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The Face of Nature Cover

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The Face of Nature

Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses"

Garth Tissol

In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.

In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Face Off Cover

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Face Off

China, the United States, and Taiwan’s Democratization

by John W. Garver

Face to Face with Levinas Cover

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Face to Face with Levinas

Face to Face with Levinas makes available to American readers the best of recent thought on Emmanuel Levinas. The contributors to this volume are some of the most significant and best-known Levinas scholars in the United States and Europe—Maurice Blanchot, Luce Trigaray, Theodore De Boer, Adriaan Peperzak, Jan de Greef, Alphonso Lingis. Most notably, it features an interview with Levinas by Richard Kearney. This elaborate interview provides a succinct introduction to the themes developed within the book and allows Levinas to restate his philosophy in light of the criticisms that follow.

Face to Face with Orchestra and Chorus, Second, Expanded Edition Cover

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Face to Face with Orchestra and Chorus, Second, Expanded Edition

A Handbook for Choral Conductors

Don V Moses, Robert W. Demaree, Jr., and Allen F. Ohmes

Face to Face with Orchestra and Chorus is a crucial guide for choral conductors who are presented with the daunting task of conducting a full-size orchestra. This book provides a survival kit for both novice and experienced choral conductors, with an overview of the orchestral instruments and their particular needs, tips for rehearsing an orchestra effectively, and guidelines for proper baton technique. Conductors are walked through six case studies from the Baroque and Classical periods, including Handel's Messiah, Bach's Magnificat in D Major, Vivaldi's Gloria, and Beethoven's "Choral" Fantasia.

A Face to Meet the Faces Cover

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A Face to Meet the Faces

An Anthology of Contemporary Persona Poetry

edited by Stacey Lynn Brown and Oliver de la Paz

The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.

Faces Like Devils Cover

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Faces Like Devils

The Bald Knobber Vigilantes in the Ozarks

Matthew J. Hernando

Faces of America Cover

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Faces of America

How 12 Extraordinary People Discovered their Pasts

Henry Louis Gates Jr., 0, 0

“There are surprises—[Gates] finds a common ancestor between Queen Noor of Jordan and African-American academic Elizabeth Alexander; both are 37th great-granddaughters of Charlemagne—and in getting such subjects as Mike Nichols to open up about their pasts, he finds how powerfully the past informs the present. Gates offers a book stuffed with epiphanies that will spark curiosity among readers about their own ancestry as well as their possible connections to each other.”

The Faces of Contemporary Russian Nationalism Cover

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The Faces of Contemporary Russian Nationalism

John B. Dunlop

In contrast to the substantial output of Western works on the revival of nationalism among the non-Russians in the USSR, the critical phenomenon of Russian nationalism has been little studied in the West. Here John B. Dunlop measures the strength and political viability of a movement that has been steadily growing since the mid-1960s and that may well eventually become the ruling ideology of the state. Professor Dunlop's comprehensive discussion depicts for the Western reader the gamut of Russian nationalism from Solzhenitsyn to the vehement National Bolsheviks.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Faces of Intellectual Disability Cover

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The Faces of Intellectual Disability

Philosophical Reflections

Licia Carlson

In a challenge to current thinking about cognitive impairment, this book explores what it means to treat people with intellectual disabilities in an ethical manner. Reassessing philosophical views of intellectual disability, Licia Carlson shows how we can affirm the dignity and worth of intellectually disabled people first by ending comparisons to nonhuman animals and then by confronting our fears and discomforts. Carlson presents the complex history of ideas about cognitive disability, the treatment of intellectually disabled people, and social and cultural reactions to them. Sensitive and clearly argued, this book offers new insights on recent trends in disability studies and philosophy.

Faces of the Civil War Cover

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Faces of the Civil War

An Album of Union Soldiers and Their Stories

Ronald S. Coddington with a Foreword by Michael Fellman

Before going off to fight in the Civil War, many soldiers on both sides of the conflict posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, which fueled intense demand for the convenient and affordable keepsakes. Considerable numbers of these portrait cards of Civil War soldiers survive today, but the experiences—and often the names—of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington became intrigued by these anonymous faces and began to research the history behind them in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. The soldiers portrayed were wealthy and poor, educated and unschooled, native-born and immigrant, urban and rural. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of those who survived the war were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.

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