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In 2010, poet Katharine Coles sailed across the Drake Passage to spend a month at a tiny Antarctic science station under the auspices of the National Science Foundation's Antarctic Artists and Writers Program. The Earth Is Not Flat, the collection of poems written out of her adventure, invokes the vast land- and seascapes as well as the fauna - penguins, seals, whales, and scientists -she encountered along the way.
The fight against evil remains at the core of this play, pitting Kamsi and her supporters against a few daring councillors. Skilfully scripted by a renowned actor and playwright, this drama exposes the alliances and explosive tensions in Nyong village overwhelmed by unseen but supposedly harmful forces. Spiced with witty proverbs and humour, The Earth Mother will not fail to thrill its readers.
Mungongoh intends to establish a useful relationship with Earth. But the people of Mungongoh are distrustful of earthlings. The earthlings have an abusive life style and always over indulge. Mungongoh however concludes a fruitful relationship with Earth is possible. How would they withstand the intrigues of Musoh, the most secret and most powerful criminal organization on Earth? How would they contain the High One ñ the cruel, unforgiving, power hungry head of Musoh?
In the hands of award-winning writer Scott Russell Sanders, the essay becomes an inquisitive and revelatory form of art. In 30 of his finest essays—nine never before collected—Sanders examines his Midwestern background, his father's drinking, his opposition to war, his literary inheritance, and his feeling for wildness. He also tackles such vital issues as the disruption of Earth's climate, the impact of technology, the mystique of money, the ideology of consumerism, and the meaning of sustainability. Throughout, he asks perennial questions: What is a good life? How do family and culture shape a person's character? How should we treat one another and the Earth? What is our role in the cosmos? Readers and writers alike will find wisdom and inspiration in Sanders's luminous and thought-provoking prose.
Rediscovering Our Planetary Senses
Earthbodies describes how our bodies are open circuits to a sensual magic and planetary care that when closed off leads to disastrous detours, such as illness, “dis-ease,” and toxicity. In doing so, it answers a variety of questions. Can we understand our bodies without understanding how they are part of a rhythmic flow with the rest of the planet? How can we decide how to treat the animals around us when we fail to realize the nature of our kinship with them? Without hearing the voices of the earth, rocks, and ocean waves, how can we dialogue with the planet or understand ourselves? Why are we so fascinated with film versions of nightmarish ghouls and vampires? How can celebrities impact more on our lives than our own families? What kind of human connection can we expect from the Internet? How is it that some of our adolescent boys shoot down their schoolmates? Despite our apparent cynicism, is our culture overly sentimental? What kind of ethics would help us find a moral way to achieve an inclusive global community and cherish the environment?
Material Culture and Metaphysics in the Heptameron and Evangelical Narrative
arthly Treasures maps the presence, position and use in the narrative of a variety of material objects in Marguerite de Navarre's Heptameron. There is a wide selection of objects, ranging from tapestries with scripture passages woven into the borders, fine arts paintings, chalices incised with proverbs, emblems, table linens, copies of Bibles or manuscripts, clothing, masks, stage props, jewelry, furniture and foodstuffs. Although the presence of such material objects seems paradoxical, given the scriptural mandate to disregard things of this world, and to "store up treasure", rather, in heaven, Marguerite found license to use such objects both in the Bible and in the daily life-oriented and artifact-studded sermons and writings collected in the Table Talk of Martin Luther.
The first novel in John Domini's Naples trilogy, Earthquake I.D. appeared in spring '07. Set in a famously troubled and romantic Southern Italian seaport, following the next earthquake, the story combines family and social crises with an element of fantasy and pervasive humor. The novel won wide critical praise and was nominated for a Pulitzer and other prizes. Richard Ford, an earlier Pulitzer winner, called it "a wonderful novel of an old-fashioned sort...a rich feast." Steve Erickson, author of Zeroville, called Domini "a writer of the world, with a deft talent for negotiating the currents of our age."In April 2009, an Italian translation appeared, under the title Terremoto Napoletano. Again reviews have been strong.
The Cultural Politics of Japanese Seismicity, 1868-1930
Accelerating seismic activity in late Meiji Japan climaxed in the legendary Great Nobi Earthquake of 1891, which rocked the main island from Tokyo to Osaka, killing thousands. Ironically, the earthquake brought down many "modern" structures built on the advice of foreign architects and engineers, while leaving certain traditional, wooden ones standing. This book, the first English-language history of modern Japanese earthquakes and earthquake science, considers the cultural and political ramifications of this and other catastrophic events on Japan’s relationship with the West, with modern science, and with itself. Gregory Clancey argues that seismicity was both the Achilles’ heel of Japan's nation-building project—revealing the state’s western-style infrastructure to be surprisingly fragile—and a new focus for nativizing discourses which credited traditional Japanese architecture with unique abilities to ride out seismic waves. Tracing his subject from the Meiji Restoration to the Great Kant Earthquake of 1923 (which destroyed Tokyo), Clancey shows earthquakes to have been a continual though mercurial agent in Japan’s self-fashioning; a catastrophic undercurrent to Japanese modernity. This innovative and absorbing study not only moves earthquakes nearer the center of modern Japan change—both materially and symbolically—but shows how fundamentally Japan shaped the global art, science, and culture of natural disaster.
An Introductory History
In this third edition of East Africa: An Introductory History, Robert M. Maxon revisits the diverse eastern region of Africa, including the modern nations of Kenya, Tanzania, and Uganda. With revised sections and a new preface, this comprehensive text surveys East Africa’s political, economic, and social history from pre-colonial to modern times. Maxon reveals the physical movement and societal development of and between ethnic groups before the 1890s; the capitalistic impact of European colonialism in the early nineteenth century; and the achievement and aftermath of independence in East Africa during the later part of this century. East Africa: An Introductory History documents the transformation of East Africa from the Stone Age to the first decade of the twenty-first century. The book is ideal for any reader interested in unraveling the intricate history of this East Africa, and especially for students coming to the study of this region for the first time.