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Romance in England after the Reformation
Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherwordly motifs in order to “fashion,” as Edmund Spenser writes, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembroke’s Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a result of the struggle as a central tenet of the religious controversies that divided Renaissance England.
À la fois économique et politique, mais aussi " sociétal ". scientifique et technologique, le débat du nucléaire est le type même de débat dont les termes sont souvent présentés comme extrêmement complexes, trop complexes en tout cas pour que le grand public puisse bien le comprendre et y participer effectivement. C’est donc aussi le type même de débat dont les termes doivent être expliqués au grand public de façon claire, simple, précise, complète.
Les Le Tellier, Vauban, Turgot... et l'avènement du libéralisme
Face aux Colbert relate l’avènement, le triomphe, les grandeurs, les misères et le déclin du clan fondé par Michel Le Tellier, secrétaire d’État de la guerre, puis chancelier de France, père du ministre et secrétaire d’État Louvois, grand-père du secrétaire d’État Barbezieux et arrière-grand-père du ministre maréchal-duc d’Estrées.
Face to Face with Levinas makes available to American readers the best of recent thought on Emmanuel Levinas. The contributors to this volume are some of the most significant and best-known Levinas scholars in the United States and Europe—Maurice Blanchot, Luce Trigaray, Theodore De Boer, Adriaan Peperzak, Jan de Greef, Alphonso Lingis. Most notably, it features an interview with Levinas by Richard Kearney. This elaborate interview provides a succinct introduction to the themes developed within the book and allows Levinas to restate his philosophy in light of the criticisms that follow.
A Handbook for Choral Conductors
Face to Face with Orchestra and Chorus is a crucial guide for choral conductors who are presented with the daunting task of conducting a full-size orchestra. This book provides a survival kit for both novice and experienced choral conductors, with an overview of the orchestral instruments and their particular needs, tips for rehearsing an orchestra effectively, and guidelines for proper baton technique. Conductors are walked through six case studies from the Baroque and Classical periods, including Handel's Messiah, Bach's Magnificat in D Major, Vivaldi's Gloria, and Beethoven's "Choral" Fantasia.
An Anthology of Contemporary Persona Poetry
The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is not only a dramatic and creative moment, but also a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, both historically as well as in the modern poetic landscape, there are no anthologies currently in existence that collect and celebrate the diverse writers who work in this mode today-or the divergent voices and characters they create. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately 200 persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, newspaper clippings, legends, fairy tales, and comic books, to name just a few, and their diversity is reflective of the wide range of authors working in this genre. The anthology will also contain brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.
How 12 Extraordinary People Discovered their Pasts
“There are surprises—[Gates] finds a common ancestor between Queen Noor of Jordan and African-American academic Elizabeth Alexander; both are 37th great-granddaughters of Charlemagne—and in getting such subjects as Mike Nichols to open up about their pasts, he finds how powerfully the past informs the present. Gates offers a book stuffed with epiphanies that will spark curiosity among readers about their own ancestry as well as their possible connections to each other.”
In a challenge to current thinking about cognitive impairment, this book explores what it means to treat people with intellectual disabilities in an ethical manner. Reassessing philosophical views of intellectual disability, Licia Carlson shows how we can affirm the dignity and worth of intellectually disabled people first by ending comparisons to nonhuman animals and then by confronting our fears and discomforts. Carlson presents the complex history of ideas about cognitive disability, the treatment of intellectually disabled people, and social and cultural reactions to them. Sensitive and clearly argued, this book offers new insights on recent trends in disability studies and philosophy.
An Album of Union Soldiers and Their Stories
Before going off to fight in the Civil War, many soldiers on both sides of the conflict posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, which fueled intense demand for the convenient and affordable keepsakes. Considerable numbers of these portrait cards of Civil War soldiers survive today, but the experiences—and often the names—of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington became intrigued by these anonymous faces and began to research the history behind them in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. The soldiers portrayed were wealthy and poor, educated and unschooled, native-born and immigrant, urban and rural. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of those who survived the war were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.