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The Social Rituals and Domestic Relics of a Southern Woman
The eighteenth and nineteenth centuries saw both the consolidation of American print culture and the establishment of an African American literary tradition, yet the two are too rarely considered in tandem. In this landmark volume, a stellar group of established and emerging scholars ranges over periods, locations, and media to explore African Americans' diverse contributions to early American print culture, both on the page and off.
The book's seventeen chapters consider domestic novels and gallows narratives, Francophone poetry and engravings of Liberia, transatlantic lyrics and San Francisco newspapers. Together, they consider how close attention to the archive can expand the study of African American literature well beyond matters of authorship to include issues of editing, illustration, circulation, and reading—and how this expansion can enrich and transform the study of print culture more generally.
Published in cooperation with the Library Company of Philadelphia.
Maps were at the heart of cultural life in the Americas from before colonization to the formation of modern nation-states. The fourteen essays in Early American Cartographies examine indigenous and European peoples' creation and use of maps to better represent and understand the world they inhabited.
Drawing from both current historical interpretations and new interdisciplinary perspectives, this collection provides diverse approaches to understanding the multilayered exchanges that went into creating cartographic knowledge in and about the Americas. In the introduction, editor Martin Bruckner provides a critical assessment of the concept of cartography and of the historiography of maps. The individual essays, then, range widely over space and place, from the imperial reach of Iberian and British cartography to indigenous conceptualizations, including "dirty," ephemeral maps and star charts, to demonstrate that pre-nineteenth-century American cartography was at once a multiform and multicultural affair.
This volume not only highlights the collaborative genesis of cartographic knowledge about the early Americas; the essays also bring to light original archives and innovative methodologies for investigating spatial relations among peoples in the western hemisphere. Taken together, the authors reveal the roles of early American cartographies in shaping popular notions of national space, informing visual perception, animating literary imagination, and structuring the political history of Anglo- and Ibero-America.
The contributors are:
Martin Bruckner, University of Delaware
Michael J. Drexler, Bucknell University
Matthew H. Edney, University of Southern Maine
Jess Edwards, Manchester Metropolitan University
Junia Ferreira Furtado, Universidade Federal de Minas Gerais, Brazil
William Gustav Gartner, University of Wisconsin–Madison
Gavin Hollis, Hunter College of the City University of New York
Scott Lehman, independent scholar
Ken MacMillan, University of Calgary
Barbara E. Mundy, Fordham University
Andrew Newman, Stony Brook University
Ricardo Padron, University of Virginia
Judith Ridner, Mississippi State University
Story, Style, and Filmmaking, 1907–1913
The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format.
Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
Vol. 35, no. 3 (2000) through current issue
The journal of the Modem Language Association's American Literature Division 1, Early American Literature publishes the finest work of scholars examining American literature from its inception through the early national period, about 1830. Founded in 1965, EAL invites work treating Native American traditional expressions, colonial Ibero-American literature from North America, colonial American Francophone writings, Dutch colonial, and German American colonial literature as well as writings in English from British America and the US. http://earlyamlit.nd.edu/index.html
A Comparatist Approach
A. Owen Aldridge shows that early American literature is not an isolated phenomenon, but one affected by the same influences which operated upon other literatures of the period.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Selections from Bradstreet, Taylor, Dwight, Freneau, and Bryant
Here is the first major-figure anthology of American poetry of the colonial and early national periods, an indispensable volume for both students and scholars of American literature and civilization.
Five major literary figures are spotlighted: Anne Bradstreet (1612-1672), Edward Taylor (1642?"-1729), Timothy Dwight (1752-1817), Philip Freneau (1752-1832), and William Cullen Bryant (1794-1878). An introduction to each chapter summarizes the life of the poet, reviews his or her literary career, describes and evaluates artistic achievement, and places the poet in an intellectual context. The writer's relationship to changing religious, philosophical, political, and cultural patters is established. The contemporary perspective is augmented by the inclusion of an appendix which presents three important poems by other writers: Micheal Wigglesworth's "God's Controversy with New England," Ebenezer Cook's The Sot-Weed Factor, and Joel Barlow's "Hasty Pudding."
Eberwein goes beyond the most popular and familiar works to include those of unrecognized literary merit, presenting a thoroughly unique approach which illuminates the full range of the writers' themes, forms and poetic voices.
Vol. 1 (2003) through current issue
Early American Studies is a semiannual publication sponsored by The McNeil Center for Early American Studies at the University of Pennsylvania. Early American Studies is dedicated to publishing original research on a broad range of topics. Each issue is organized with the goal of fostering research and scholarly inquiry into the histories and cultures of North America in the Atlantic world before 1850. Special emphasis is focused on topics and issues centered in the mid-Atlantic region.
Making and Doing Things From the Colonial Era to 1850
This collection of original essays documents technology's centrality to the history of early America. Unlike much previous scholarship, this volume emphasizes the quotidian rather than the exceptional: the farm household seeking to preserve food or acquire tools, the surveyor balancing economic and technical considerations while laying out a turnpike, the woman of child-bearing age employing herbal contraceptives, and the neighbors of a polluted urban stream debating issues of property, odor, and health. These cases and others drawn from brewing, mining, farming, and woodworking enable the authors to address recent historiographic concerns, including the environmental aspects of technological change and the gendered nature of technical knowledge. Brooke Hindle's classic 1966 essay on early American technology is also reprinted, and his view of the field is reassessed. A bibliographical essay and summary of Hindle's bibliographic findings conclude the volume. The contributors are Judith A. McGaw, Robert C. Post, Susan E. Klepp, Michal McMahon, Patrick W. O'Bannon, Sarah F. McMahon, Donald C. Jackson, Robert B. Gordon, Carolyn C. Cooper, and Nina E. Lerman.