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An Album of Union Soldiers and Their Stories
Before going off to fight in the Civil War, many soldiers on both sides of the conflict posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, which fueled intense demand for the convenient and affordable keepsakes. Considerable numbers of these portrait cards of Civil War soldiers survive today, but the experiences—and often the names—of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington became intrigued by these anonymous faces and began to research the history behind them in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. The soldiers portrayed were wealthy and poor, educated and unschooled, native-born and immigrant, urban and rural. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of those who survived the war were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.
An Album of Southern Soldiers and Their Stories
“The history of the Civil War is the stories of its soldiers,” writes Ronald S. Coddington in the preface to Faces of the Confederacy. This book tells the stories of seventy-seven Southern soldiers—young farm boys, wealthy plantation owners, intellectual elites, uneducated poor—who posed for photographic portraits, cartes de visite, to leave with family, friends, and sweethearts before going off to war. Coddington, a passionate collector of Civil War–era photography, conducted a monumental search for these previously unpublished portrait cards, then unearthed the personal stories of their subjects, putting a human face on a war rife with inhuman atrocities. The Civil War took the lives of 22 of every 100 men who served. Coddington follows the exhausted survivors as they return home to occupied cities and towns, ravaged farmlands, a destabilized economy, and a social order in the midst of upheaval. This book is a haunting and moving tribute to those brave men. Like its companion volume, Faces of the Civil War: An Album of Union Soldiers and Their Stories, this book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier.
A Longitudinal Cephalometric Study
For a wide spectrum of scientists from biomedical and dental researchers to primatologists and physical anthropologists, Emet Schneiderman offers the most accurate and up-to-date presentation of the normal growth of the lower facial skeleton in a primate species. His study is based on a sample of thirty-five captive rhesus monkeys, whose facial growth was traced over a ten-year period spanning from infancy to adulthood. The author identifies the relative contribution of various sites of growth, quantifies the relative roles of different types of development--such as appositional and condylar--and sheds light on several long-standing controversies as to how the primate face grows. Unlike many of the traditional cephalometric measurements, the ones included in this work were chosen to reflect the positional, dimensional, and localized remodeling changes that occur during ontogeny. Using a new statistical approach designed for longitudinal data, Schneiderman avoids the misleading information that has often resulted from older, cross-sectional statistical methods. This book serves as a foundation for future experimental and normal studies in the rhesus monkey and, from a methodological standpoint, as a general model for future longitudinal growth studies.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Perspectives on Knowledge Production and Application
This volume explores the management of conflicts arising from the siting of unwanted projects in the Asia-Pacific, a region inadequately explored by the relevant literature. The work includes studies on a variety of locations, including Hong Kong, Japan, Mainland China, Taiwan, Vietnam, Singapore, and others. Contributions are drawn from several leading scholars intimately familiar with the locations under study, and employ theoretical, comparative, and policy-based approaches to analysis of environmental conflict, risk management, and public participation. The editors also provide introductory and concluding sections in which the siting issues under discussion are summarized and contextualized. The result is a collection that serves as an invaluable aid and source of information for policymakers, environmentalists, and scholars of the Asia-Pacific and elsewhere.
The African Church and the Crisis of Aids
Facing a Pandemic traces the history and spread of the HIV/AIDS virus in Africa and its impact on African society and public policy before considering new priorities needed to combat the pandemic. The central argument is that the theological motif of the image of God invites a prophetic critique of the social environment in which HIV/AIDS thrives and calls for a praxis of love and compassion.
AIDS Diaries and the Death of the Author
For a generation or more, literary theorists have used the metaphor of "the death of the author" in considering the observation that to write is to abdicate control over the meanings one's text is capable of generating. But in the case of AIDS diaries, the metaphor can be literal. Facing It examines the genre not in classificatory terms but pragmatically, as the site of a social interaction. Through a detailed study of three such diaries, originating respectively in France, the United States, and Australia, Ross Chambers demonstrates that issues concerning the politics of AIDS writing and the ethics of reading are linked by a common concern with the problematics of survivorhood. Two of the diaries chosen for special attention in this light are video diaries: La Pudeur ou l'impudeur by Herv+ Guibert (author of To the Friend Who Did Not Save My Life), and Silverlake Life, by the American videomaker Tom Joslin (aided by his lover and friends, notably Peter Friedman). The third is a defiant but anxious text, Unbecoming, by an American anthropologist, Eric Michaels, who died in Brisbane, Australia, in 1988. Other authors more briefly examined include Pascal de Duve, Bertrand Duqu+nelle, Alain Emmanuel Dreuilhe, David Wojnarowicz, Gary Fisher, and the filmmaker (not a diarist) Laurie Lynd. Finally, Facing It takes on the issue of its own relevance, asking what contributions literary criticism can make in the midst of an epidemic. "Groundbreaking in its approach and potentially wide in its appeal. . . . The rigor of the ideas, their dramatic nature, and the political drive of the rhetoric all should win Facing It a large readership that could extend far beyond students of narrative or queer theory." --David Bergman, Towson University, editor of Camp Grounds: Style and Homosexuality Ross Chambers is Distinguished University Professor of French and Comparative Literature, University of Michigan, and author of Room for Maneuver: Reading (the) Oppositional (in) Narrative and Story and Situation: Narrative Seduction and the Power of Fiction.
