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F Is For Phony Cover

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F Is For Phony

Fake Documentary And Truth’S Undoing

Alexandra Juhasz Juhasz

Fake documentaries mimic documentary genre expectations, unraveling the documentary’s authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in F Is for Phony discuss a broad scope of works and explore issues raised by “fake docs” such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception.

Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative.

Contributors: Steve Anderson, Catherine L. Benamou, Mitchell W. Block, Luis Buñuel, Marlon Fuentes, Craig Hight, Charlie Keil, Alisa Lebow, Eve Oishi, Robert F. Reid-Pharr, Gregorio C. Rocha, Jane Roscoe, Catherine Russell, Elisabeth Subrin.

Alexandra Juhasz is professor of media studies at Pitzer College. She is author of Women of Vision: Histories in Feminist Film and Video (Minnesota, 2001).

Jesse Lerner is associate professor of media studies at Pitzer College.

F. Scott Fitzgerald Cover

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F. Scott Fitzgerald

New Perspectives

Jackson R. Bryer

Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives.

Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.

F. Scott Fitzgerald - American Writers 15 Cover

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F. Scott Fitzgerald - American Writers 15

University of Minnesota Pamphlets on American Writers

Charles E. Shain

F. Scott Fitzgerald - American Writers 15 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

F. Scott Fitzgerald at Work Cover

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F. Scott Fitzgerald at Work

The Making of "The Great Gatsby"

Horst H. Kruse

F. Scott Fitzgerald’s The Great Gatsby occupies a preeminent place in American letters. Scholars have argued that Jay Gatsby is, in fact, the embodiment of American culture and social aspiration. Though The Great Gatsby has been studied in detail since its publication, both readers and scholars have continued to speculate about Fitzgerald’s sources of inspiration.
 
The essays in F. Scott Fitzgerald at Work examine fresh facts that illuminate the experiences and source materials upon which Fitzgerald based this quintessentially American masterpiece. They confirm author Horst Kruse’s view that Fitzgerald’s flights of fancy, even at their most spectacular, are firmly grounded in biographical experience as well as in the social, literary, and philosophical circumstances of his era.
 
In the first essay, Kruse reconstructs the life story of the individual who allegedly inspired the character of Jay Gatsby: Max von Gerlach. Kruse recounts his journeys to various archives and libraries in the United States as well as in Germany to unearth new facts about the genesis of the Gatsby characters. In another journey, readers travel with Kruse to Long Island to explore its physical and moral geography in relation to Fitzgerald, specifically the role of certain elite Long Island families in the advancement of the “science of eugenics” movement. The final two essays take Kruse across the globe to various destinations to consider the broader place of The Great Gatsby in American and international intellectual history.
 
Replete with fascinating discoveries and insights, F. Scott Fitzgerald at Work both corrects previous assumptions about The Great Gatsby and deepens our appreciation and understanding of Fitzgerald‘s imagination.

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F. Scott Fitzgerald in the Twenty-First Century

This thought-provoking collection explores significant new facets of an American author of lasting international stature.

As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art.

The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviews—one on Fitzgerald's career and another on the final developments in the author's style—round out the collection.
The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies.

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The F. Scott Fitzgerald Review

Vol. 11 (2013) through current issue

The F. Scott Fitzgerald Review publishes essays on all aspects of F. Scott Fitzgerald’s life and work. The journal serves both the specialist and the general reader with essays that broaden understanding of Fitzgerald’s writing and related topics. While the centrality of The Great Gatsby is recognized, the journal is also eager to advance interest in the breadth of Fitzgerald’s writing. The journal is published on behalf of F. Scott Fitzgerald Society.

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F. Scott Fitzgerald’s Fiction

“An Almost Theatrical Innocence”

John T. Irwin

“Fitzgerald’s work has always deeply moved me,” writes John T. Irwin. “And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a form of wisdom, a way of knowing the world, its types, its classes, its individuals.” In his personal tribute to Fitzgerald's novels and short stories, Irwin offers an intricate vision of one of the most important writers in the American canon. The third in Irwin's trilogy of works on American writers, F. Scott Fitzgerald’s Fiction resonates back through all of his previous writings, both scholarly and poetic, returning to Fitzgerald's ongoing theme of the twentieth-century American protagonist's conflict between his work and his personal life. This conflict is played out against the typically American imaginative activity of self-creation, an activity that involves a degree of theatrical ability on the protagonist's part as he must first enact the role imagined for himself, which is to say, the self he means to invent. Irwin claims that Fitzgerald, because he was on the side of good breeding and lost causes, should be considered a Southern writer. It also includes a reading of The Great Gatsby that centers on the notion of desire, one that suggests, paradoxically, that the true object of desire is its lack of fulfillment. The work is suffused with elements of both Fitzgerald's and Irwin's biographies, and Irwin's immense erudition is on display throughout. Irwin seamlessly ties together details from Fitzgerald's life with elements from his entire body of work and considers central themes connected to wealth, class, work, love, jazz, acceptance, family, disillusionment, and life as theatrical performance.

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F Troop and Other Citadel Stories

Tom Worley

From its founding in 1842 the Citadel has been steeped in tradition. There have been changes through the years, but the basics of the military code and the plebe system have remained constant. Citadel graduate Tom Worley has crafted this collection of short stories about life at the South Carolina military academy during the 1960s. While the stories are fictional, they are inspired in part by his days as a student on the college campus. With humor and dramatic clarity, Worley reveals the harshness of the plebe system, how success is achieved through perseverance, and the character-building benefits of a Citadel education. The seventeen stories included in the volume are told from the perspective of two main characters—cadets Pete Creger and Sammy Graham—who are members of F Company. By turns surprising and entertaining, the collected stories range from the emotional and physical trials of being a knob in the plebe system, the brutality of hazing, and the fear and fun of company pranks, to the friendship and camaraderie the system fosters and the tremendous pride shared by those who wear the coveted Citadel ring. Best known for its Corps of Cadets, the Citadel attracts students who desire a college education in a classical military system in which leadership and character training are essential parts of the overall experience. Any romanticized notion of military bravado is quickly shattered the moment students set foot on campus and their parents drive away. Many cadets are left wondering, “What have I signed up for?” Worley’s stories shed light on the pain and the pride, explaining why, he says, “most cadets at the Citadel hated the place while they were there and loved everything about it once they’d graduated. They were bonded together for life. Perhaps that’s the greatest thing the Citadel did for them.”

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The Fable of the Southern Writer

Lewis P. Simpson

“With a breadth and depth unsurpassed by any other cultural historian of the South, Lewis Simpson examines the writing of southerners Thomas Jefferson, John Randolph, Mark Twain, Robert Penn Warren, Allen Tate, William Faulkner, Elizabeth Madox Roberts, Arthur Crew Inman, William Styron, and Walker Percy. Simpson offers challenging essays of easy erudition blessedly free of academic jargon. . . . [They] do not propose to support an overall thesis, but simply explore the southern writer’s unique relationship with his or her region, bereft of myth and tradition, in the grasp of science and history.”—Library Journal

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Fables of Representation

Essays

Paul Hoover

From the acclaimed author of Winter (Mirror) and Rehearsal in Black, Fables of Representation is a powerful collection of essays on the state of contemporary poetry, free from the stultifying theoretical jargon of recent literary history. With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period. Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture." Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.

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