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The Youth of William Dean Howells
"Dancing in Chains is far more than a sensitive biography (though it is surely that); it is also a model of psychologically informed social and cultural history. Olsen recognizes that psychic conflicts often play themselves out on a higher plane, that psychic and intellectual history are intertwined. He presents a wonderful nuanced picture of Howells."
Jackson Lears,Rutgers University
In this insightful study of the childhood and youth of William Dean Howells, Dancing in Chains demonstrates how the turbulent social and cultural changes of the early nineteenth century shaped the young Howells's emotional and intellectual life. His early diaries, letters, poetry, fiction, and newspaper columns are used to illustrate Olsen's argument, which also in turn throws light on the dominant tensions in antebellum America.
Accepting the emergent middle-class ethos of civilized morality, with its new conceptions of child rearing and gender spheres, Howells's parents urged him to achieve self-control and individual success while also teaching him to seek the good of others rather than his own glory. For Howells the conflicts coalesced at the time of his leaving home, an increasing common rite of passage for antebellum youth. Trying to affirm his sense of literary vocation, he tested his aspirations against the family's Swedenborgian religious convictions and the antislavery commitments of his village while experimenting with competing literary ideologies in the process of meeting the demands of the new mass reading audience. For Howells the resulting tensions eased toward the end of his youth but reappeared in his more mature works of fiction and social criticism in later years.
Portraying the ordeal of coming of age during a momentous period of American history, Dancing in Chains is a fascinating study with a broad appeal to general readers as well as scholars.
Encompassing a vast gamut of personalities, situations, and emotions, these stories penetrate our motives for doing what is right. Often there is no right or wrong, and the characters' motives for the choices they make are as diverse as the childhood memories they cherish and abhor. In the end, this book probes individual impulse and responsibility, creating stories so unerringly authentic that they become—irrepressibly—part of everyone who reads them.
"The Darkness of Love" narrates three days in the life of a black policeman, distressed by his inner fears of racism and irresistibly attracted by his wife's sister. In "Dancing in the Movies" a college student returns to his hometown, where he finds his girlfriend—a heroin addict—and tries to convince her to overcome her habit. There are stories of men at war, of lovers trying to begin a relationship, of others trying to sustain their love. Each story revolves around characters with a choice to make, and Robert Boswell renders these characters in all of their fine, vulnerable, and relentless attributes.
With this prize-winning collection, Boswell proves himself a mature craftsperson, weaving stories both poignant and profound. Each story is a vision of life, alternately dark and joyous, gritty and hopeful.
Excavations In African American Dance
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing.
Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Ballrooms, Ballets, and Mobility in Victorian Fiction and Culture
Aztecs, Spaniards, and the Choreography of Conquest
Analyzing the extensive accounts of Aztec dance practices in colonial-era European chronicles, histories, letters, and travel books, this volume reveals the surprising and crucial role that dance played in the European conquest and colonization of the Americas.
From Creation Myths to the Big Bang
Available again, with a new preface, a physicist's "exceptionally clear summary of 2,500 years of science and a fascinating account of the ways in which it often does intersect with spiritual beliefs" --Kirkus Reviews Marcelo Gleiser refutes the notion that science and spirituality are irreconcilable. In The Dancing Universe, he traces mystical, philosophical, and scientific ideas about the cosmos through the past twenty-five centuries, from the ancient creation myths of numerous cultures to contemporary theories about an ever-expanding universe. He also explores the lives and ideas of history’s greatest scientists, including Copernicus, Galileo, Kepler, Newton, and Einstein. By exploring how scientists have unlocked the secrets of gravity, matter, time, and space, Gleiser offers fresh perspective on the debate between science and faith.
A Critical Biography of Arturo Islas
This first critical biography of Arturo Islas (19381991) brings to life the complex and overlapping worlds inhabited by the gay Chicano poet, novelist, scholar, and professor. Gracefully written and deeply researched, Dancing with Ghosts considers both the larger questions of Islas's life—his sexuality, racial identification, and political personality—and the events of his everyday existence, from his childhood in the borderlands of El Paso to his adulthood in San Francisco and at Stanford University. Frederick Aldama portrays the many facets of Islas's engaging and often contradictory personality. He also explores Islas's coming into the craft of poetry and fiction—his extraordinary struggle to publish his novels, The Rain God, La Mollie and the King of Tears, and Migrant Souls—as well as his pivotal role in paving the way for a new generation of Chicano/a scholars and writers.
Through a skillful interweaving of life history, criticism, and literary theory, Aldama paints an unusually rich and wide-ranging portrait of both the man and the eventful times in which he lived. He describes Islas's struggle with polio as a child, his near-death experience and ileostomy as a thirty-year-old beginning to explore his queer sexuality in San Francisco in the 1970s, and his fatal struggle with AIDS in the late 1980s. Drawing from hundreds of unpublished letters, lecture notes, drafts of essays, novels, and poetry archived at Stanford University, Aldama also deals frankly with the controversies that swirled around Islas's impassioned love life, his drug addictions, and his scholarly and professional career as one of the first Chicano/a professors in the United States. He discusses the importance of Islas's pioneering role in bridging Anglo, Latin American, Chicano/a, and European storytelling styles and voices. Dancing with Ghosts succeeds brilliantly both as an account of a fascinating life that embraced many different worlds and as a chronicle of the grand historical shifts that transformed the late-twentieth-century American cultural landscape.
Tales from the Township
Dancing with Life is a collection of short stories by Christopher Mlalazi. He has had stories published in anthologies inside and outside Zimbabwe, this is his first collection. "Christopher Mlalazi may well be the most promising young writer in Zimbabwe today. His fiction captures the edgy energy of townships where young people have learned to be light on their feet, their dancing born of economic necessity and mocking disrespect for traditional authority. Mlalazi depicts contemporary life in Zimbabwe with an uncompromising determination to explore grievous social wounds and with a creative panache that will win him readers within and beyond his home country." - Patricia Alden, Professor of African Literature, St Lawrence University "Christopher Mlalazi is the rising voice of the ghetto, with all its violence, sharp anger, bitter protestations and tangible promise of a better tomorrow." - Raisedon Baya, Writer and Columist "This collection sparkles with wit, sizzles with style and dances with life. It is a welcome addition to Zimbabwe's growing canon and will be read and enjoyed for years to come." - Petina Gappah, Writer and Critic
Bill Russell, K. C. Jones, Phil Woolpert, and One of College Basketball's Greatest and Most Innovative Teams