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The Fabulous Future?

America and the World in 2040

Will the future be one of economic expansion, greater tolerance, liberating inventions, and longer, happier lives? Or do we face economic stagnation, declining quality of life, and a techno­logically enhanced totalitarianism worse than any yet seen? The Fabulous Future? America and the World in 2040 draws its inspi­ration from a more optimistic time, and tome, The Fabulous Fu­ture: America in 1980, in which Fortune magazine celebrated its twenty-fifth anniversary by publishing the predictions of thought leaders of its time.

In the present volume, the world’s leading specialists from di­verse fields project developments in their areas of expertise, from religion and the media to the environment and nanotechnology. Will we be happier, and what exactly does happiness have to do with our economic future? Where is higher education heading and how should it develop? And what is the future of prediction itself? These exciting essays provoke sharper questions, reflect unexpectedly on one another, and testify to our present anxieties about the surprising world to come.

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Face au nucléaire

À la fois économique et politique, mais aussi " sociétal ". scientifique et technologique, le débat du nucléaire est le type même de débat dont les termes sont souvent présentés comme extrêmement complexes, trop complexes en tout cas pour que le grand public puisse bien le comprendre et y participer effectivement. C’est donc aussi le type même de débat dont les termes doivent être expliqués au grand public de façon claire, simple, précise, complète.

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Face aux Colbert

Les Le Tellier, Vauban, Turgot... et l'avènement du libéralisme

Face aux Colbert relate l’avènement, le triomphe, les grandeurs, les misères et le déclin du clan fondé par Michel Le Tellier, secrétaire d’État de la guerre, puis chancelier de France, père du ministre et secrétaire d’État Louvois, grand-père du secrétaire d’État Barbezieux et arrière-grand-père du ministre maréchal-duc d’Estrées.

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The Face of Nature

Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses"

Garth Tissol

In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.

In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Face Off

China, the United States, and Taiwan’s Democratization

by John W. Garver

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Face to Face with Levinas

Face to Face with Levinas makes available to American readers the best of recent thought on Emmanuel Levinas. The contributors to this volume are some of the most significant and best-known Levinas scholars in the United States and Europe—Maurice Blanchot, Luce Trigaray, Theodore De Boer, Adriaan Peperzak, Jan de Greef, Alphonso Lingis. Most notably, it features an interview with Levinas by Richard Kearney. This elaborate interview provides a succinct introduction to the themes developed within the book and allows Levinas to restate his philosophy in light of the criticisms that follow.

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Face to Face with Orchestra and Chorus, Second, Expanded Edition

A Handbook for Choral Conductors

Don V Moses, Robert W. Demaree, Jr., and Allen F. Ohmes

Face to Face with Orchestra and Chorus is a crucial guide for choral conductors who are presented with the daunting task of conducting a full-size orchestra. This book provides a survival kit for both novice and experienced choral conductors, with an overview of the orchestral instruments and their particular needs, tips for rehearsing an orchestra effectively, and guidelines for proper baton technique. Conductors are walked through six case studies from the Baroque and Classical periods, including Handel's Messiah, Bach's Magnificat in D Major, Vivaldi's Gloria, and Beethoven's "Choral" Fantasia.

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A Face to Meet the Faces

An Anthology of Contemporary Persona Poetry

edited by Stacey Lynn Brown and Oliver de la Paz

The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.

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Faces Like Devils

The Bald Knobber Vigilantes in the Ozarks

Matthew J. Hernando

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Faces of America

How 12 Extraordinary People Discovered their Pasts

Henry Louis Gates Jr., 0, 0

“There are surprises—[Gates] finds a common ancestor between Queen Noor of Jordan and African-American academic Elizabeth Alexander; both are 37th great-granddaughters of Charlemagne—and in getting such subjects as Mike Nichols to open up about their pasts, he finds how powerfully the past informs the present. Gates offers a book stuffed with epiphanies that will spark curiosity among readers about their own ancestry as well as their possible connections to each other.”

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