people coming to terms with their Catholic backgrounds as they mature and enter the academy. Contributors include: Philip Gleason, David Emmons, Maureen Fitzgerald, Joseph A. McCartin, Mario T. GarcÃa, Nick Salvatore, James R. Barrett, and Anne M. Butler.
How Christians Debated the Cold and Vietnam Wars
Throughout American history, Christianity has shaped public opinion, guided leaders in their decision making, and stood at the center of countless issues. To gain complete knowledge of an era, historians must investigate the religious context of what transpired, why it happened, and how. Yet too little is known about American Christianity’s foreign policy opinions during the Cold and Vietnam Wars. To gain a deeper understanding of this period (1964-75), David E. Settje explores the diversity of American Christian responses to the Cold and Vietnam Wars to determine how Americans engaged in debates about foreign policy based on their theological convictions.
Settje uncovers how specific Christian theologies and histories influenced American religious responses to international affairs, which varied considerably. Scrutinizing such sources as the evangelical Christianity Today, the mainline Protestant ,Christian Century, a sampling of Catholic periodicals, the African Methodist Episcopal Church, the Southern Baptist Convention, and the United Church of Christ, Faith and War explores these entities' commingling of religion, politics, and foreign policy, illuminating the roles that Christianity attempted to play in both reflecting and shaping American foreign policy opinions during a decade in which global matters affected Americans daily and profoundly.
Religious Neoliberalism and the Politics of Welfare in the United States
Sexual Trauma, Body Image, and Religion
How do survivors of sexual and domestic violence relate to religion and to a higher power? What are the social and religious contexts that sustain and encourage eating disorders in women? How do these issues intersect?
The relationship between Christian religious discourse, incest, and eating disorders reveals an important, and so far unexamined, psychosocial phenomenon. Drawing from interviews with incest survivors whose sexual and religious backgrounds are intimately connected with their problematic relationship with food, Jennifer Manlowe here illuminates the connections between female body, weight, and appetite preoccupations.
Manlowe offers social and psychological insights into the most common forms of female sufferingincest and body hatred. The volume is intended as a resource for professionals, advocates, friends of survivors, and most importantly, the survivor of incest herself as she attempts to understand the links of meaning in her mind between her incest experience and her subsequent eating disorder.
Through a skillful blend of ethnography, oral history, and ethnohistory, Jolles views the contemporary Yupik people of St. Lawrence Island in terms of the enduring beliefs and values that have contributed to the community’s ongoing survival and adaptability. Drawing on ten years of fieldwork, Jolles demonstrates the central importance of three aspects of Yupik life: religious beliefs, devotion to a subsistence life way, and family and clan ties.