Epiphany and Apocalypse in the New Nature
Levinas and Environmental Thought
Despite its attention to questions of ethics and “the ethical,” contemporary continental philosophy has often been disengaged from inquiring into our ethical obligation to nature and the environment. In response to this vacuum in the literature, Facing Nature simultaneously makes Levinasian resources more accessible to practitioners in the diverse fields of environmental thought while demonstrating the usefulness of continental philosophy for addressing major issues in environmental thought. Drawing on the philosophy of Emmanuel Levinas, these scholars approach environmental philosophy from both humanistic and nonanthropocentric points of view. On the one hand, the book contributes to the discussion of environmental justice as well as the growth of ecophilosophical literature. At the same time, some of the essays take an interpretive approach to Levinas’s thought, finding that his work is able to speak to environmental thinkers whose positions actually diverge quite sharply from his own. While recognizing the limitations of Levinas’s writings from an environmental perspective, Facing Nature argues that themes at the heart of his work—the significance of the ethical, responsibility, alterity, the vulnerability of the body, bearing witness, and politics—are important for thinking about many of our most pressing contemporary environmental questions. Essays specifically highlight the otherness of nature, the vulnerability and suffering of nonhuman animals, the idea of an interspecies politics, the role of nature in ethical life, individual responsibility for climate change, and the Jewish understanding of creation as points of contact between Levinas’s philosophical project and environmental thought. Levinas is also brought into conversation with dialogue partners who enhance this connection, such as Theodor Adorno, Hanna Arendt, Tim Yilngayarri, Maurice Merleau-Ponty, and Henry David Thoreau. While widely relevant to all those who attempt to think through our ethical relation to the natural world, Facing Nature will be of special interest to scholars and students interested in both continental philosophy and the manifold areas of environmental studies.
Portraits of Ely, Minnesota
“Thank you Andrew and Ann Goldman for the persistence that it took to achieve the portraits in Facing North. It is a historic document for Ely, Minnesota that has worldwide interest as a snapshot of a unique northern community. You so accurately captured my friends and neighbors and I will always cherish this book.” —Will Steger
“My work as a photojournalist has involved assignments about people and faraway cultures as often as about raw nature. Alas, I always felt there were more stories per square foot in Ely as anywhere else I have been. Look into these Ely faces Goldman has captured with his razor-sharp lens and read the stories in their eyes.” —Jim Brandenburg, from the Foreword
Perched on the edge of the northern woods at the gateway to the Boundary Waters Canoe Area Wilderness, Ely, Minnesota, holds special meaning for hundreds of thousands of visitors each year. But what is it like for the people who live there year-round?
Ann and Andrew Goldman offer a revealing portrayal of the unique people who call Ely home. Featuring more than one hundred portraits as well as vivid essays, Facing North tells the story of life in this Northwoods community: its breathtaking beauty, surprisingly diverse character, and complex history. A thriving destination area, Ely is a changing community, yet its traditions remain vibrant and strong. From resort owners and fishermen to canoe makers and artists, Facing North is an evocative tribute to the enduring nature of Ely and its people.
This project is made possible in part by a grant from the Donald G. Gardner Humanities Trust.
Andrew Goldman is a freelance commercial photographer. His clients include ESPN and Playboy Enterprises, and his photographs have appeared on more than forty magazine covers. Ann Goldman is a freelance writer and presenter whose professional background is in museum and nonprofit management. They live in Boulder, Colorado, with their two sons.
The work of award-winning nature photographer Jim Brandenburg has been featured in National Geographic magazine since 1978. His many books include Chased by the Light and Looking for the Summer. He lives near Ely, Minnesota, where his work can be seen at Brandenburg Gallery.
Toward an Identity Politics of One-to-One Mentoring