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An Album of Southern Soldiers and Their Stories
“The history of the Civil War is the stories of its soldiers,” writes Ronald S. Coddington in the preface to Faces of the Confederacy. This book tells the stories of seventy-seven Southern soldiers—young farm boys, wealthy plantation owners, intellectual elites, uneducated poor—who posed for photographic portraits, cartes de visite, to leave with family, friends, and sweethearts before going off to war. Coddington, a passionate collector of Civil War–era photography, conducted a monumental search for these previously unpublished portrait cards, then unearthed the personal stories of their subjects, putting a human face on a war rife with inhuman atrocities. The Civil War took the lives of 22 of every 100 men who served. Coddington follows the exhausted survivors as they return home to occupied cities and towns, ravaged farmlands, a destabilized economy, and a social order in the midst of upheaval. This book is a haunting and moving tribute to those brave men. Like its companion volume, Faces of the Civil War: An Album of Union Soldiers and Their Stories, this book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier.
Perspectives on Knowledge Production and Application
This volume explores the management of conflicts arising from the siting of unwanted projects in the Asia-Pacific, a region inadequately explored by the relevant literature. The work includes studies on a variety of locations, including Hong Kong, Japan, Mainland China, Taiwan, Vietnam, Singapore, and others. Contributions are drawn from several leading scholars intimately familiar with the locations under study, and employ theoretical, comparative, and policy-based approaches to analysis of environmental conflict, risk management, and public participation. The editors also provide introductory and concluding sections in which the siting issues under discussion are summarized and contextualized. The result is a collection that serves as an invaluable aid and source of information for policymakers, environmentalists, and scholars of the Asia-Pacific and elsewhere.
The African Church and the Crisis of Aids
Facing a Pandemic traces the history and spread of the HIV/AIDS virus in Africa and its impact on African society and public policy before considering new priorities needed to combat the pandemic. The central argument is that the theological motif of the image of God invites a prophetic critique of the social environment in which HIV/AIDS thrives and calls for a praxis of love and compassion.
AIDS Diaries and the Death of the Author
For a generation or more, literary theorists have used the metaphor of "the death of the author" in considering the observation that to write is to abdicate control over the meanings one's text is capable of generating. But in the case of AIDS diaries, the metaphor can be literal. Facing It examines the genre not in classificatory terms but pragmatically, as the site of a social interaction. Through a detailed study of three such diaries, originating respectively in France, the United States, and Australia, Ross Chambers demonstrates that issues concerning the politics of AIDS writing and the ethics of reading are linked by a common concern with the problematics of survivorhood. Two of the diaries chosen for special attention in this light are video diaries: La Pudeur ou l'impudeur by Herv+ Guibert (author of To the Friend Who Did Not Save My Life), and Silverlake Life, by the American videomaker Tom Joslin (aided by his lover and friends, notably Peter Friedman). The third is a defiant but anxious text, Unbecoming, by an American anthropologist, Eric Michaels, who died in Brisbane, Australia, in 1988. Other authors more briefly examined include Pascal de Duve, Bertrand Duqu+nelle, Alain Emmanuel Dreuilhe, David Wojnarowicz, Gary Fisher, and the filmmaker (not a diarist) Laurie Lynd. Finally, Facing It takes on the issue of its own relevance, asking what contributions literary criticism can make in the midst of an epidemic. "Groundbreaking in its approach and potentially wide in its appeal. . . . The rigor of the ideas, their dramatic nature, and the political drive of the rhetoric all should win Facing It a large readership that could extend far beyond students of narrative or queer theory." --David Bergman, Towson University, editor of Camp Grounds: Style and Homosexuality Ross Chambers is Distinguished University Professor of French and Comparative Literature, University of Michigan, and author of Room for Maneuver: Reading (the) Oppositional (in) Narrative and Story and Situation: Narrative Seduction and the Power of Fiction.
Levinas and Environmental Thought
Despite its attention to questions of ethics and “the ethical,” contemporary continental philosophy has often been disengaged from inquiring into our ethical obligation to nature and the environment. In response to this vacuum in the literature, Facing Nature simultaneously makes Levinasian resources more accessible to practitioners in the diverse fields of environmental thought while demonstrating the usefulness of continental philosophy for addressing major issues in environmental thought. Drawing on the philosophy of Emmanuel Levinas, these scholars approach environmental philosophy from both humanistic and nonanthropocentric points of view. On the one hand, the book contributes to the discussion of environmental justice as well as the growth of ecophilosophical literature. At the same time, some of the essays take an interpretive approach to Levinas’s thought, finding that his work is able to speak to environmental thinkers whose positions actually diverge quite sharply from his own. While recognizing the limitations of Levinas’s writings from an environmental perspective, Facing Nature argues that themes at the heart of his work—the significance of the ethical, responsibility, alterity, the vulnerability of the body, bearing witness, and politics—are important for thinking about many of our most pressing contemporary environmental questions. Essays specifically highlight the otherness of nature, the vulnerability and suffering of nonhuman animals, the idea of an interspecies politics, the role of nature in ethical life, individual responsibility for climate change, and the Jewish understanding of creation as points of contact between Levinas’s philosophical project and environmental thought. Levinas is also brought into conversation with dialogue partners who enhance this connection, such as Theodor Adorno, Hanna Arendt, Tim Yilngayarri, Maurice Merleau-Ponty, and Henry David Thoreau. While widely relevant to all those who attempt to think through our ethical relation to the natural world, Facing Nature will be of special interest to scholars and students interested in both continental philosophy and the manifold areas of environmental studies.
