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Oui, mais comment?
Pour répondre aux nombreuses mutations du domaine de l'enseignement, sur le plan de la population scolaire, des philosophies d'enseignement ou encore des politiques de gestion des écoles, la formation initiale des enseignants s'est professionnalisée. Toutefois, pour assurer la qualité des systèmes éducatifs, il est crucial que le développement professionnel soit un processus continu. Malheureusement, la possibilité de participer aux activités de développement professionnel n'est pas offerte à tous les enseignants débutants, en raison des difficiles conditions d'embauche. Il n'est pas étonnant, dans ce contexte, que beaucoup d'enseignants abandonnent la profession avant même d'avoir pu acquérir les habiletés nécessaires à la création d'un climat d'apprentissage efficace pour les élèves. En associant la persévérance professionnelle au développement professionnel, les auteurs de cet ouvrage collectif proposent des réflexions approfondies afin de favoriser l'insertion professionnelle des enseignants débutants. Que ce soit par l'entremise de l'exploration théorique, des expériences de formation liées aux stages, des savoirs développés par une analyse réflexive, des représentations quant à la collaboration professionnelle et interprofessionnelle ou de l'analyse de programmes de soutien à l'insertion professionnelle, chaque contribution soulève un aspect capital en vue d'interventions précoces et mieux ciblées en réponse aux besoins des enseignants.
Alors que le monde entier découvre ou redécouvre la microfinance en 2006 avec la remise du prix Nobel de la paix au Bengladais Muhammad Yunus, promoteur du microcrédit, la réussite d’une organisation québécoise de type coopératif sur ce plan reste encore méconnue au Québec : celle de Développement international Desjardins (DID). S’intéressant à la stratégie de communication organisationnelle de cette composante du Mouvement Desjardins, l’auteure retrace les moments majeurs de son histoire et les associe aux grandes étapes de l’évolution de ses communications.
En explorant les rapports entre l'économie sociale et le développement local, les auteurs s'interrogent sur les possibilités qu'elle recèle pour corriger les inégalités. Voilà l'enjeu de l'évaluation des pratiques d'économie sociale. Il ne s'agit donc pas seulement de savoir si les fonds reçus de l'État sont utilisés à bon escient (ce à quoi on a souvent tendance à ramener l'évaluation), mais surtout de savoir si les pratiques respectent les intentions manifestées au départ. Cependant, les outils, les cadres d'interprétation et les méthodes nous font cruellement défaut. Ce livre désire ainsi contribuer à faire avancer la réflexion sur cette question dont on voit clairement les enjeux démocratiques.
Les bases du développement
Ce livre présente les connaissances et les hypothèses qui animent le domaine du développement social et émotionnel de l’enfant. Ce premier tome porte sur les aspects normatifs du développement, comme le tempérament, la relation d’attachement ou encore les influences génétiques et biologiques.
Living Organically in Russia's Countryside
Dacha Idylls is a lively account of dacha life and how Russians experience this deeply rooted tradition of the summer cottage amid the changing cultural, economic, and political landscape of postsocialist Russia. Simultaneously beloved and reviled, dachas wield a power that makes owning and caring for them an essential part of life. In this book, Melissa L. Caldwell captures the dacha’s abiding traditions and demonstrates why Russians insist that these dwellings are key to understanding Russian life. She draws on literary texts as well as observations from dacha dwellers to highlight this enduring fact of Russian culture at a time when so much has changed. Caldwell presents the dacha world in all its richness and complexity—a "good life" that draws inspiration from the natural environment in which it is situated.
