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Fake Documentary And Truth’S Undoing
Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
University of Minnesota Pamphlets on American Writers
F. Scott Fitzgerald - American Writers 15 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Making of "The Great Gatsby"
As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art.
Vol. 11 (2013) through current issue
The F. Scott Fitzgerald Review publishes essays on all aspects of F. Scott Fitzgerald’s life and work. The journal serves both the specialist and the general reader with essays that broaden understanding of Fitzgerald’s writing and related topics. While the centrality of The Great Gatsby is recognized, the journal is also eager to advance interest in the breadth of Fitzgerald’s writing. The journal is published on behalf of F. Scott Fitzgerald Society.
“An Almost Theatrical Innocence”
“Fitzgerald’s work has always deeply moved me,” writes John T. Irwin. “And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a form of wisdom, a way of knowing the world, its types, its classes, its individuals.” In his personal tribute to Fitzgerald's novels and short stories, Irwin offers an intricate vision of one of the most important writers in the American canon. The third in Irwin's trilogy of works on American writers, F. Scott Fitzgerald’s Fiction resonates back through all of his previous writings, both scholarly and poetic, returning to Fitzgerald's ongoing theme of the twentieth-century American protagonist's conflict between his work and his personal life. This conflict is played out against the typically American imaginative activity of self-creation, an activity that involves a degree of theatrical ability on the protagonist's part as he must first enact the role imagined for himself, which is to say, the self he means to invent. Irwin claims that Fitzgerald, because he was on the side of good breeding and lost causes, should be considered a Southern writer. It also includes a reading of The Great Gatsby that centers on the notion of desire, one that suggests, paradoxically, that the true object of desire is its lack of fulfillment. The work is suffused with elements of both Fitzgerald's and Irwin's biographies, and Irwin's immense erudition is on display throughout. Irwin seamlessly ties together details from Fitzgerald's life with elements from his entire body of work and considers central themes connected to wealth, class, work, love, jazz, acceptance, family, disillusionment, and life as theatrical performance.
From its founding in 1842 the Citadel has been steeped in tradition. There have been changes through the years, but the basics of the military code and the plebe system have remained constant. Citadel graduate Tom Worley has crafted this collection of short stories about life at the South Carolina military academy during the 1960s. While the stories are fictional, they are inspired in part by his days as a student on the college campus. With humor and dramatic clarity, Worley reveals the harshness of the plebe system, how success is achieved through perseverance, and the character-building benefits of a Citadel education. The seventeen stories included in the volume are told from the perspective of two main characters—cadets Pete Creger and Sammy Graham—who are members of F Company. By turns surprising and entertaining, the collected stories range from the emotional and physical trials of being a knob in the plebe system, the brutality of hazing, and the fear and fun of company pranks, to the friendship and camaraderie the system fosters and the tremendous pride shared by those who wear the coveted Citadel ring. Best known for its Corps of Cadets, the Citadel attracts students who desire a college education in a classical military system in which leadership and character training are essential parts of the overall experience. Any romanticized notion of military bravado is quickly shattered the moment students set foot on campus and their parents drive away. Many cadets are left wondering, “What have I signed up for?” Worley’s stories shed light on the pain and the pride, explaining why, he says, “most cadets at the Citadel hated the place while they were there and loved everything about it once they’d graduated. They were bonded together for life. Perhaps that’s the greatest thing the Citadel did for them.”
“With a breadth and depth unsurpassed by any other cultural historian of the South, Lewis Simpson examines the writing of southerners Thomas Jefferson, John Randolph, Mark Twain, Robert Penn Warren, Allen Tate, William Faulkner, Elizabeth Madox Roberts, Arthur Crew Inman, William Styron, and Walker Percy. Simpson offers challenging essays of easy erudition blessedly free of academic jargon. . . . [They] do not propose to support an overall thesis, but simply explore the southern writer’s unique relationship with his or her region, bereft of myth and tradition, in the grasp of science and history.”—Library Journal
From the acclaimed author of Winter (Mirror) and Rehearsal in Black, Fables of Representation is a powerful collection of essays on the state of contemporary poetry, free from the stultifying theoretical jargon of recent literary history. With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period. Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture." Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.