Toward an Identity Politics of One-to-One Mentoring
"These essays...show us the human and inhuman realities of capital punishment through the eyes of the condemned and those who work with them. By focusing on those awaiting death, they present the awful truth behind the statistics in concrete, personal terms." â€”William J. Bowers, author of Legal Homicide Between 1930 and 1967, there were 3,859 executions carried out under state and civil authority in the United States. Since the ten-year moratorium on capital punishment ended in 1977, more than one hundred prisoners have been executed. There are more than two thousand men and women now living on death row awaiting their executions. Facing the Death Penalty offers an in-depth examination of what life under a sentence of death is like for condemned inmates and their families, how and why various professionals assist them in their struggle for life, and what these personal experiences with capital punishment tell us about the wisdom of this penal policy. The contributors include historians, attorneys, sociologists, anthropologists, criminologists, a minister, a philosopher, and three prisoners. One of the prisoner-contributors is Willie Jasper Darden, Jr., whose case and recent execution after fourteen years on death row drew international attention. The inter-disciplinary perspectives offered in this book will not solve the death penalty debate, but they offer important and unique insights on the full effects of American capital punishment provisions. While the book does not set out to generate sympathy for those convicted of horrible crimes, taken together, the essays build a case for abolition of the death penalty. "This work stands with the best of whatâ€™s been written. It represents the best of those who have seen the worst." â€”Colman McCarthy, The Washington Post Book World
A Cambodian Journey
As a child growing up in Cambodia, Ronnie Yimsut played among the ruins of the Angkor Wat temples, surrounded by a close-knit community. As the Khmer Rouge gained power and began its genocidal reign of terror, his life became a nightmare. In this stunning memoir, Yimsut describes how, in the wake of death and destruction, he decides to live.
Escaping the turmoil of Cambodia, he makes a perilous journey through the jungle into Thailand, only to be sent to a notorious Thai prison. Fortunately, he is able to reach a refugee camp and ultimately migrate to the United States, where he attended the University of Oregon and became an influential leader in the community of Cambodian immigrants. Facing the Khmer Rouge shows Ronnie Yimsut’s personal quest to rehabilitate himself, make a new life in America, and then return to Cambodia to help rebuild the land of his birth.
Ethical Disruption and the American Mind
“Bolton is admirably focused, centering broader ventures around precise turning points in the documents and incidents she has selected. . . . The book crosses generic boundaries . . . in the spirit of an other who transcends any single history or discipline.”—Religion and Literature Linda Bolton uses six extraordinarily resonant moments in eighteenth- and nineteenth-century American history to highlight the ethical challenge that the treatment of Native and African persons presented to the new republic’s ideal of freedom. Most daringly, she examines the efficacy of the Declaration of Independence as a revolutionary text and explores the provocative question “What happens when freedom eclipses justice, when freedom breeds injustice?” Guided by the intellectual influence of philosopher Emmanuel Levinas, Bolton asserts that the traditional subject-centered—or “I”—concept of freedom is dependent on the transcendent presence of the “Other,” and thus freedom becomes a privilege subordinate to justice. There can be no authentic freedom as long as others, whether Native American or African, are reduced from full human beings to concepts and thus properties of control or power. An eloquent and thoughtful rereading of the U.S. touchstones of democracy, this book argues forcefully for an ethical understanding of American literary history. “Facing the Other is not a cultural history; its focus is the relevance of an ethical analytic to all of eighteenth- and nineteenth-century American literature. . . . Using Emmanuel Levinas to guide her discussions, Bolton argues that the way in which Americans valorize freedom as an ideal leads us to ignore our responsibilities for doing justice.”—American Literature
The enduring popularity of Polynesia in western literature, art, and film attests to the pleasures that Pacific islands have, over the centuries, afforded the consuming gaze of the west—connoting solitude, release from cares, and, more recently, self-renewal away from urbanized modern life. Facing the Pacific is the first study to offer a detailed look at the United States’ intense engagement with the myth of the South Seas just after the First World War, when, at home, a popular vogue for all things Polynesian seemed to echo the expansion of U.S. imperialist activities abroad. Jeffrey Geiger looks at a variety of texts that helped to invent a vision of Polynesia for U.S. audiences, focusing on a group of writers and filmmakers whose mutual fascination with the South Pacific drew them together—and would eventually drive some of them apart. Key figures discussed in this volume are Frederick O’Brien, author of the bestseller White Shadows in the South Seas; filmmaker Robert Flaherty and his wife, Frances Hubbard Flaherty, who collaborated on Moana; director W. S. Van Dyke, who worked with Robert Flaherty on MGM’s adaptation of White Shadows; and Expressionist director F. W. Murnau, whose last film, Tabu, was co-directed with Flaherty.