The Harrowing of Hell
A U.S. Army doctor describes the fight to save 32,000 survivors of Dachau. Marcus Smith was the sole medical officer attached to a small displaced person (DP) team that was sent to the Dachau concentration camp the day after it was liberated by Allied troops and several days before the shocking conditions of the camp were publicized throughout the world. Several years after his experience at Dachau, believing that we must never forget what happened, Smith unearthed his notes and the daily letters he wrote to his wife and used them as source materials for Dachau: The Harrowing of Hell. From the perspective of a young physician, Smith describes his experiences, shedding light on the immense difficulties and complexities of the large-scale tasks the small DP team completed, against great odds, to combat epidemic diseases and starvation and repatriate the former prisoners. Smith also describes some of the people the team tried to help—men, women, and children from all walks of life, of many nationalities and religions. Smith tells his moving story objectively, with simplicity and grace. While this book is the story of man’s inhumanity to man, it is more than an account of Nazi persecution. It is about how Smith, whose previous experience had not prepared him for the immense horror of what he encountered at Dachau, quickly became a public health expert; how a small team improvised relief and combated a typhus epidemic; and how the soldiers of different countries had to get along with each other while dealing with the prejudices of some of the displaced people they were trying to help. Dachau contains six drawings by noted European artist Zoran Music, who was arrested by the Gestapo in Venice in 1944 and incarcerated at Dachau. The drawings were given to Smith when he left Dachau.
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life.
This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the DADA and Surrealist movements as responses to the advent of the cinema.
Men who are Senior Citizens can be quite interesting. There are quite a few who are tired and simply want to enjoy a deserved rest by the side of their old wives. There are others who still have much energy and want to remain very active. The worst among these are those who spent their youth deprived of any form of excitement. This could have been either because they lacked the opportunities, or were too shy and withdrawn to look for fun. Now, with the funds available and women at their disposal, they insist on catching up with lost time. Daddy is a hilarious book for old men and women. However, since all the young men and women of today will grow old someday, they should have a go at having an exciting life and prepare themselves to best enjoy the escapades of men who are on the leeward side of life.
A Celebrity Preacher and His House of Prayer
Charles Manuel “Sweet Daddy” Grace founded the United House of Prayer for All People in Wareham, Massachusetts, in 1919. This charismatic church has been regarded as one of the most extreme Pentecostal sects in the country. In addition to attention-getting maneuvers such as wearing purple suits with glitzy jewelry, purchasing high profile real estate, and conducting baptisms in city streets with a fire hose, the flamboyant Grace reputedly accepted massive donations from his poverty-stricken followers and used the money to live lavishly. It was assumed by many that Grace was the charismatic glue that held his church together, and that once he was gone the institution would disintegrate. Instead, following his 1960 death there was a period of confusion, restructuring, and streamlining. Today the House of Prayer remains an active church with a national membership in the tens of thousands.
Daddy Grace: A Celebrity Preacher and His House of Prayer seriously examines the religious nature of the House of Prayer, the dimensions of Grace’s leadership strategies, and the connections between his often ostentatious acts and the intentional infrastructure of the House of Prayer. Furthermore, woven through the text are analyses of the race, class, and gender issues manifest in the House of Prayer structure under Grace’s aegis.
Marie W. Dallam here offers both a religious history of the House of Prayer as an institution and an intellectual history of its colorful and enigmatic leader.
A Memoir of Farm and Family
Jo McDougall brings a poet’s sensibility to memoir. Recounting five generations of Delta rice farmers, through family archives and oral histories, she traces how the clan made their way into the fabric of America, beginning with her Belgian-immigrant grandfather, a pioneer rice farmer on the Arkansas Delta at the turn of the twentieth century. As John Grisham has for a 1950s Arkansas cotton farm, McDougall illuminates an Arkansas rice farm in the 1930s and 1940s. The Garot family’s acreage near DeWitt and the town itself provide the stage for McDougall’s wry, compelling, and layered account of the day-to-day of rice growing on the farm that her father inherited. In that setting she discovers a rich “universe of words” in the Great Depression, comes of age during World War II, and finds her way alongside “that whole quirky, compelling cast of characters” that comprised her kin. In this conflicted, ironic, southern-but-universal account of betrayal, heartbreak, loss, and joy, “the vagaries and the grace” of the land join forces with the power of money as family bonds are both forged and dissolved. Deeply felt, unsentimental, and often humorous, Daddy’s Money presents McDougall’s life and the lives of her relatives in the way that all our lives are eventually framed—as stories. “When all else is lost,” the author maintains, “the stories remain.”